Sunlight And Sea
Give me the sunlight and the sea
And who shall take my heaven from me?
Light of the Sun, Life of the Sun,
O happy, bold companion,
Whose golden laughters round me run,
Making wine of the blue air
With wild-rose kisses everywhere,
Browning the limb, flushing the cheek,
Apple-fragrant, leopard-sleek,
Dancing from thy red-curtained East
Like a Nautch-girl to my feast,
Proud because her lord, the Spring,
Praised the way those anklets ring;
Or wandering like a white Greek maid
Leaf-dappled through the dancing shade,
Where many a green-veined leaf imprints
Breast and limb with emerald tints,
That softly net her silken shape
But let the splendour still escape,
While rosy ghosts of roses flow
Over the supple rose and snow.
But sweetest, fairest is thy face,
When we meet, when we embrace,
Where the white sand sleeps at noon
Round that lonely blue lagoon,
Fringed with one white reef of coral
Where the sea-birds faintly quarrel
And the breakers on the reef
Fade into a dream of grief,
And the palm-trees overhead
Whisper that all grief is dead.
Sister Sunlight, lead me then
Into thy healing seas again....
For when we swim out, side by side,
Like a lover with his bride,
When thy lips are salt with brine,
And thy wild eyes flash in mine,
The music of a mightier sea
Beats with my blood in harmony.
I breast the primal flood of being,
Too clear for speech, too near for seeing;
And to his heart, new reconciled,
The Eternal takes his earth-bound child.
Who the essential secret spells
In those gigantic syllables,--
Flowing, ebbing, ebbing, flowing,--
Gathers wisdom past all knowing.
Song of the Sea, I hear, I hear,
That deeper music of the sphere,
Catch the rhythm of sun and star,
And know what light and darkness are;
Ay, faint beginnings of a rhyme
That swells beyond the tides of time;
Beat with thy rhythm in blood and breath,
And make one song of life and death.
I hear, I hear, and rest content,
Merged in the primal element,
The old element whence life arose,
The fount of youth, to which it goes.
Give me the sunlight and the sea
And who shall take my heaven from me?
poem by Alfred Noyes
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Related quotes
The Fairy Bridal-Hymn
[This is the hymn to Eleanor, daughter of Mab and a golden drone, sung by the Locust choir when the fairy child marries her God, the yellow rose]
This is a song to the white-armed one
Cold in the breast as the frost-wrapped Spring,
Whose feet are slow on the hills of life,
Whose round mouth rules by whispering.
This is a song to the white-armed one
Whose breast shall burn as a Summer field,
Whose wings shall rise to the doors of gold,
Whose poppy lips to the God shall yield.
This is a song to the white-armed one
When the closing rose shall bind her fast,
And a song of the song their blood shall sing,
When the Rose-God drinks her soul at last.
poem by Vachel Lindsay
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Night
Fair is the wedded reign of Night and Day.
Each rules a half of earth with different sway,
Exchanging kingdoms, East and West, alway.
Like the round pearl that Egypt drunk in wine,
The sun half sinks i' the brimming, rosy brine:
The wild Night drinks all up: how her eyes shine!
Now the swift sail of straining life is furled,
And through the stillness of my soul is whirled
The throbbing of the hearts of half the world.
I hear the cries that follow Birth and Death.
I hear huge Pestilence draw his vaporous breath:
"Beware, prepare, or else ye die," he saith.
I hear a haggard student turn and sigh:
I hear men begging Heaven to let them die:
And, drowning all, a wild-eyed woman's cry.
So Night takes toll of Wisdom as of Sin.
The student's and the drunkard's cheek is thin:
But flesh is not the prize we strive to win.
Now airy swarms of fluttering dreams descend
On souls, like birds on trees, and have no end.
O God, from vulture-dreams my soul defend!
Let fall on Her a rose-leaf rain of dreams,
All passionate-sweet, as are the loving beams
Of starlight on the glimmering woods and streams.
poem by Sidney Lanier
Submitted by Poetry Lover
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The Summons
In morning
you sent
towering clouds
and fine ice driven
into spring roses,
red petals scattered
on pure white ground
and took my breath away,
so now I seek you
like death
clear and clean
in lingering day
as green and golden,
long shadows flow east
and birdsong fills
nodding trees.
Breathless
I hear you
in gentle rhythm
of swaying wind
I hear my father’s
song again
empty at last
fulfilled.
poem by Steven Federle
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Late Loved--Well Loved
He stood beside her in the dawn
(And she his Dawn and she his Spring),
From her bright palm she fed her fawn,
Her swift eyes chased the swallow's wing:
Her restless lips, smile-haunted, cast
Shrill silver calls to hound and dove:
Her young locks wove them with the blast.
To the flush'd, azure shrine above,
The light boughs o'er her golden head
Toss'd em'rald arm and blossom palm.
The perfume of their prayer was spread
On the sweet wind in breath of balm.
'Dawn of my heart,' he said, 'O child,
Knit thy pure eyes a space with mine:
O chrystal, child eyes, undefiled,
Let fair love leap from mine to thine!'
'The Dawn is young,' she smiled and said,
'Too young for Love's dear joy and woe;
Too young to crown her careless head
With his ripe roses. Let me go--
Unquestion'd for a longer space,
Perchance, when day is at the flood,
In thy true palm I'll gladly place
Love's flower in its rounding bud.
But now the day is all too young,
The Dawn and I are playmates still.'
She slipped the blossomed boughs among,
He strode beyond the violet hill.
Again they stand (Imperial noon
Lays her red sceptre on the earth),
Where golden hangings make a gloom,
And far off lutes sing dreamy mirth.
The peacocks cry to lily cloud,
From the white gloss of balustrade:
Tall urns of gold the gloom make proud,
Tall statues whitely strike the shade,
And pulse in the dim quivering light
Until, most Galatea-wise--
Each looks from base of malachite
With mystic life in limbs and eyes.
Her robe, (a golden wave that rose,
And burst, and clung as water clings
To her long curves) about her flows.
Each jewel on her white breast sings
Its silent song of sun and fire.
No wheeling swallows smite the skies
And upward draw the faint desire,
Weaving its myst'ry in her eyes.
In the white kisses of the tips
Of her long fingers lies a rose,
Snow-pale beside her curving lips,
Red by her snowy breast it glows.
'Noon of my soul,' he says, 'behold!
The day is ripe, the rose full blown,
Love stands in panoply of gold,
To Jovian height and strength now grown,
No infant he, a king he stands,
And pleads with thee for love again.'
'Ah, yes!' she says, 'in known lands,
He kings it--lord of subtlest pain;
The moon is full, the rose is fair--
Too fair! 'tis neither white nor red:
'I know the rose that love should wear,
Must redden as the heart had bled!
The moon is mellow bright, and I
Am happy in its perfect glow.
The slanting sun the rose may dye--
But for the sweet noon--let me go.'
She parted--shimm'ring thro' the shade,
Bent the fair splendour of her head:
'Would the rich noon were past,' he said,
Would the pale rose were flush'd to red!'
Again. The noon is past and night
Binds on his brow the blood red Mars--
Down dusky vineyards dies the fight,
And blazing hamlets slay the stars.
Shriek the shrill shells: the heated throats
Of thunderous cannon burst--and high
Scales the fierce joy of bugle notes:
The flame-dimm'd splendours of the sky.
He, dying, lies beside his blade:
Clear smiling as a warrior blest
With victory smiles, thro' sinister shade
Gleams the White Cross upon her breast.
'Soul of my soul, or is it night
Or is it dawn or is it day?
I see no more nor dark nor light,
I hear no more the distant fray.'
''Tis Dawn,' she whispers: 'Dawn at last!
Bright flush'd with love's immortal glow
For me as thee, all earth is past!
Late loved--well loved, now let us go!'
poem by Isabella Valancy Crawford
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I Was Born Of Music
I was born of music, with rhythm in my blood.
My tunes are alive, and move like a rivers flood.
I walk down the long path of quivering notes,
And I make music out of legendary quotes.
Music is in my soul, I was born of its power,
It's with me every second, every minute and hour.
It is as if I was created in Cohen's Tower of song
And I feel that if that's so, it's not so wrong.
When I breathe the air that fulfills my life's dreams
What comes out is not all what it truly seems,
I exhale the music from my heart and soul,
And that is what makes my life feel very whole.
I am a river of music that flows through time
I am your love song, your rhythm and your rhyme.
I provide you comfort in your true time of need.
I am the lyrics of all life, for you all to read.
I was born of music, of this I am sure of,
Music, it consumes me, it's my only true love
Put your ear to the ground and listen to the earth
And you will hear and feel where music was birthed
Piano keys of white and black, guitar strings so thin
Drums ready to set the beat, a singer with a grin.
These are all friends of mine, that make my music bright,
These are all friends of mind that make my so life right.
REB (MARCH 2012) God Bless the music of the world, and those that make it.
poem by Rik Bertrand
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Seven Years Old
I.
SEVEN white roses on one tree,
Seven white loaves of blameless leaven,
Seven white sails on one soft sea,
Seven white swans on one lake’s lee,
Seven white flowerlike stars in heaven,
All are types unmeet to be
For a birthday’s crown of seven.
II.
Not the radiance of the roses,
Not the blessing of the bread,
Not the breeze that ere day grows is
Fresh for sails and swans, and closes
Wings above the sun’s grave spread,
When the starshine on the snows is
Sweet as sleep on sorrow shed,
III.
Nothing sweetest, nothing best,
Holds so good and sweet a treasure
As the love wherewith once blest
Joy grows holy, grief takes rest,
Life, half tired with hours to measure,
Fills his eyes and lips and breast
With most light and breath of pleasure
IV.
As the rapture unpolluted,
As the passion undefiled,
By whose force all pains heart-rooted
Are transfigured and transmuted,
Recompensed and reconciled,
Through the imperial, undisputed,
Present godhead of a child.
V.
Brown bright eyes and fair bright head,
Worth a worthier crown than this is,
Worth a worthier song instead,
Sweet grave wise round mouth, full fed
With the joy of love, whose bliss is
More than mortal wine and bread,
Lips whose words are sweet as kisses,
VI.
Little hands so glad of giving,
Little heart so glad of love,
Little soul so glad of living,
While the strong swift hours are weaving
Light with darkness woven above,
Time for mirth and time for grieving,
Plume of raven and plume of dove,
VII.
I can give you but a word
Warm with love therein for leaven,
But a song that falls unheard
Yet on ears of sense unstirred
Yet by song so far from heaven,
Whence you came the brightest bird,
Seven years since, of seven times seven.
poem by Algernon Charles Swinburne
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The Year of the Rose
From the depths of the green garden-closes
Where the summer in darkness dozes
Till autumn pluck from his hand
An hour-glass that holds not a sand;
From the maze that a flower-belt encloses
To the stones and sea-grass on the strand
How red was the reign of the roses
Over the rose-crowned land!
The year of the rose is brief;
From the first blade blown to the sheaf,
From the thin green leaf to the gold,
It has time to be sweet and grow old,
To triumph and leave not a leaf
For witness in winter's sight
How lovers once in the light
Would mix their breath with its breath,
And its spirit was quenched not of night,
As love is subdued not of death.
In the red-rose land not a mile
Of the meadows from stile to stile,
Of the valleys from stream to stream,
But the air was a long sweet dream
And the earth was a sweet wide smile
Red-mouthed of a goddess, returned
From the sea which had borne her and burned,
That with one swift smile of her mouth
Looked full on the north as it yearned,
And the north was more than the south.
For the north, when winter was long,
In his heart had made him a song,
And clothed it with wings of desire,
And shod it with shoon as of fire,
To carry the tale of his wrong
To the south-west wind by the sea,
That none might bear it but he
To the ear of the goddess unknown
Who waits till her time shall be
To take the world for a throne.
In the earth beneath, and above
In the heaven where her name is love,
She warms with light from her eyes
The seasons of life as they rise,
And her eyes are as eyes of a dove,
But the wings that lift her and bear
As an eagle's, and all her hair
As fire by the wind's breath curled,
And her passage is song through the air,
And her presence is spring through the world.
So turned she northward and came,
And the white-thorn land was aflame
With the fires that were shed from her feet,
That the north, by her love made sweet,
Should be called by a rose-red name;
And a murmur was heard as of doves,
And a music beginning of loves
In the light that the roses made,
Such light as the music loves,
The music of man with maid.
But the days drop one upon one,
And a chill soft wind is begun
In the heart of the rose-red maze
That weeps for the roseleaf days
And the reign of the rose undone
That ruled so long in the light,
And by spirit, and not by sight,
Through the darkness thrilled with its breath,
Still ruled in the viewless night,
As love might rule over death.
The time of lovers is brief;
From the fair first joy to the grief
That tells when love is grown old,
From the warm wild kiss to the cold,
From the red to the white-rose leaf,
They have but a season to seem
As rose-leaves lost on a stream
That part not and pass not apart
As a spirit from dream to dream,
As a sorrow from heart to heart.
From the bloom and the gloom that encloses
The death-bed of Love where he dozes
Till a relic be left not of sand
To the hour-glass that breaks in his hand;
From the change in the grey garden-closes
To the last stray grass of the strand,
A rain and ruin of roses
Over the red-rose land.
poem by Algernon Charles Swinburne
Submitted by Poetry Lover
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Blue
Blue, but you are Rose, too,
and buttermilk, but with blood
dots showing through.
A little salty your white
nape boy-wide.Glinting hairs
shoot back of your ears' Rose
that tongues like to feel
the maze of, slip into the funnel,
tell a thunder-whisper to.
When I kiss, your eyes' straight
lashes down crisp go like doll's
blond straws.Glazed iris Roses,
your lids unclose to Blue-ringed
targets, their dark sheen-spokes
almost green.I sink in Blue-
black Rose-heart holes until you
blink.Pink lips, the serrate
folds taste smooth, and Rosehip-
round, the center bud I suck.
I milknip your two Blue-skeined
blown Rose beauties, too, to sniff
their berries' blood, up stiff
pink tips.You're white in
patches, only mostly Rose,
buckskin and saltly, speckled
like a sky.I love your spots,
your white neck, Rose, your hair's
wild straw splash, silk spools
for your ears.But where white
spouts out, spills on your brow
to clear eyepools, wheel shafts
of light, Rose, you are Blue.
poem by May Swenson
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Tiare Tahiti
Mamua, when our laughter ends,
And hearts and bodies, brown as white,
Are dust about the doors of friends,
Or scent ablowing down the night,
Then, oh! then, the wise agree,
Comes our immortality.
Mamua, there waits a land
Hard for us to understand.
Out of time, beyond the sun,
All are one in Paradise,
You and Pupure are one,
And Tau, and the ungainly wise.
There the Eternals are, and there
The Good, the Lovely, and the True,
And Types, whose earthly copies were
The foolish broken things we knew;
There is the Face, whose ghosts we are;
The real, the never-setting Star;
And the Flower, of which we love
Faint and fading shadows here;
Never a tear, but only Grief;
Dance, but not the limbs that move;
Songs in Song shall disappear;
Instead of lovers, Love shall be;
For hearts, Immutability;
And there, on the Ideal Reef,
Thunders the Everlasting Sea!
And my laughter, and my pain,
Shall home to the Eternal Brain.
And all lovely things, they say,
Meet in Loveliness again;
Miri's laugh, Teipo's feet,
And the hands of Matua,
Stars and sunlight there shall meet,
Coral's hues and rainbows there,
And Teura's braided hair;
And with the starred 'tiare's' white,
And white birds in the dark ravine,
And 'flamboyants' ablaze at night,
And jewels, and evening's after-green,
And dawns of pearl and gold and red,
Mamua, your lovelier head!
And there'll no more be one who dreams
Under the ferns, of crumbling stuff,
Eyes of illusion, mouth that seems,
All time-entangled human love.
And you'll no longer swing and sway
Divinely down the scented shade,
Where feet to Ambulation fade,
And moons are lost in endless Day.
How shall we wind these wreaths of ours,
Where there are neither heads nor flowers?
Oh, Heaven's Heaven! -- but we'll be missing
The palms, and sunlight, and the south;
And there's an end, I think, of kissing,
When our mouths are one with Mouth. . . .
'Tau here', Mamua,
Crown the hair, and come away!
Hear the calling of the moon,
And the whispering scents that stray
About the idle warm lagoon.
Hasten, hand in human hand,
Down the dark, the flowered way,
Along the whiteness of the sand,
And in the water's soft caress,
Wash the mind of foolishness,
Mamua, until the day.
Spend the glittering moonlight there
Pursuing down the soundless deep
Limbs that gleam and shadowy hair,
Or floating lazy, half-asleep.
Dive and double and follow after,
Snare in flowers, and kiss, and call,
With lips that fade, and human laughter
And faces individual,
Well this side of Paradise! . . .
There's little comfort in the wise.
poem by Rupert Brooke (1914)
Submitted by Veronica Serbanoiu
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The House Of Dust: Part 03: 02: The Screen Maiden
You read—what is it, then that you are reading?
What music moves so silently in your mind?
Your bright hand turns the page.
I watch you from my window, unsuspected:
You move in an alien land, a silent age . . .
. . . The poet—what was his name—? Tokkei—Tokkei—
The poet walked alone in a cold late rain,
And thought his grief was like the crying of sea-birds;
For his lover was dead, he never would love again.
Rain in the dreams of the mind—rain forever—
Rain in the sky of the heart—rain in the willows—
But then he saw this face, this face like flame,
This quiet lady, this portrait by Hiroshigi;
And took it home with him; and with it came
What unexpected changes, subtle as weather!
The dark room, cold as rain,
Grew faintly fragrant, stirred with a stir of April,
Warmed its corners with light again,
And smoke of incense whirled about this portrait,
And the quiet lady there,
So young, so quietly smiling, with calm hands,
Seemed ready to loose her hair,
And smile, and lean from the picture, or say one word,
The word already clear,
Which seemed to rise like light between her eyelids . .
He held his breath to hear,
And smiled for shame, and drank a cup of wine,
And held a candle, and searched her face
Through all the little shadows, to see what secret
Might give so warm a grace . . .
Was it the quiet mouth, restrained a little?
The eyes, half-turned aside?
The jade ring on her wrist, still almost swinging? . . .
The secret was denied,
He chose his favorite pen and drew these verses,
And slept; and as he slept
A dream came into his heart, his lover entered,
And chided him, and wept.
And in the morning, waking, he remembered,
And thought the dream was strange.
Why did his darkened lover rise from the garden?
He turned, and felt a change,
As if a someone hidden smiled and watched him . . .
Yet there was only sunlight there.
Until he saw those young eyes, quietly smiling,
And held his breath to stare,
And could have sworn her cheek had turned—a little . . .
Had slightly turned away . . .
Sunlight dozed on the floor . . . He sat and wondered,
Nor left his room that day.
And that day, and for many days thereafter,
He sat alone, and thought
No lady had ever lived so beautiful
As Hiroshigi wrought . . .
Or if she lived, no matter in what country,
By what far river or hill or lonely sea,
He would look in every face until he found her . . .
There was no other as fair as she.
And before her quiet face he burned soft incense,
And brought her every day
Boughs of the peach, or almond, or snow-white cherry,
And somehow, she seemed to say,
That silent lady, young, and quietly smiling,
That she was happy there;
And sometimes, seeing this, he started to tremble,
And desired to touch her hair,
To lay his palm along her hand, touch faintly
With delicate finger-tips
The ghostly smile that seemed to hover and vanish
Upon her lips . . .
Until he knew he loved this quiet lady;
And night by night a dread
Leered at his dreams, for he knew that Hiroshigi
Was many centuries dead,—
And the lady, too, was dead, and all who knew her . .
Dead, and long turned to dust . . .
The thin moon waxed and waned, and left him paler,
The peach leaves flew in a gust,
And he would surely have died; but there one day
A wise man, white with age,
Stared at the portrait, and said, 'This Hiroshigi
Knew more than archimage,—
Cunningly drew the body, and called the spirit,
Till partly it entered there . . .
Sometimes, at death, it entered the portrait wholly . .
Do all I say with care,
And she you love may come to you when you call her . . . '
So then this ghost, Tokkei,
Ran in the sun, bought wine of a hundred merchants,
And alone at the end of day
Entered the darkening room, and faced the portrait,
And saw the quiet eyes
Gleaming and young in the dusk, and held the wine-cup,
And knelt, and did not rise,
And said, aloud, 'Lo-san, will you drink this wine?'
Said it three times aloud.
And at the third the faint blue smoke of incense
Rose to the walls in a cloud,
And the lips moved faintly, and the eyes, and the calm hands stirred;
And suddenly, with a sigh,
The quiet lady came slowly down from the portrait,
And stood, while worlds went by,
And lifted her young white hands and took the wine cup;
And the poet trembled, and said,
'Lo-san, will you stay forever?'—'Yes, I will stay.'—
'But what when I am dead?'
'When you are dead your spirit will find my spirit,
And then we shall die no more.'
Music came down upon them, and spring returning,
They remembered worlds before,
And years went over the earth, and over the sea,
And lovers were born and spoke and died,
But forever in sunlight went these two immortal,
Tokkei and the quiet bride . . .
poem by Conrad Potter Aiken
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How Is It That I Am Now So Softly Awakened
How is it that I am now so softly awakened,
My leaves shaken down with music?—
Darling, I love you.
It is not your mouth, for I have known mouths before,—
Though your mouth is more alive than roses,
Roses singing softly
To green leaves after rain.
It is not your eyes, for I have dived often in eyes,—
Though your eyes, even in the yellow glare of footlights,
Are windows into eternal dusk.
Nor is it the live white flashing of your feet,
Nor your gay hands, catching at motes in the spotlight;
Nor the abrupt thick music of your laughter,
When, against the hideous backdrop,
With all its crudities brilliantly lighted,
Suddenly you catch sight of your alarming shadow,
Whirling and contracting.
How is it, then, that I am so keenly aware,
So sensitive to the surges of the wind, or the light,
Heaving silently under blue seas of air?—
Darling, I love you, I am immersed in you.
It is not the unraveled night-time of your hair,—
Though I grow drunk when you press it upon my face:
And though when you gloss its length with a golden brush
I am strings that tremble under a bow.
It was that night I saw you dancing,
The whirl and impalpable float of your garment,
Your throat lifted, your face aglow
(Like waterlilies in moonlight were your knees).
It was that night I heard you singing
In the green-room after your dance was over,
Faint and uneven through the thickness of walls.
(How shall I come to you through the dullness of walls,
Thrusting aside the hands of bitter opinion?)
It was that afternoon, early in June,
When, tired with a sleepless night, and my act performed,
Feeling as stale as streets,
We met under dropping boughs, and you smiled to me:
And we sat by a watery surface of clouds and sky.
I hear only the susurration of intimate leaves;
The stealthy gliding of branches upon slow air.
I see only the point of your chin in sunlight;
And the sinister blue of sunlight on your hair.
The sunlight settles downward upon us in silence.
Now we thrust up through grass blades and encounter,
Pushing white hands amid the green.
Your face flowers whitely among cold leaves.
Soil clings to you, bark falls from you,
You rouse and stretch upward, exhaling earth, inhaling sky,
I touch you, and we drift off together like moons.
Earth dips from under.
We are alone in an immensity of sunlight,
Specks in an infinite golden radiance,
Whirled and tossed upon silent cataracts and torrents.
Give me your hand darling! We float downward.
poem by Conrad Potter Aiken
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The House Of Dust: Part 04: 05: The Bitter Love-Song
No, I shall not say why it is that I love you—
Why do you ask me, save for vanity?
Surely you would not have me, like a mirror,
Say 'yes,—your hair curls darkly back from the temples,
Your mouth has a humorous, tremulous, half-shy sweetness,
Your eyes are April grey. . . .with jonquils in them?'
No, if I tell at all, I shall tell in silence . . .
I'll say—my childhood broke through chords of music
—Or were they chords of sun?—wherein fell shadows,
Or silences; I rose through seas of sunlight;
Or sometimes found a darkness stooped above me
With wings of death, and a face of cold clear beauty. .
I lay in the warm sweet grass on a blue May morning,
My chin in a dandelion, my hands in clover,
And drowsed there like a bee. . . .blue days behind me
Stretched like a chain of deep blue pools of magic,
Enchanted, silent, timeless. . . .days before me
Murmured of blue-sea mornings, noons of gold,
Green evenings streaked with lilac, bee-starred nights.
Confused soft clouds of music fled above me.
Sharp shafts of music dazzled my eyes and pierced me.
I ran and turned and spun and danced in the sunlight,
Shrank, sometimes, from the freezing silence of beauty,
Or crept once more to the warm white cave of sleep.
No, I shall not say 'this is why I praise you—
Because you say such wise things, or such foolish. . .'
You would not have me say what you know better?
Let me instead be silent, only saying—:
My childhood lives in me—or half-lives, rather—
And, if I close my eyes cool chords of music
Flow up to me . . . long chords of wind and sunlight. . . .
Shadows of intricate vines on sunlit walls,
Deep bells beating, with aeons of blue between them,
Grass blades leagues apart with worlds between them,
Walls rushing up to heaven with stars upon them. . .
I lay in my bed and through the tall night window
Saw the green lightning plunging among the clouds,
And heard the harsh rain storm at the panes and roof. . . .
How should I know—how should I now remember—
What half-dreamed great wings curved and sang above me?
What wings like swords? What eyes with the dread night in them?
This I shall say.—I lay by the hot white sand-dunes. .
Small yellow flowers, sapless and squat and spiny,
Stared at the sky. And silently there above us
Day after day, beyond our dreams and knowledge,
Presences swept, and over us streamed their shadows,
Swift and blue, or dark. . . .What did they mean?
What sinister threat of power? What hint of beauty?
Prelude to what gigantic music, or subtle?
Only I know these things leaned over me,
Brooded upon me, paused, went flowing softly,
Glided and passed. I loved, I desired, I hated,
I struggled, I yielded and loved, was warmed to blossom . . .
You, when your eyes have evening sunlight in them,
Set these dunes before me, these salt bright flowers,
These presences. . . .I drowse, they stream above me,
I struggle, I yield and love, I am warmed to dream.
You are the window (if I could tell I'd tell you)
Through which I see a clear far world of sunlight.
You are the silence (if you could hear you'd hear me)
In which I remember a thin still whisper of singing.
It is not you I laugh for, you I touch!
My hands, that touch you, suddenly touch white cobwebs,
Coldly silvered, heavily silvered with dewdrops;
And clover, heavy with rain; and cold green grass. . .
poem by Conrad Potter Aiken
Submitted by Poetry Lover
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Snowpowder
Snowpowder sprinkled in my hair
I reach for her, but she’s not there.
Her soft golden hair, no longer by my side,
her emerald eyes, that for me were blind.
Deep pools of green, I can’t deny.
Her skis are gone, the track is fresh,
the first ripples of pain, stir beneath my breast.
From this moment forth, I’ll know no rest.
A single tear lies upon my cheek
A silver pear; a glistening streak
My heart is broken, I cannot speak.
I can see her face within the mist
still see her smile
that from enjoyment grew
still see the pleasure
within her eyes, that I once knew.
I can see the movement of her lips
those tender lips when she spoke to me
the feel of them that set me free.
I hear her laughter on the wind
a honey sweet voice like morning dew.
So clear and still hanging on the breeze
it stirs my heart, sucks forth my breath.
Snowpowder sprinkled in my hair
Desperation, Grief, Despair.
A silent cry an inward tear
a choked-up so bursting from within
a heart-reaching moan
that split the air.
My hand she took in a last embrace
with a parting kiss she sealed my fate
my body rocks, now convulsively shakes.
The sun is bright now, sky cream white blue
but my heart is cold still, dead through you.
Our love was strong once wild and free.
Like a flower growing in scorching desert sands
the fragrance of it, captivated me.
The beauty withers
Its time is past.
The seeds are sown
Some may last.
Alone in the snow
This life I part.
poem by Terence George Craddock
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Feast Of The Assumption
Dark! Dark! Dark!
The sun is set; the day is dead:
Thy Feast has fled;
My eyes are wet with tears unshed;
I bow my head;
Where the star-fringed shadows softly sway
I bend my knee,
And, like a homesick child, I pray,
Mary, to thee.
Dark! Dark! Dark!
And, all the day -- since white-robed priest
In farthest East,
In dawn's first ray -- began the Feast,
I -- I the least --
Thy least, and last, and lowest child,
I called on thee!
Virgin! didst hear? my words were wild;
Didst think of me?
Dark! Dark! Dark!
Alas! and no! The angels bright,
With wings as white
As a dream of snow in love and light,
Flashed on thy sight;
They shone like stars around thee, Queen!
I knelt afar --
A shadow only dims the scene
Where shines a star!
Dark! Dark! Dark!
And all day long, beyond the sky,
Sweet, pure, and high,
The angel's song swept sounding by
Triumphantly;
And when such music filled thy ear,
Rose round thy throne,
How could I hope that thou wouldst hear
My far, faint moan?
Dark! Dark! Dark!
And all day long, where altars stand,
Or poor or grand,
A countless throng from every land,
With lifted hand,
Winged hymns to thee from sorrow's vale
In glad acclaim;
How couldst thou hear my lone lips wail
Thy sweet, pure name?
Dark! Dark! Dark!
Alas! and no! Thou didst not hear
Nor bend thy ear,
To prayer of woe as mine so drear;
For hearts more dear
Hid me from hearing and from sight
This bright Feast-day;
Wilt hear me, Mother, if in its night
I kneel and pray?
Dark! Dark! Dark!
The sun is set, the day is dead;
Thy Feast hath fled;
My eyes are wet with the tears I shed;
I bow my head;
Angels and altars hailed thee, Queen,
All day; ah! be
To-night what thou hast ever been --
A mother to me!
Dark! Dark! Dark!
Thy queenly crown in angels' sight
Is fair and bright;
Ah! lay it down; for, oh! to-night
Its jeweled light
Shines not as the tender love-light shines,
O Mary! mild,
In the mother's eyes, whose pure heart pines
For poor, lost child!
Dark! Dark! Dark!
Sceptre in hand, thou dost hold sway
Fore'er and aye
In angel-land; but, fair Queen! pray
Lay it away.
Let thy sceptre wave in the realms above
Where angels are;
But, Mother! fold in thine arms of love
Thy child afar!
Dark! Dark! Dark!
Mary, I call! Wilt hear the prayer
My poor lips dare?
Yea! be to all a Queen most fair,
Crown, sceptre, bear!
But look on me with a mother's eyes
From heaven's bliss;
And waft to me from the starry skies
A mother's kiss!
Dark! Dark! Dark!
The sun is set; the day is dead;
Her Feast has fled;
Can she forget the sweet blood shed,
The last words said
That evening -- 'Woman! behold thy Son!
Oh! priceless right,
Of all His children! The last, least one,
Is heard to-night.
poem by Abram Joseph Ryan
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* * *
I walk alone and cry out under the stars.
As one in a desert I hunger for refreshment.
I have need of the coolness of some azure pool.
O, I would anoint my bosom with the clear water!
O, I would immerse myself in the emulous depths!
O, I would drink of ineffable dreams.
You, Beloved, are the silvery lake shimmering in the desert of my youth.
You only can allay the fever of my spirit!
On your lips I should drain the fountain of life.
On your white breast I shall breath the perfume of numberless lilies.
Therein I shall die a thousand deaths and arise reborn in the awful splendor of your love….
* * * * *
Lay your hands,—softer than dove’s wings,—in my hands so I may feel your young life flowing into mine thro’ your finger-tips.
Lay your eyes upon my eyes that I may grow tremulous beneath the flutter of your eyelids.
Lay your heart against my heart that I may hear your love summoning me to forgetfulness.
Lay your tresses about me that I may feel their warm sun streaming thro’ my veins.
Lay your mouth on my mouth until all dissolves in mist about me….
(Is it life? Is it death?)
* * * * *
You are as a million birds that sing unto my heart, O, Beloved.
Thro’ the long nights I hear the chanting of blithe voices.
What divine minstrelsy! what ravishment….
Is this multitudinous melody the rapture of your kiss?
Come to me, press upon my brow the coolness of your young lips that I may hear the thunder of your love in the night….
* * * * *
When will it end, the long vigil….
What dawn will bring you forever unto me, O, my Beloved?
Life is but shadow.
Only you, my Beloved, are more real than shadow.
Beneath your caresses I am as one awakened unto life.
Your finger-tips bear presage of divinity. Your heart-beats are a threnody sublime.
O, Beloved, you are as a white nenuphar lifting its snowy breast on a stream. In your bosom are all the treasures of Elysium. The scent of your skin is like jasmine and honeysuckle.
Why is such loveliness withheld from me, O, Beloved?
When can I look upon you and say: “Beloved! all this beauty is mine forever.”
When will it end, the long vigil….
* * * * *
O, miracle of love!
You whom I adore unto delirium,
Your arms are white lilies upon my bosom.
Stars encircle me when your lips lean down to mine. There is the sound of many waters falling. There is the murmur of a million nightingales,—and the flash of brilliant lightning.
Caress celestial!
Moon-path of my dreams!
O, miracle of Love—my divinity and my crucifixion….
* * * * *
When the young moon silvers the sky, the earth is ours,
We shall go into the forest and wander in the shadow of the pines.
I shall cover you with leaves, and we shall lie on the soft moss entwined like sisters.
And all the while I will know that the fragrance of your skin is sweeter to me than the perfumes of a million roses….
* * * * *
Let me enfold you in my hair.
Let me wind you as in a golden skein.
Give me the curve of your throat, milky white and rose, that I may place about it the glossy fillets of my hair.
Don it as a shining mantilla….
Let my hair shower about you until you are radiant with perfume;
Let it ripple over you like the wind on summer wheat.
Then give me your lips that we may stand united beneath the downpour of its sunlight.
Let us be intermingled as two trees that have bent one single root….
* * * * *
It rains, Beloved….
The dripping of the rain is like the cool kisses of your mouth….
I faint beneath the rapture of your lips.
Be no longer tender.
Cover me with frenzied kisses,—even as I would drench my body in the cruel torrents of the rain.
Envelop me from throat to ankle in delirium intolerable….
* * * * *
To love you like the midnight storm!
To take you swooning unto death as the wind sweeps the waves in tempest!
To transport you unto delirium!
To hear the wild beating of your veins; to feel flame shuddering your blood and to agonize you with my ardor.
To crush you as a flower upon my breast,
To bear you away to some secret valley where I would love you unto insensibility….
* * * * *
If I think of you, I quiver from head to foot.
If I think of you tears flood my eyes.
If I pass you my heart quickens to suffocation and the blood seems to leave my body.
If I look into your eyes a sudden fire burns in my veins.
If I touch you I am as one possessed with madness; my arms tremble and my limbs totter beneath me.
To love you is to suffer the pangs of an intolerable agony.
* * * * *
I see you coming toward me….
Silently you take me in your arms.
Our lips meet and our eyes close.
I feel the shuddering of your breast and the beating of your throat against mine.
We are enveloped in darkness.
We know nothing but the thunder of our veins….
We are swept out into a sea of infinite oblivion.
poem by Blanche Shoemaker Wagstaff from The Book of Love (1917)
Submitted by Veronica Serbanoiu
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Grandma Dances
It's not that I don't know how;
it's not that I don't know why;
it's just that you're leaving me
and it don't matter no how.
It's not just that love is lost
it's just that I have
a music call-
for me that's enough.
You and me were not
what we seemed.
It's not just that I was joy-prone
It's that I was never seen,
and won't be missed at all.
No one will pitch no fits
'cause I was nice as I was,
no impact
because in fact
it's not my face that's gone.
It's not my eyes or ears
It was my heart
took the purple shaft;
the full-on burning spear.
There was no purple scream
there was no muted call
parting musically too had beat
no problem,
no harm
no foul.
You never knew half-tones,
never got my melody,
and I
could never sing
your sad song
and faking it
didn't seem right to me.
Give me life's song book
give me a melody that's strong
I'll dance and pirouette
all the night long.
You never knew me;
never got my steps;
never never mind
the fault is mine
our rhythms just didn't click.
Now there was the old bebop
today there's the hippy hop;
but my style is live
my hand is jive
show me what you got.
My feet sweep
cross floors on heels,
happiness is just
the rhythm and the swing.
Get your self a tune
that carries the heart's beat
step along side someone
who can hear the music sweet.
Meld the tunes
lift the light,
sample happiness,
which is after all
music;
that no matter what
carries the tune
it is music true lovers
can always hear.
But if you get caught
with silence wrought
and you don't hear no beat
get yourself examified
you may be dead or dying,
or just plain unhappy.
So if you can hear me wailing
with words rhyme and meter
there's hope for you my friend
and coincidentally;
if I reach
the you that's there
and you catch the tune-
good,
that also means
my heart is live
I'm still jive
and both of us
still dancing—
right through
this old age single hood.
poem by Lonnie Hicks
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The German Legion
In the cot beside the water,
In the white cot by the water,
The white cot by the white water,
There they laid the German maid.
There they wound her, singing round her,
Deftly wound her, singing round her,
Softly wound her, singing round her,
In a shroud like a cloud.
And they decked her as they wound her,
With a wreath of leaves they bound her,
Lornest leaves they scattered round her,
Singing grief with every leaf.
Singing grief with every leaf.
Sadder grief with sadder leaf,
Sweeter leaf with sweeter grief,
So't was sung in a dark tongue.
Like a latter lily lying,
O'er whom falling leaves are sighing,
And Autumn vapours crying,
Pale and cold on misty mould,
So I saw her sweet and lowly,
Shining shining pale and holy,
Thro' the dim woe slowly slowly,
Said and sung in that dark tongue.
Such an awe her beauty lent her,
While they sang I dared not enter
That charmed ring where she was centre,
But I stood with stirring blood
Till the song fell like a billow,
And I saw them leave her pillow,
And go forth to the far willow,
For the wreath of virgin death.
And I stood beside her pillow,
While they plucked the distant willow,
And my heart rose like a billow
As I said to the pale dead-
'Oh, thou most fair and sweet virginity,
Of whom this heart that beats for thee doth know
Nor name nor story, that these limbs can be
For no man evermore, that thou must go
Cold to the cold, and that no eye shall see
That which thine unsolved womanhood doth owe
Of the incommunicable mystery
Shakes me with tears. I could kneel down by thee,
And o'er thy chill unmarriageable rest
Cry, 'Thou who shalt no more at all be prest
To any heart, one moment come to this!
And feel me weeping with thy want of bliss,
And all the unpraisèd beauties of thy breast-
Thy breast which never shall a lover kiss!''
Then I slowly left her pillow,
For they came back with the willow,
And my heart sinks as a billow
Doth implore towards the shore,
As I see the crown they weave her,
And I know that I must leave her,
And I feel that I could grieve her
Sad and sore for evermore.
And again they sang around her,
In a richer robe they wound her,
With the willow wreath they bound her,
And the loud song like a cloud
Of golden obscuration,
With the strange tongue of her nation,
Filled the house of lamentation,
Till she lay in melody,
Like a latter lily lying,
O'er whom falling leaves are sighing,
And the Autumn vapours crying,
In a dream of evening gleam.
And I saw her sweet and lowly,
Shining shining pale and holy,
Thro' the dim woe slowly slowly
Said and sung in a dark tongue.
In the cot beside the water,
The white cot by the white water,
English cot by English water
That shall see the German sea.
poem by Sydney Thompson Dobell
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The Reward Of Song
_Why do we make our music?_
Oh, blind dark strings reply:
Because we dwell in a strange land
And remember a lost sky.
We ask no leaf of the laurel,
We know what fame is worth;
But our songs break out of our winter
As the flowers break out on the earth.
And we dream of the unknown comrade,
In the days when we lie dead,
Who shall open our book in the sunlight,
And read, as ourselves have read,
On a lonely hill, by a firwood,
With whispering seas below,
And murmur a song we made him
Ages and ages ago.
If making his may-time sweeter
With dews of our own dead may,
One pulse of our own dead heart-strings
Awake in his heart that day,
We would pray for no richer guerdon,
No praise from the careless throng;
For song is the cry of a lover
In quest of an answering song.
As a child might run to his elders
With news of an opening flower
We should walk with our young companion
And talk to his heart for an hour,
As once by my own green firwood,
And once by a Western sea,
Thank God, my own good comrades
Have walked and talked with me.
Too mighty to make men sorrow,
Too weak to heal their pain
(Though they that remember the hawthorn
May find their heaven again),
We are moved by a deeper hunger;
We are bound by a stronger cord;
For love is the heart of our music,
And love is its one reward.
poem by Alfred Noyes
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Summons
In the morning
you sent clouds towering
and drove fine ice
into the tender rose,
(its red petals scattered,
a holocaust
on pure white ground)
and took my breath away!
Father, I seek you
like death,
clean and clear
in the ringing air.
Green and golden,
long shadows flow east
and birdsong fills
your nodding trees.
In the gentle rhythm
of the swaying wind
there I hear
your song again.
poem by Steven Federle
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In Age
The wine of life was rough and new,
But sweet beyond belief,
And wrong was false, and right was true -
The rose was in the leaf.
In that good sunlight well we knew
The hues of wrong and right;
We slept among the roses through
The long enchanted night.
Now to our eyes, made dim with years,
Right intertwines with wrong.
How can we hear, with these tired ears,
The old, the magic song?
But this we know--wine once was red,
Roses were red and dear;
Once in our ears the truths were said
That now the young men hear!
poem by Edith Nesbit
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