In Memoriam A. H. H.: 95. By night we linger'd on the lawn
By night we linger'd on the lawn,
For underfoot the herb was dry;
And genial warmth; and o'er the sky
The silvery haze of summer drawn;
And calm that let the tapers burn
Unwavering: not a cricket chirr'd:
The brook alone far-off was heard,
And on the board the fluttering urn:
And bats went round in fragrant skies,
And wheel'd or lit the filmy shapes
That haunt the dusk, with ermine capes
And woolly breasts and beaded eyes;
While now we sang old songs that peal'd
From knoll to knoll, where, couch'd at ease,
The white kine glimmer'd, and the trees
Laid their dark arms about the field.
But when those others, one by one,
Withdrew themselves from me and night,
And in the house light after light
Went out, and I was all alone,
A hunger seized my heart; I read
Of that glad year which once had been,
In those fall'n leaves which kept their green,
The noble letters of the dead:
And strangely on the silence broke
The silent-speaking words, and strange
Was love's dumb cry defying change
To test his worth; and strangely spoke
The faith, the vigour, bold to dwell
On doubts that drive the coward back,
And keen thro' wordy snares to track
Suggestion to her inmost cell.
So word by word, and line by line,
The dead man touch'd me from the past,
And all at once it seem'd at last
The living soul was flash'd on mine,
And mine in this was wound, and whirl'd
About empyreal heights of thought,
And came on that which is, and caught
The deep pulsations of the world,
Æonian music measuring out
The steps of Time--the shocks of Chance--
The blows of Death. At length my trance
Was cancell'd, stricken thro' with doubt.
Vague words! but ah, how hard to frame
In matter-moulded forms of speech,
Or ev'n for intellect to reach
Thro' memory that which I became:
Till now the doubtful dusk reveal'd
The knolls once more where, couch'd at ease,
The white kine glimmer'd, and the trees
Laid their dark arms about the field:
And suck'd from out the distant gloom
A breeze began to tremble o'er
The large leaves of the sycamore,
And fluctuate all the still perfume,
And gathering freshlier overhead,
Rock'd the full-foliaged elms, and swung
The heavy-folded rose, and flung
The lilies to and fro, and said
"The dawn, the dawn," and died away;
And East and West, without a breath,
Mixt their dim lights, like life and death,
To broaden into boundless day.
poem by Alfred Lord Tennyson
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I love you no more
I love you no more
I run from you at every open door
When I think of you my blood is cold
My tears are dry, my days grow old
I deem myself without you an empty life
A state of constant, stale, and vain strife
My hands start to shake
My skeleton rattles to break
And my heart is torn to pieces
My chest bursts
My veins explode
Drag me behind a galloping horse
Roll me from mountain heights
Turn off on me the world's lights
I will hear your voice no more
It will echo in the chamber of my heart
Lingering my pain, burning my flesh
Pounding my head, dashing my soul
I will bring you flowers no more
The sun from the sky has disappeared long
The birds among the trees stop their song
The cat had changed its voice in its corner crumbled
The dog had barked at me in dismay; I trembled
And my heart cries for mercy
My throat is choked with a strange disease
No medicine can redeem its ease
I will stop an ocean from flow
I will quench the volcano mountain from glow
I will block an avalanche or a whirling rain
But it is all in vain
No rest, No escape from your love
From your laugh
From your face
From your little perfect frame.
By foul, starry night I lingered on the damp lawn
for underfoot the hub was dry
And genial warmth, and over the sky
The silky haze of summer drawn
By its edge only one light cloud left
A reminder of the storm that passed
Of the love we lived of the life we shared
That came to an end
That was so soon cut short
Before we had time to grow old together
To feel to grasp the glory of the moment
The splendor of our rose
Pour acid on my face, guillotine my head
Announce to the world that I am dead
Cut the olive tree and shape my coffin
Chose the spot and dig my grave
Dig it deep beneath the earth
So I will avoid your laugh
So I will not hear your steps
Yet I doubt of all of this will help
You are imprinted in my soul
My grave is not an escape at all.
The bats went round endlessly in fragrant summer skies
And wheeled over and lit the filling shapes
That haunt the dusk with ermine capes
And woolly breasts and beaded eyes
An odd hunger seized my heart, so as if I only read
Of that glad years which once had been
In those fallen leaves which reaped their green
And now lie brown on the ground dead
And strangely on the silence around me broke
The silent speaking words, and strange
was love's dumb cry defying, ignoring our life's change
To test our worth to scrutinize the words we spoke
I am out of faith, of vigor, of bold, of walk of breath of dwell
No hope in sight, no wishing well
I live on doubts that drive the coward back
As if my life has no start no end no track
For suggestions to my inmost all
And all at once it seemed at last
The living soul, the solutions of all was flushed
But it is all too late, my love
Our love was brought to its final rest
Around its grave the flowers will grow and spread
Like infants peeping over a coffin of the dead
And my heart is sobbing
My soul sails in sea of sore and grief
An endless torture under unbreakable lease
I seek the strength in lying
Turn off the lights I am dying
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Ivan The Czar
He sat in silence on the ground,
The old and haughty Czar;
Lonely, tho' princes girt him round,
And leaders of the war:
He had cast his jewell'd sabre,
That many a field had won,
To the earth beside his youthful dead,
His fair and first-born son.
With a robe of ermine for its bed,
Was laid that form of clay,
Where the light a stormy sunset shed,
Thro' the rich tent made way:
And a sad and solemn beauty
On the pallid face came down,
Which the Lord of nations mutely watch'd,
In the dust, with his renown.
Low tones at last of wo and fear
From his full bosom broke;–
A mournful thing it was to hear
How then the proud man spoke!
The voice that thro' the combat
Had shouted far and high,
Came forth in strange, dull, hollow tones,
Burden'd with agony.
'There is no crimson on thy cheek,
And on thy lip no breath,
I call thee, and thou dost not speak–
They tell me this is death!
And fearful things are whispering
That I the deed have done–
For the honour of thy father's name,
Look up, look up, my son!
'Well might I know death's hue and mien,
But on thine aspect, boy!
What, till this moment, have I seen
Save pride and tameless joy?
Swiftest thou wert to battle,
And bravest there of all–
How could I think a warrior's frame
Thus like a flower should fall?
'I will not bear that still, cold look–
Rise up, thou fierce and free!
Wake as the storm wakes! I will brook
All, save this calm, from thee!
Lift brightly up, and proudly,
Once more thy kindling eyes!
Hath my word lost its power on earth?
I say to thee, arise!
'Didst thou not know I lov'd thee well?
Thou didst not! and art gone
In bitterness of soul, to dwell
Where man must dwell alone.
Come back, young fiery spirit!
If but one hour, to learn
The secrets of the folded heart,
That seem'd to thee so stern.
'Thou wert the first, the first, fair child,
That in mine arms I press'd;
Thou wert the bright one, that hast smil'd
Like summer on my breast!
I rear'd thee as an eagle,
To the chase thy steps I led,
I bore thee on my battle-horse,
I look upon thee–dead!
'Lay down my warlike banners here,
Never again to wave,
And bury my red sword and spear,
Chiefs! in my first-born's grave!
And leave me!–I have conquer'd,
I have slain–my work is done!
Whom have I slain?–ye answer not–
Thou too art mute, my son!'
And thus his wild lament was pour'd
Thro' the dark resounding night,
And the battle knew no more his sword,
Nor the foaming steed his might.
He heard strange voices moaning
In every wind that sigh'd;
From the searching stars of heaven he shrank–
Humbly the conqueror died.
poem by Felicia Dorothea Hemans
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To J. S.
The wind, that beats the mountain, blows
More softly round the open wold,
And gently comes the world to those
That are cast in gentle mould.
And me this knowledge bolder made,
Or else I had not dare to flow
In these words toward you, and invade
Even with a verse your holy woe.
'Tis strange that those we lean on most,
Those in whose laps our limbs are nursed,
Fall into shadow, soonest lost:
Those we love first are taken first.
God gives us love. Something to love
He lends us; but, when love is grown
To ripeness, that on which it throve
Falls off, and love is left alone.
This is the curse of time. Alas!
In grief I am not all unlearn'd;
Once thro' mine own doors Death did pass;
One went, who never hath return'd.
He will not smile--not speak to me
Once more. Two years his chair is seen
Empty before us. That was he
Without whose life I had not been.
Your loss is rarer; for this star
Rose with you thro' a little arc
Of heaven, nor having wander'd far
Shot on the sudden into dark.
I knew your brother: his mute dust
I honour and his living worth:
A man more pure and bold and just
Was never born into the earth.
I have not look'd upon you nigh,
Since that dear soul hath fall'n asleep.
Great nature is more wise than I:
I will not tell you not to weep.
And tho' mine own eyes fill with dew,
Drawn from the spirit thro' the brain,
I will not even preach to you,
"Weep, weeping dulls the inward pain."
Let Grief be her own mistress still.
She loveth her own anguish deep
More than much pleasure. Let her will
Be done--to weep or not to weep.
I will not say "God's ordinance
Of death is blown in every wind;"
For that is not a common chance
That takes away a noble mind.
His memory long will live alone
In all our hearts, as mournful light
That broods above the fallen sun,
And dwells in heaven half the night.
Vain solace! Memory standing near
Cast down her eyes, and in her throat
Her voice seem'd distant, and a tear
Dropt on the letters as I wrote.
I wrote I know not what. In truth,
How should I soothe you anyway,
Who miss the brother of your youth?
Yet something I did wish to say:
For he too was a friend to me:
Both are my friends, and my true breast
Bleedeth for both: yet it may be
That only silence suiteth best.
Words weaker than your grief would make
Grief more. 'Twere better I should cease;
Although myself could almost take
The place of him that sleeps in peace.
Sleep sweetly, tender heart, in peace;
Sleep, holy spirit, blessed soul,
While the stars burn, the moons increase,
And the great ages onward roll.
Sleep till the end, true soul and sweet.
Nothing comes to thee new or strange,
Sleep full of rest from head to feet:
Lie still, dry dust, secure of change.
poem by Alfred Lord Tennyson
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The Window
All night long, by a distant bell,
The passing hours were notched
On the dark, while her breathing rose and fell,
And the spark of life I watched
In her face was glowing or fading, -- who could tell? --
And the open window of the room,
With a flare of yellow light,
Was peering out into the gloom,
Like an eye that searched the night.
Oh, what do you see in the dark, little window, and why do you fear?
"I see that the garden is crowded with creeping forms of fear:
Little white ghosts in the locust-tree, that wave in the night-wind's breath,
And low in the leafy laurels the larking shadow of death."
Sweet, clear notes of a waking bird
Told of the passing away
Of the dark, -- and my darling may have heard;
For she smiled in her sleep, while the ray
Of the rising dawn spoke joy without a word,
Till the splendor born in the east outburned
The yellow lamplight, pale and thin,
And the open window slowly turned
To the eye of the morning, looking in.
Oh, what do you see in the room, little window, that makes you so bright?
"I see that a child is asleep on her pillow, soft and white,
With the rose of life on her tips, and the breath of life in her breast,
And the arms of God around her as she quietly takes her rest."
poem by Henry Van Dyke
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The Camp of Souls
1 My white canoe, like the silvery air
2 O'er the River of Death that darkly rolls
3 When the moons of the world are round and fair,
4 I paddle back from the 'Camp of Souls.'
5 When the wishton-wish in the low swamp grieves
6 Come the dark plumes of red 'Singing Leaves.'
7 Two hundred times have the moons of spring
8 Rolled over the bright bay's azure breath
9 Since they decked me with plumes of an eagle's wing,
10 And painted my face with the 'paint of death,'
11 And from their pipes o'er my corpse there broke
12 The solemn rings of the blue 'last smoke.'
13 Two hundred times have the wintry moons
14 Wrapped the dead earth in a blanket white;
15 Two hundred times have the wild sky loons
16 Shrieked in the flush of the golden light
17 Of the first sweet dawn, when the summer weaves
18 Her dusky wigwam of perfect leaves.
19 Two hundred moons of the falling leaf
20 Since they laid my bow in my dead right hand
21 And chanted above me the 'song of grief'
22 As I took my way to the spirit land;
23 Yet when the swallow the blue air cleaves
24 Come the dark plumes of red 'Singing Leaves.'
25 White are the wigwams in that far camp,
26 And the star-eyed deer on the plains are found;
27 No bitter marshes or tangled swamp
28 In the Manitou's happy hunting-ground!
29 And the moon of summer forever rolls
30 Above the red men in their 'Camp of Souls.'
31 Blue are its lakes as the wild dove's breast,
32 And their murmurs soft as her gentle note;
33 As the calm, large stars in the deep sky rest,
34 The yellow lilies upon them float;
35 And canoes, like flakes of the silvery snow,
36 Thro' the tall, rustling rice-beds come and go.
37 Green are its forests; no warrior wind
38 Rushes on war trail the dusk grove through,
39 With leaf-scalps of tall trees mourning behind;
40 But South Wind, heart friend of Great Manitou,
41 When ferns and leaves with cool dews are wet,
42 Bows flowery breaths from his red calumet.
43 Never upon them the white frosts lie,
44 Nor glow their green boughs with the 'paint of death';
45 Manitou smiles in the crystal sky,
46 Close breathing above them His life-strong breath;
47 And He speaks no more in fierce thunder sound,
48 So near is His happy hunting-ground.
49 Yet often I love, in my white canoe,
50 To come to the forests and camps of earth:
51 'Twas there death's black arrow pierced me through;
52 'Twas there my red-browed mother gave me birth;
53 There I, in the light of a young man's dawn,
54 Won the lily heart of dusk 'Springing Fawn.'
55 And love is a cord woven out of life,
56 And dyed in the red of the living heart;
57 And time is the hunter's rusty knife,
58 That cannot cut the red strands apart:
59 And I sail from the spirit shore to scan
60 Where the weaving of that strong cord began.
61 But I may not come with a giftless hand,
62 So richly I pile, in my white canoe,
63 Flowers that bloom in the spirit land,
64 Immortal smiles of Great Manitou.
65 When I paddle back to the shores of earth
66 I scatter them over the white man's hearth.
67 For love is the breath of the soul set free;
68 So I cross the river that darkly rolls,
69 That my spirit may whisper soft to thee
70 Of thine who wait in the 'Camp of Souls.'
71 When the bright day laughs, or the wan night grieves,
72 Come the dusky plumes of red 'Singing Leaves.'
poem by Isabella Valancy Crawford
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A Nupial Eve (excerpt)
The murmur of the mourning ghost
That keeps the shadowy kine,
"Oh, Keith of Ravelston,
The sorrows of thy line!"
Ravelston, Ravelston,
The merry path that leads
Down the golden morning hill,
And thro' the silver meads;
Ravelston, Ravelston,
The stile beneath the tree,
The maid that kept her mother's kine,
The song that sang she!
She sang her song, she kept her kine,
She sat beneath the thorn,
When Andrew Keith of Ravelston
Rode thro' the Monday morn.
His henchmen sing, his hawk-bells ring,
His belted jewels shine!
Oh, Keith of Ravelston,
The sorrows of thy line!
Year after year, where Andrew came,
Comes evening down the glade,
And still there sits a moonshine ghost
Where sat the sunshine maid.
Her misty hair is faint and fair,
She keeps the shadowy kine;
Oh, Keith of Ravelston,
The sorrows of thy line!
I lay my hand upon the stile,
The stile is lone and cold,
The burnie that goes babbling by
Says nought that can be told.
Yet, stranger! here, from year to year,
She keeps her shadowy kine;
Oh, Keith of Ravelston,
The sorrows of thy line!
Step out three steps, where Andrew stood--
Why blanch thy cheeks for fear?
The ancient stile is not alone,
'Tis not the burn I hear!
She makes her immemorial moan,
She keeps her shadowy kine;
Oh, Keith of Ravelston,
The sorrows of thy line!
poem by Sydney Thompson Dobell
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Evening.
The light is drawn out of the leaves and grass,
And the sweet flowers grow pale in the gray air,
As if their beauty's essence e'en did pass
With the departing light from all things fair,
As the sap in the trees when summer's fled
Draws back to the earth, leaving the leaves dead.
The sky becomes a cloud, the hills a shade,
As the mysterious darkness fills the sphere,
A monstrous elf whose tentacles are laid
In silence upon all things far and near;
Now the bats flit about the mothy damp
In which the spiders weave their airy camp.
I, too, could fill as 'twere a dreamy bed
Under the green leaves in the darkness now,
And watch the evening planet overhead
Like a dewdrop upon the airy bough
Of heaven tremble — till my soul too grew
Like liquid light in water, shining through.
And I can feel that which the dead inherit —
Peace, and the power to forego the pain
That like a vulture on the human spirit
Draws its fine essence from the fading brain,
Till every sense contracts, and the slow breath
Oozes away in the desire of death.
So from me slips the day's disquietude,
And I am made one with the night, as those
Who pass from thought into a faery mood
On Lethe's wharf, whenas old Charon goes
Into the dusk of that eternal eve
Where all must go when the earth-light they leave.
poem by Robert Crawford
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Song Of A Mad Girl, Whose Lover Has Died At Sea
Under the green white blue of this and that and the other,
That and the other, and that and the other, for ever and ever,
Under the up and down and the swaying ships swingswonging,
There they flung him to sleep who will never come back to my longing.
The Father comes back to his child and the son comes back to his Mother,
But neither by land or sea
Will he ever come back to me,
Never, never, never
Will he come back to me.
All day I run by the Cliff, all night I stand in the sand,
All day I furrow and burrow the holmes and the heights.
But whether by night or day
There's never a trace or a track,
Never a word or a breath,
In the swill and the swoop and the flash and the foam and the wind,
Never a fleck or a speck
Coming, coming my way.
The mew comes back to the strand and the ship comes back to the land,
But he will never come back
To all the prayers that I pray thro' the scorching black of the day
And the freezing black of the nights,
Never, never come back
To the ear that harks itself deaf and the eye that strains itself blind,
And the heart that is starving to death.
He was chill and they threw him to cold,
He was dead and they threw him to drown,
He was weary and wanted rest-
They should have laid him on my breast,
He would have slept on my breast,
But they threw him into the boiling boil and bubble,
The wheel and the whirl, the driff and the draff
Of the everlasting trouble.
I swear to you he was mine! I swear to you he was my own.
Madam, if I may make so bold,
Do you know what the dead men do
In the black and blue, in the green and brown?
Deep, deep, you think they sleep
Where the mermen moan and the mermaids weep?
Ah, ah, you make me laugh!
I'm not yet twenty years old,
But lean your ear
And you shall hear
A little thing that I know.
Up and up they come to the top,
Down and down they go down.
To and fro the finny fish go,
But slow and slow, and so and so,
Low over high, high under low,
Up and up they come to the top,
Down and down they go down:
When the sun comes up they come to the top,
When the sun sinks they go down.
poem by Sydney Thompson Dobell
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Ballad
Oh Ladye fair, oh Ladye fair and mine,
Where'er thou be,
Canst thou divine
The Love that hungers thus in me?
The secret cell where lone I lie and sigh for thee?
Long, long I wait, but shall I wait in vain?
How long the Summer waited for the Rose!
Ah say, oh say I shall not wait in vain!
How long, ah fairest! must I keep
The vigil of unsleeping eyes?
Summer's sighs avail,
Summer that sang himself to sleep,
Summer that piping in a grove all day
Played out his lovelorn soul upon the nightingale,
Oh songs more blest than mine, ah happier sighs!
For at rich midnight all the bells
Of all the valley-lilies rang a tune
Like moonlight up and down the dells,
And June
As a naked maiden thro' the shades
Slipt thro' the woods and took her throne.
By this the east is red and white,
The queen of months is seen and known,
Like flocks of doves that soar and fall,
Like butterflies that hover and alight,
Like tears of ecstasy when tear on tear
From both wild eyes rains thro' the wreathèd hands,
The blush of morning drops upon the lands,
The Rose, the Rose is here!
And rapture, rapture crowns the passion of the year
Hark, hark,
Something stirs the arching green,
Thro' the verdurous aisles the doves are cooing,
And the birds of smaller quire,
As fairies that do run and sing
Before the bridal of their queen,
Flittering and fondly twittering,
Lead thro' the languid air the sick delight of wooing.
Sure thro' the distance dim I see the morn again!
Leaves that meet and part the hues of dawn disclose.
Has she heard my woes?
Has she pitied all my pain?
'Tis she! 'tis she!
As Summer waited for the Rose
I shall not wait in vain!
As June soft slipping warms the purple Dark,
So thou slippest thro' the shades to me,
So throbs my throbbing heart its thickening throbs to thee.
poem by Sydney Thompson Dobell
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The Portrait
I watch you, gazing at me from the wall,
And wonder how you'd match your dreams with mine,
If, mastering time's illusion, I could call
You back to share this quiet candle-shine.
For you were young, three hundred years ago;
And by your looks I guess that you were wise…
Come, whisper soft, and Death will never know
You've slipped away from those calm, painted eyes.
Strange is your voice… Poor ninny, dead so long,
And all your pride forgotten like your name.
'One April morn I heard a blackbird's song.
And joy was in my heart like leaves aflame.'
And so you died before your songs took wing;
While Andrew Marvell followed in your wake.
'Love thrilled me into music. I could sing
But for a moment, — but for beauty's sake.'
Who passes? There's a star-lit breeze that stirs
The glimmer of white lilies in the gloom.
Who speaks? Death has his silent messengers.
And there was more than silence in this room
While you were gazing at me from the wall
And wondering how you'd match your dreams with mine,
If, mastering time's illusion, you could call
Me back to share your vanished candle-shine.
poem by Siegfried Sassoon
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At Queensferry
The blackbird sang, the skies were clear and clean
We bowled along a road that curved a spine
Superbly sinuous and serpentine
Thro' silent symphonies of summer green.
Sudden the Forth came on us--sad of mien,
No cloud to colour it, no breeze to line:
A sheet of dark, dull glass, without a sign
Of life or death, two spits of sand between.
Water and sky merged blank in mist together,
The Fort loomed spectral, and the Guardship's spars
Traced vague, black shadows on the shimmery glaze:
We felt the dim, strange years, the grey, strange weather,
The still, strange land, unvexed of sun or stars,
Where Lancelot rides clanking thro' the haze.
poem by William Ernest Henley
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A Ballad of Burdens
A Ballad of Burdens
The burden of fair women. Vain delight,
And love self-slain in some sweet shameful way,
And sorrowful old age that comes by night
As a thief comes that has no heart by day,
And change that finds fair cheeks and leaves them grey,
And weariness that keeps awake for hire,
And grief that says what pleasure used to say;
This is the end of every man's desire.
The burden of bought kisses. This is sore,
A burden without fruit in childbearing;
Between the nightfall and the dawn threescore,
Threescore between the dawn and evening.
The shuddering in thy lips, the shuddering
In thy sad eyelids tremulous like fire,
Makes love seem shameful and a wretched thing.
This is the end of every man's desire.
The burden of sweet speeches. Nay, kneel down,
Cover thy head, and weep; for verily
These market-men that buy thy white and brown
In the last days shall take no thought for thee.
In the last days like earth thy face shall be,
Yea, like sea-marsh made thick with brine and mire,
Sad with sick leavings of the sterile sea.
This is the end of every man's desire.
The burden of long living. Thou shalt fear
Waking, and sleeping mourn upon thy bed;
And say at night "Would God the day were here,"
And say at dawn "Would God the day were dead."
With weary days thou shalt be clothed and fed,
And wear remorse of heart for thine attire,
Pain for thy girdle and sorrow upon thine head;
This is the end of every man's desire.
The burden of bright colours. Thou shalt see
Gold tarnished, and the grey above the green;
And as the thing thou seest thy face shall be,
And no more as the thing beforetime seen.
And thou shalt say of mercy "It hath been,"
And living, watch the old lips and loves expire,
And talking, tears shall take thy breath between;
This is the end of every man's desire.
The burden of sad sayings. In that day
Thou shalt tell all thy days and hours, and tell
Thy times and ways and words of love, and say
How one was dear and one desirable,
And sweet was life to hear and sweet to smell,
But now with lights reverse the old hours retire
And the last hour is shod with fire from hell;
This is the end of every man's desire.
The burden of four seasons. Rain in spring,
White rain and wind among the tender trees;
A summer of green sorrows gathering,
Rank autumn in a mist of miseries,
With sad face set towards the year, that sees
The charred ash drop out of the dropping pyre,
And winter wan with many maladies;
This is the end of every man's desire.
The burden of dead faces. Out of sight
And out of love, beyond the reach of hands,
Changed in the changing of the dark and light,
They walk and weep about the barren lands
Where no seed is nor any garner stands,
Where in short breaths the doubtful days respire,
And time's turned glass lets through the sighing sands;
This is the end of every man's desire.
The burden of much gladness. Life and lust
Forsake thee, and the face of thy delight;
And underfoot the heavy hour strews dust,
And overhead strange weathers burn and bite;
And where the red was, lo the bloodless white,
And where the truth was, the likeness of a liar,
And where the day was, the likeness of the night;
This is the end of every man's desire.
L'ENVOY
Princes, and ye whom pleasure quickeneth,
Heed well this rhyme before your pleasure tire;
For life is sweet, but after life is death.
This is the end of every man's desire.
poem by Algernon Charles Swinburne
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Far-Far-Away
(For Music)
What sight so lured him thro' the fields he knew
As where earth's green stole into heaven's own hue,
Far-far-away?
What sound was dearest in his native dells?
The mellow lin-lan-lone of evening bells
Far-far-away.
What vague world-whisper, mystic pain or joy,
Thro' those three words would haunt him when a boy,
Far-far-away?
A whisper from his dawn of life? a breath
From some fair dawn beyond the doors of death
Far-far-away?
Far, far, how far? from o'er the gates of birth,
The faint horizons, all the bounds of earth,
Far-far-away?
What charm in words, a charm no words could give?
O dying words, can Music make you live
Far-far-away?
poem by Alfred Lord Tennyson
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The Last Wish
Go to the forest-shade,
Seek thou the well-known glade,
Where, heavy with sweet dew, the violets lie,
Gleaming thro' moss-tufts deep,
Like dark eyes fill'd with sleep,
And bath'd in hues of summer's midnight sky.
Bring me their buds, to shed
Around my dying bed,
A breath of May, and of the wood's repose;
For I in sooth depart,
With a reluctant heart,
That fain would linger where the bright sun glows.
Fain would I stay with thee–
Alas! this may not be;
Yet bring me still the gifts of happier hours!
Go where the fountain's breast
Catches in glassy rest
The dim green light that pours thro' laurel bowers.
I know how softly bright,
Steep'd in that tender light,
The water-lilies tremble there ev'n now;
Go to the pure stream's edge,
And from its whisp'ring sedge,
Bring me those flowers to cool my fever'd brow!
Then, as in Hope's young days,
Track thou the antique maze
Of the rich garden to its grassy mound;
There is a lone white rose,
Shedding, in sudden snows,
Its faint leaves o'er the emerald turf around.
Well know'st thou that fair tree–
A murmur of the bee
Dwells ever in the honey'd lime above;
Bring me one pearly flower
Of all its clustering shower–
For on that spot we first reveal'd our love.
Gather one woodbine bough,
Then, from the lattice low
Of the bower'd cottage which I bade thee mark,
When by the hamlet last,
Thro' dim wood-lanes we pass'd,
While dews were glancing to the glowworm's spark.
Haste! to my pillow bear
Those fragrant things and fair;
My hand no more may bind them up at eve,
Yet shall their odour soft
One bright dream round me waft
Of life, youth, summer,–all that I must leave!
And oh! if thou wouldst ask
Wherefore thy steps I task,
The grove, the stream, the hamlet-vale to trace;
'Tis that some thought of me,
When I am gone, may be
The spirit bound to each familiar place.
I bid mine image dwell,
(Oh! break not thou the spell!)
In the deep wood and by the fountain-side;
Thou must not, my belov'd!
Rove where we two have rov'd,
Forgetting her that in her spring-time died!
poem by Felicia Dorothea Hemans
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Scenes In London II - Oxford Street
LIFE in its many shapes was there,
The busy and the gay;
Faces that seemed too young and fair
To ever know decay.
Wealth, with its waste, its pomp, and pride,
Led forth its glittering train;
And poverty's pale face beside
Asked aid, and asked in vain.
The shops were filled from many lands,
Toys, silks, and gems, and flowers;
The patient work of many hands,
The hope of many hours.
Yet, mid life's myriad shapes around
There was a sigh of death;
There rose a melancholy sound,
The bugle's wailing breath.
They played a mournful Scottish air,
That on its native hill
Had caught the notes the night-winds bear
From weeping leaf and rill.
'Twas strange to hear that sad wild strain
Its warning music shed,
Rising above life's busy train,
In memory of the dead.
There came a slow and silent band
In sad procession by:
Reversed the musket in each hand,
And downcast every eye.
They bore the soldier to his grave;
The sympathyzing crowd
Divided like a parted wave
By some dark vessel ploughed.
A moment, and all sounds were mute,
For awe was over all;
You heard the soldier's measured foot,
The bugle's wailing call.
The gloves were laid upon the bier,
The helmet and the sword,
The drooping war-horse followed near,
As he, too, mourned his lord.
Slowly—I followed too—they led
To where a church arose,
And flung a shadow o'er the dead,
Deep as their own repose.
Green trees were there—beneath the shade
Of one, was made a grave;
And there to his last rest was laid
The weary and the brave.
They fired a volley o'er the bed
Of an unconscious ear;
The birds sprang fluttering overhead,
Struck with a sudden fear.
All left the ground, the bugles died
Away upon the wind;
Only the tree's green branches sighed
O'er him they left behind.
Again, all filled with light and breath,
I passed the crowded street—
Oh, great extremes of life and death,
How strangely do ye meet!
poem by Letitia Elizabeth Landon
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Penance
My lover died a century ago,
Her dear heart stricken by my sland'rous breath,
Wherefore the Gods forbade that I should know
The peace of death.
Men pass my grave, and say, "'Twere well to sleep,
Like such an one, amid the uncaring dead!"
How should they know the vigils that I keep,
The tears I shed?
Upon the grave, I count with lifeless breath,
Each night, each year, the flowers that bloom and die,
Deeming the leaves, that fall to dreamless death,
More blest than I.
'Twas just last year -- I heard two lovers pass
So near, I caught the tender words he said:
To-night the rain-drenched breezes sway the grass
Above his head.
That night full envious of his life was I,
That youth and love should stand at his behest;
To-night, I envy him, that he should lie
At utter rest.
poem by John McCrae
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Gunnar's Howe Above The House At Lithend
Ye who have come o’er the sea
to behold this grey minster of lands,
Whose floor is the tomb of time past,
and whose walls by the toil of dead hands
Show pictures amidst of the ruin
of deeds that have overpast death,
Stay by this tomb in a tomb
to ask of who lieth beneath.
Ah! the world changeth too soon,
that ye stand there with unbated breath,
As I name him that Gunnar of old,
who erst in the haymaking tide
Felt all the land fragrant and fresh,
as amidst of the edges he died.
Too swiftly fame fadeth away,
if ye tremble not lest once again
The grey mound should open and show him
glad-eyed without grudging or pain.
Little labour methinks to behold him
but the tale-teller laboured in vain.
Little labour for ears that may hearken
to hear his death-conquering song,
Till the heart swells to think of the gladness
undying that overcame wrong.
O young is the world yet meseemeth
and the hope of it flourishing green,
When the words of a man unremembered
so bridge all the days that have been,
As we look round about on the land
that these nine hundred years he hath seen.
Dusk is abroad on the grass
of this valley amidst of the hill:
Dusk that shall never be dark
till the dawn hard on midnight shall fill
The trench under Eyiafell’s snow,
and the grey plain the sea meeteth grey.
White, high aloft hangs the moon
that no dark night shall brighten ere day,
For here day and night toileth the summer
lest deedless his time pass away.
poem by William Morris
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The Dead To The Living
Work while it is day: the night cometh, when no man can work.
IN the childhood of April, while purple woods
With the young year's blood in them smiled,
I passed through the lanes and the wakened fields,
And stood by the grave of the child.
And the pain awoke that is never dead
Though it sometimes sleeps, and again
It set its teeth in this heart of mine,
And fastened its claws in my brain:
For it seemed so hard that the little hands
And the little well-loved head
Should be out of reach of my living lips,
And be side by side with the dead--
Not side by side with us who had loved,
But with these who had never seen
The grace of the smile, the gold of the hair,
And the eyes of my baby-queen.
Yet with trees about where the brown birds build,
And with long green grass above,
She lies in the cold sweet breast of earth
Beyond the reach of our love;
Whatever befalls in the coarse loud world,
We know she will never wake.
When I thought of the sorrow she might have known,
I was almost glad for her sake. . . .
Tears might have tired those kiss-closed eyes,
Grief hardened the mouth I kissed;
I was almost glad that my dear was dead
Because of the pain she had missed.
Oh, if I could but have died a child
With a white child-soul like hers,
As pure as the wind-flowers down in the copse,
Where the soul of the spring's self stirs;
Or if I had only done with it all,
And might lie by her side unmoved!
I envied the very clods of earth
Their place near the child I loved!
And my soul rose up in revolt at life,
As I stood dry-eyed by her grave,
When sudden the grass of the churchyard sod
Rolled back like a green smooth wave;
The brown earth looked like the brown sea rocks,
The tombstones were white like spray,
And white like surf were the curling folds
Of the shrouds where the dead men lay;
For each in his place with his quiet face
I saw the dead lie low,
Who had worked and suffered and found life sad,
So many sad years ago.
Unchanged by time I saw them lie
As when first they were laid to rest,
The tired eyes closed, the sad lips still,
And the work-worn hands on the breast.
There were some who had found the green world so grey,
They had left it before their time,
And some were little ones like my dear,
And some had died in their prime;
And some were old, they had had their fill
Of bitter unfruitful hours,
And knew that none of them, none, had known
A flower of a hope like ours!
Through their shut eyelids the dead looked up,
And without a voice they said:
'We lived without hope, without hope we died,
And hopeless we lie here dead;
And death is better than life that draws
Pain in, as it draws in breath,
If life never dreams of a coming day
When life shall not envy death.
Through the dark of our hours and our times we lived,
Uncheered by a single ray
Of such hope as lightens the lives of you
Who are finding life hard to-day;
With our little lanterns of human love
We lighted our dark warm night--
But you in the chill of the dawn are set
With your face to the eastern light.
Freedom is waiting with hands held out
Till you tear the veil from her face--
And when once men have seen the light of her eyes,
And felt her divine embrace,
The light of the world will be risen indeed,
And will shine in the eyes of men,
And those who come after will find life fair,
And their lives worth living then!
Will you strive to the light in your loud rough world,
That these things may come to pass,
Or lie in the shadow beside the child,
And strive to the sun through the grass?'
'My world while I may,' I cried; 'but you
Whose lives were as dark as your grave?'
'We too are a part of the coming light,'
They called through the smooth green wave.
Their white shrouds gleamed as the flood of green
Rolled over and hid them from me--
Hid all but the little hands and the hair,
And the face that I always see.
poem by Edith Nesbit
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We are Seven
--------A Simple Child,
That lightly draws its breath,
And feels its life in every limb,
What should it know of death?
I met a little cottage Girl:
She was eight years old, she said;
Her hair was thick with many a curl
That clustered round her head.
She had a rustic, woodland air,
And she was wildly clad:
Her eyes were fair, and very fair;
--Her beauty made me glad.
"Sisters and brothers, little Maid,
How many may you be?"
"How many? Seven in all," she said
And wondering looked at me.
"And where are they? I pray you tell."
She answered, "Seven are we;
And two of us at Conway dwell,
And two are gone to sea.
"Two of us in the church-yard lie,
My sister and my brother;
And, in the church-yard cottage, I
Dwell near them with my mother."
"You say that two at Conway dwell,
And two are gone to sea,
Yet ye are seven!--I pray you tell,
Sweet Maid, how this may be."
Then did the little Maid reply,
"Seven boys and girls are we;
Two of us in the church-yard lie,
Beneath the church-yard tree."
"You run about, my little Maid,
Your limbs they are alive;
If two are in the church-yard laid,
Then ye are only five."
"Their graves are green, they may be seen,"
The little Maid replied,
"Twelve steps or more from my mother's door,
And they are side by side.
"My stockings there I often knit,
My kerchief there I hem;
And there upon the ground I sit,
And sing a song to them.
"And often after sunset, Sir,
When it is light and fair,
I take my little porringer,
And eat my supper there.
"The first that died was sister Jane;
In bed she moaning lay,
Till God released her of her pain;
And then she went away.
"So in the church-yard she was laid;
And, when the grass was dry,
Together round her grave we played,
My brother John and I.
"And when the ground was white with snow,
And I could run and slide,
My brother John was forced to go,
And he lies by her side."
"How many are you, then," said I,
"If they two are in heaven?"
Quick was the little Maid's reply,
"O Master! we are seven."
"But they are dead; those two are dead!
Their spirits are in heaven!"
'Twas throwing words away; for still
The little Maid would have her will,
And said, "Nay, we are seven!"
poem by William Wordsworth
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The Careless Word
A WORD is ringing thro' my brain,
It was not meant to give me pain;
It had no tone to bid it stay,
When other things had past away;
It had no meaning more than all
Which in an idle hour fall:
It was when first the sound I heard
A lightly uttered, careless word.
That word--oh! it doth haunt me now,
In scenes of joy, in scenes of woe;
By night, by day, in sun or shade,
With the half smile that gently played
Reproachfully, and gave the sound
Eternal power thro' life to wound.
There is no voice I ever heard,
So deeply fix'd as that one word.
When in the laughing crowd some tone,
Like those whose joyous sound is gone,
Strikes on my ear, I shrink--for then
The careless word comes back again.
When all alone I sit and gaze
Upon the cheerful home-fire blaze,
Lo! freshly as when first 'twas heard,
Returns that lightly uttered word.
When dreams bring back the days of old;
With all that wishes could not hold;
And from my feverish couch I start
To press a shadow to my heart--
Amid its beating echoes, clear
That little word I seem to hear:
In vain I say, while it is heard,
Why weep?--'twas but a foolish word.
It comes--and with it come the tears,
The hopes, the joys of former years;
Forgotten smiles, forgotten looks,
Thick as dead leaves on autumn brooks,
And all as joyless, though they were
The brightest things life's spring could share.
Oh! would to God I ne'er had heard
That lightly uttered, careless word!
It was the first, the only one
Of those which lips for ever gone
Breathed in their love--which had for me
Rebuke of harshness at my glee:
And if those lips were here to say,
'Beloved, let it pass away,'
Ah! then, perchance--but I have heard
The last dear tone--the careless word!
Oh! ye who, meeting, sigh to part,
Whose words are treasures to some heart,
Deal gently, ere the dark days come,
When earth hath but for one a home;
Lest, musing o'er the past, like me,
They feel their hearts wrung bitterly,
And, heeding not what else they heard,
Dwell weeping on a careless word.
poem by Caroline Elizabeth Sarah Norton
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