A Maori Girl's Song

"Alas, and well-a-day! they are talking of me still:
By the tingling of my nostril, I fear they are talking ill;
Poor hapless I -- poor little I -- so many mouths to fill --
   And all for this strange feeling -- O, this sad, sweet pain!

"O! senseless heart -- O simple! to yearn so, and to pine
For one so far above me, confest o'er all to shine,
For one a hundred dote upon, who never can be mine!
   O, 'tis a foolish feeling -- all this fond, sweet pain!

"When I was quite a child -- not so many moons ago --
A happy little maiden -- O, then it was not so;
Like a sunny-dancing wavelet then I sparkled to and fro;
   And I never had this feeling -- O, this sad, sweet pain!

"I think it must be owing to the idle life I lead
In the dreamy house for ever that this new bosom-weed
Has sprouted up and spread its shoots till it troubles me indeed
   With a restless, weary feeling -- such a sad, sweet pain!

"So in this pleasant islet, O, no longer will I stay --
And the shadowy summer dwelling I will leave this very day;
On Arapa I'll launch my skiff, and soon be borne away
   From all that feeds this feeling -- O, this fond, sweet pain!

"I'll go and see dear Rima -- she'll welcome me, I know,
And a flaxen cloak -- her gayest -- o'er my weary shoulders throw,
With purfle red and points so free -- O, quite a lovely show --
   To charm away this feeling -- O, this sad, sweet pain!

"Two feathers I will borrow, and so gracefully I'll wear
Two feathers soft and snowy, for my long, black, lustrous hair.
Of the albatross's down they'll be -- O, how charming they'll look there --
   All to chase away this feeling -- O, this fond, sweet pain!

"Then the lads will flock around me with flattering talk all day --
And, with anxious little pinches, sly hints of love convey;
And I shall blush with happy pride to hear them, I daresay,
   And quite forget this feeling -- O, this sad, sweet pain!"

poem by Alfred DomettReport problemRelated quotes
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People at Night

A night that cuts between you and you
and you and you and you
and me : jostles us apart, a man elbowing
through a crowd.       & nbsp;  We won't
      &nbs p;         ;     look for each other, either-
wander off, each alone, not looking
in the slow crowd. Among sideshows
               & nbsp;     under movie signs,
      &nb sp;       &nbs p;     pictures made of a million lights,
      &n bsp;       &nb sp;     giants that move and again move
        ;              again, above a cloud of thick smells,
      &n bsp;       &nb sp;     franks, roasted nutmeats-

Or going up to some apartment, yours
      &nbs p;         ;     or yours, finding
someone sitting in the dark:
who is it really? So you switch the
light on to see: you know the name but
who is it ?
       &n bsp;  But you won't see.

The fluorescent light flickers sullenly, a
pause. But you command. It grabs
each face and holds it up
by the hair for you, mask after mask.
      &nbs p;         ;     You  &nb sp;and   you and I   repeat
   &n bsp;       &nb sp;       &nbs p;gestures that make do when speech
      &nb sp;       &nbs p;     has failed       & nbsp;  and talk
        ;              and talk, laughing, saying
      &nb sp;       &nbs p;     'I', and 'I',
meaning 'Anybody'.
       ;                 & nbsp;       No one.

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The Words

Clouds scattered across the sky       &nbs p;all so far away
and then the space between         this strange 'distance'
What does 'normal' mean, after all?       &nb sp;you move
toward the window       & nbsp;lights marking the headland
and the night becomes a milestone      &nbs p; though
I         the fog rolls up the hill from the sea
in waves the town       &nb sp;desperate?
Whichever way we look       &nb sp;though so much at hand
only held back by obsessions
but 'home' is so long ago       &nbs p;don't cry
the light's a very pale blue       &nb sp;then maybe       &n bsp;the next time too
a faint glimmer across the bay       &nbs p;neither moon
nor stars
and your letter making signs       &n bsp;concerning 'understanding'
and 'the magic tortoise'      &nbs p; what then?       &n bsp;or just tiredness

At each alternative      &n bsp; the colours in the sky
gradually changing        ; until you're lulled into believing
you've seen this before       & nbsp;but not quite
The wood-cut of a lone horseman
riding through a deathly countryside      &n bsp; raped

'You're very brave'       & nbsp;I clean the table-top
and you sat in that chair       &n bsp;two red poppies
in the garden below       &n bsp;at dawn
This apparent clumsiness is far from true

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A Revocation

WHAT should I say?
   --Since Faith is dead,
And Truth away
   From you is fled?
   Should I be led
   With doubleness?
   Nay! nay! mistress.

I promised you,
   And you promised me,
To be as true
   As I would be.
   But since I see
   Your double heart,
   Farewell my part!

Thought for to take
   'Tis not my mind;
But to forsake
   One so unkind;
   And as I find
   So will I trust.
   Farewell, unjust!

Can ye say nay
   But that you said
That I alway
   Should be obeyed?
   And--thus betrayed
   Or that I wist!
   Farewell, unkist!

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Thomas Hardy

A Spot

In years defaced and lost,
   Two sat here, transport-tossed,
   Lit by a living love
The wilted world knew nothing of:
   Scared momently
   By gaingivings,
   Then hoping things
   That could not be.

   Of love and us no trace
   Abides upon the place;
   The sun and shadows wheel,
Season and season sereward steal;
   Foul days and fair
   Here, too, prevail,
   And gust and gale
   As everywhere.

   But lonely shepherd souls
   Who bask amid these knolls
   May catch a faery sound
On sleepy noontides from the ground:
   "O not again
   Till Earth outwears
   Shall love like theirs
   Suffuse this glen!"

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Thomas Hardy

Her Late Husband (King's-Hintock, 182-.)

"No--not where I shall make my own;
   But dig his grave just by
The woman's with the initialed stone -
   As near as he can lie -
After whose death he seemed to ail,
   Though none considered why.

"And when I also claim a nook,
   And your feet tread me in,
Bestow me, under my old name,
   Among my kith and kin,
That strangers gazing may not dream
   I did a husband win."

"Widow, your wish shall be obeyed;
   Though, thought I, certainly
You'd lay him where your folk are laid,
   And your grave, too, will be,
As custom hath it; you to right,
   And on the left hand he."

"Aye, sexton; such the Hintock rule,
   And none has said it nay;
But now it haps a native here
   Eschews that ancient way . . .
And it may be, some Christmas night,
   When angels walk, they'll say:

"'O strange interment! Civilized lands
   Afford few types thereof;
Here is a man who takes his rest
   Beside his very Love,
Beside the one who was his wife
   In our sight up above!'"

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Thomas Hardy

The Tenant-For-Life

The sun said, watching my watering-pot
   "Some morn you'll pass away;
These flowers and plants I parch up hot -
   Who'll water them that day?

"Those banks and beds whose shape your eye
   Has planned in line so true,
New hands will change, unreasoning why
   Such shape seemed best to you.

"Within your house will strangers sit,
   And wonder how first it came;
They'll talk of their schemes for improving it,
   And will not mention your name.

"They'll care not how, or when, or at what
   You sighed, laughed, suffered here,
Though you feel more in an hour of the spot
   Than they will feel in a year

"As I look on at you here, now,
   Shall I look on at these;
But as to our old times, avow
   No knowledge--hold my peace! . . .

"O friend, it matters not, I say;
   Bethink ye, I have shined
On nobler ones than you, and they
   Are dead men out of mind!"

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Old Woman

I see Senora Sanchez
along the river.
Black catfish
pop the silver
water surface,
waves unroll
as the gnarled
bronze face and
black eyes
remember
cool sea shells
and warm turquoise,
the turkey gobbling
behind bushes,
and the red skirt
hanging on boughs
as she bathed….
She pulls her black sweater
snug around her, folded arms
across her stomach.
She who remembers
cannot say amen
but smiles to sunrise
as she walks through the grass,
      &nb sp;       &nbs p;         ;       the tall,
      &nbs p;         ;                green grass,
grass that does not listen to
       & nbsp;       &n bsp;       &nb sp;      the priest
in black robes, blooms green
as she walks through the grass
and talks with them.

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Thomas Hardy

By the Earth's Corpse

I

   "O Lord, why grievest Thou? -
   Since Life has ceased to be
   Upon this globe, now cold
   As lunar land and sea,
And humankind, and fowl, and fur
   Are gone eternally,
All is the same to Thee as ere
   They knew mortality."

II

"O Time," replied the Lord,
   "Thou read'st me ill, I ween;
Were all THE SAME, I should not grieve
   At that late earthly scene,
Now blestly past--though planned by me
   With interest close and keen! -
Nay, nay: things now are NOT the same
   As they have earlier been.

III

   "Written indelibly
   On my eternal mind
   Are all the wrongs endured
   By Earth's poor patient kind,
Which my too oft unconscious hand
   Let enter undesigned.
No god can cancel deeds foredone,
   Or thy old coils unwind!

IV

   "As when, in Noe's days,
   I whelmed the plains with sea,
   So at this last, when flesh
   And herb but fossils be,
And, all extinct, their piteous dust
   Revolves obliviously,
That I made Earth, and life, and man,
   It still repenteth me!"

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Thomas Hardy

The Inconsistent

I say, "She was as good as fair,"
   When standing by her mound;
"Such passing sweetness," I declare,
   "No longer treads the ground."
I say, "What living Love can catch
   Her bloom and bonhomie,
And what in newer maidens match
   Her olden warmth to me!"

- There stands within yon vestry-nook
   Where bonded lovers sign,
Her name upon a faded book
   With one that is not mine.
To him she breathed the tender vow
   She once had breathed to me,
But yet I say, "O love, even now
   Would I had died for thee!"

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Music in an Empty House

The house was empty and
      the people of the house
      gone many months

Months for the weevil
      for the patient worm
      timbe r-mole softly tunnelling
       ;for the parliament of rats

Footsteps slink past
      damp walls
      down
      long
& nbsp;     corridors

Slow feet
      warily scuff
      bare boards
The much-bitten
     &nbs p;tapestry
       ;  holds
    &nb sp;     many
 &n bsp;    moths

In a certain curtain'd room
      the halting steps evade
      chai rs white shrouded

To twitch the winding-sheet
     &n bsp;around a grand piano
      thin phalanx of sound
      sharp rat's teeth edge yellow
      with decay

The much-bitten
     &nbs p;tapestry
       ;holds
      man y
      moths

On rat's teeth-edge
       ;fingers preparate
       hesitate

Then falling send
  as tenantry
    darnp-muffied chords
      rus ting strings
  a still-born song

Their fortissimoThe tattered   scarcetapestry   stirsholds   nearmany   cobwebsmoths

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A Trembling Star

"There is my little trembling star," she said.
   I looked; once more
The tender sea had put the sun to bed,
   And heaven's floor
   Was grey.

And nowhere yet in all that young night sky
   Was any star,
But one that hung above the sea. Not high,
   Nor very far
   Away.

"I watch it every night," she said, and crept
   Within my arm.
"Soft little star, I wish the angels kept
   It safe from harm
   Alway.

"I know it is afraid," she said; her eyes
   Held a sweet tear.
"They send it all alone into the skies,
   No big stars near,
   To stay.

"They push it out before the sweet, kind moon
   Lights up the sea.
They laugh because it fears the dark. `Soon, soon,
   You'll braver be,'
   They say.

"One night I climbed far up that high white tree
   Beside the beach,
And tried to stretch my hand across the sea
   And tried to reach
   The grey.

"For something made me feel my heart would break
   Unless that night
I in my hand my trembling star could take
   And kiss its fright
   Away.

"There only blew a strange wind chillily,
   And clouds were swept.
The angels would not let my own star see
   That someone wept.
   I pray

"To Christ, who hears my little prayers each night,
   That He will seek
Through all His skies for that sweet, frightened light,
   And stoop His cheek
   And say

"`My angels must not send so frail a thing
   To light the West.
Lift up the little trembling star to cling
   About my breast
   Alway.'"

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William Shakespeare

Fairy Land i

OVER hill, over dale,
   Thorough bush, thorough brier,
   Over park, over pale,
   Thorough flood, thorough fire,
   I do wander everywhere,
   Swifter than the moone's sphere;
   And I serve the fairy queen,
   To dew her orbs upon the green:
   The cowslips tall her pensioners be;
   In their gold coats spots you see;
   Those be rubies, fairy favours,
   In those freckles live their savours:
   I must go seek some dew-drops here,
And hang a pearl in every cowslip's ear.

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A Folk Song

I came to your town, my love,
   And you were away, away!
I said "She is with the Queen's maidens:
   They tarry long at their play.
They are stringing her words like pearls
To throw to the dukes and earls."
   But O, the pity!
I had but a morn of windy red
To come to the town where you were bred,
   And you were away, away!

I came to your town, my love,
   And you were away, away!
I said, "She is with the mountain elves
   And misty and fair as they.
They are spinning a diamond net
To cover her curls of jet."
   But O, the pity!
I had but a noon of searing heat
To come to your town, my love, my sweet,
   And you were away, away!

I came to your town, my love,
   And you were away, away!
I said, "She is with the pale white saints,
   And they tarry long to pray.
They give her a white lily-crown,
And I fear she will never come down."
   But O, the pity!
I had but an even grey and wan
To come to your town and plead as man,
   And you were away, away!

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William Shakespeare

Fairy Land iii

COME unto these yellow sands,
   And then take hands:
Court'sied when you have, and kiss'd,--
   The wild waves whist,--
Foot it featly here and there;
And, sweet sprites, the burthen bear.
   Hark, hark!
   Bow, wow,
   The watch-dogs bark:
   Bow, wow.
   Hark, hark! I hear
   The strain of strutting chanticleer
   Cry, Cock-a-diddle-dow!

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Home

"Where shall we dwell?" say you.
   Wandering winds reply:
"In a temple with roof of blue
   -- Under the splendid sky."

Never a nobler home
   We'll find though an age we try
Than is arched by the azure dome
   Of the all-enfolding sky.

Here we are wed, and here
   We live under God's own eye.
"Where shall we dwell," my dear?
   Under the splendid sky.

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Thomas Hardy

To Life

O life with the sad seared face,
   I weary of seeing thee,
And thy draggled cloak, and thy hobbling pace,
   And thy too-forced pleasantry!

   I know what thou would'st tell
   Of Death, Time, Destiny -
I have known it long, and know, too, well
   What it all means for me.

   But canst thou not array
   Thyself in rare disguise,
And feign like truth, for one mad day,
   That Earth is Paradise?

   I'll tune me to the mood,
   And mumm with thee till eve;
And maybe what as interlude
   I feign, I shall believe!

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Thomas Hardy

Doom and She

I

   There dwells a mighty pair -
   Slow, statuesque, intense -
   Amid the vague Immense:
None can their chronicle declare,
   Nor why they be, nor whence.

,h II

   Mother of all things made,
   Matchless in artistry,
   Unlit with sight is she. -
And though her ever well-obeyed
   Vacant of feeling he.

III

   The Matron mildly asks -
   A throb in every word -
   "Our clay-made creatures, lord,
How fare they in their mortal tasks
   Upon Earth's bounded bord?

IV

   "The fate of those I bear,
   Dear lord, pray turn and view,
   And notify me true;
Shapings that eyelessly I dare
   Maybe I would undo.

V

   "Sometimes from lairs of life
   Methinks I catch a groan,
   Or multitudinous moan,
As though I had schemed a world of strife,
   Working by touch alone."

VI

   "World-weaver!&quo t; he replies,
   "I scan all thy domain;
   But since nor joy nor pain
Doth my clear substance recognize,
   I read thy realms in vain.

VII

   "World-weaver! what IS Grief?
   And what are Right, and Wrong,
   And Feeling, that belong
To creatures all who owe thee fief?
   What worse is Weak than Strong?" . . .

VIII

   --Unlightened, curious, meek,
   She broods in sad surmise . . .
   --Some say they have heard her sighs
On Alpine height or Polar peak
   When the night tempests rise.

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Amy Lowell

Apology

Be not angry with me that I bear
   Your colours everywhere,
   All through each crowded street,
   And meet
   The wonder-light in every eye,
   As I go by.

Each plodding wayfarer looks up to gaze,
   Blinded by rainbow haze,
   The stuff of happiness,
   No less,
   Which wraps me in its glad-hued folds
   Of peacock golds.

Before my feet the dusty, rough-paved way
   Flushes beneath its gray.
   My steps fall ringed with light,
   So bright,
   It seems a myriad suns are strown
   About the town.

Around me is the sound of steepled bells,
   And rich perfumed smells
   Hang like a wind-forgotten cloud,
   And shroud
   Me from close contact with the world.
   I dwell impearled.

You blazon me with jewelled insignia.
   A flaming nebula
   Rims in my life. And yet
   You set
   The word upon me, unconfessed
   To go unguessed.

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Soft White

When the sea is as grey as her eyes
On these days for sure       &nb sp;the soft white
mist blown in from the ocean       &n bsp;the town dissolving
It all adds up         ;her bare shoulders

Nakedness     ;    rolling in from the sea
on winter afternoons - a fine rain
looking down on the sand       &nb sp;& shingle
the waves breaking on the shore       &n bsp;& white

It is impossible to deny what
taken by surprise        ; then wonder
the many details of her body
to be held first now       &nbs p;then later

In body & mind       &nb sp;the fine rain outside
on winter afternoons      &nb sp; the nakedness
of her bare shoulders      &nbs p; as grey as her eyes
the sea rushing up the beach as white as

The whole outline called 'geography'
meeting at a set of erotic points
lips    shoulders&n bsp;   breasts   &n bsp;stomach
the town dissolves      &nbs p; sex    thighs &n bsp;  legs

Outside  &n bsp;     then across her nakedness
it rains in the afternoon      &nbs p; then the wonder
her body so young & firm       &nb sp;dissolves the town
in winter       & nbsp;grey as her eyes

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To Mistress Margaret Hussey

MERRY Margaret
   As midsummer flower,
   Gentle as falcon
   Or hawk of the tower:
With solace and gladness,
Much mirth and no madness,
All good and no badness;
   So joyously,
   So maidenly,
   So womanly
   Her demeaning
   In every thing,
   Far, far passing
   That I can indite,
   Or suffice to write
   Of Merry Margaret
   As midsummer flower,
   Gentle as falcon
   Or hawk of the tower.
   As patient and still
   And as full of good will
   As fair Isaphill,
   Coliander,
   Sweet pomander,
   Good Cassander;
   Steadfast of thought,
   Well made, well wrought,
   Far may be sought,
   Ere that ye can find
   So courteous, so kind
   As merry Margaret,
   This midsummer flower,
   Gentle as falcon
   Or hawk of the tower.

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