Part III: Credat Judaeus Apella
Dear Bell,—I enclose what you ask in a letter,
A short rhyme at random, no more and no less,
And you may insert it, for want of a better
Or leave it, it doesn't much matter, I guess ;
And as for a tip, why, there isn't much in it,
I may hit the right nail, but first, I declare,
I haven't a notion what's going to win it
(The Champion, I mean), and what's more, I don't care.
Imprimis, there's Cowra—few nags can go quicker
Than she can—and Smith takes his oath she can fly ;
While Brown, Jones, and Robinson swear she's a sticker,
But 'credat Judaeus Apella,' say I.
There's old Volunteer, I'd be sorry to sneer
At his chance ; he'll be there, if he goes at the rate
He went at last year, when a customer queer,
Johnny Higgerson, fancied him lock'd in the straight.
I've heard that the old horse has never been fitter,
I've heard all performances past he'll outvie ;
He may gallop a docker, and finish a splitter,
But 'credat Judaeus Apella,' say I.
I know what they say, sir, 'The Hook' he can stay, sir,
And stick to his work like a sleuth-hound or beagle ;
He stays 'with a hook,' and he sticks in the clay, sir,
I'd rather, for choice, pop my money on Seagull ;
I'm told that the Sydney division will rue, sir,
Their rashness in front of the stand when they spy,
With a clear lead, the white jacket spotted with blue, sir,
But 'credat Judaeus Apella,' say I.
There's The Barb—you may talk of your flyers and stayers,
All bosh—when he strips you can see his eye range
Round his rivals, with much the same look as Tom Sayers
Once wore when he faced the big novice, Bill Bainge.
Like Stow, at our hustings, confronting the hisses
Of roughs, with his queer Mephistopheles' smile ;
Like Baker, or Baker's more wonderful Mrs.,
The terror of blacks at the source of the Nile ;
Like Triton 'mid minnows ; like hawk among chickens ;
Like—anything better than everything else ;
He stands at the post. Now they're off ! the plot thickens !
Quoth Stanley to Davis, 'How is your pulse ?'
He skims o'er the smooth turf, he scuds through the mire,
He waits with them, passes them, bids them good-bye !
Two miles and three-quarters, cries Filgate, 'He'll tire.'
But 'credat Judaeus Apella,' say I.
Lest my tale should come true, let me give you fair warning,
You may 'shout' some cheroots, if you like, no champagne
For this child—'Oh ! think of my head in the morning,'
Old chap, you don't get me on that lay again.
The last time those games I look'd likely to try on,
Says Bradshawe, 'You'll feel very sheepish and shy
When you are haul'd up and caution'd by D—g—y and L—n,'
But 'credat Judaeus Apella,' say I.
This writing bad verses is very fatiguing,
The brain and the liver against it combine,
And nerves with digestion in concert are leaguing,
To punish excess in the pen and ink line ;
Already I feel just as if I'd been rowing
Hard all—on a supper of onions and tripe
(A thing I abhor), but my steam I've done blowing,
I am, my dear Bell, yours truly, 'The Pipe'.
P.S.—Tell J. P., if he fancies a good ‘un,
That old chestnut pony of mine is for sale.
N.B.—His fore legs are uncommonly wooden,
I fancy the near one's beginning to fail,
And why shouldn't I do as W—n does oft,
And swear that a cripple is sound—on the Bible—
Hold hard ! though the man I allude to is soft,
He's game to go in for an action of libel.
poem by Adam Lindsay Gordon
Submitted by Poetry Lover
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Hippodromania; Or, Whiffs From The Pipe
Part I
Visions in the Smoke
Rest, and be thankful! On the verge
Of the tall cliff rugged and grey,
But whose granite base the breakers surge,
And shiver their frothy spray,
Outstretched, I gaze on the eddying wreath
That gathers and flits away,
With the surf beneath, and between my teeth
The stem of the 'ancient clay'.
With the anodyne cloud on my listless eyes,
With its spell on my dreamy brain,
As I watch the circling vapours rise
From the brown bowl up to the sullen skies,
My vision becomes more plain,
Till a dim kaleidoscope succeeds
Through the smoke-rack drifting and veering,
Like ghostly riders on phantom steeds
To a shadowy goal careering.
In their own generation the wise may sneer,
They hold our sports in derision;
Perchance to sophist, or sage, or seer,
Were allotted a graver vision.
Yet if man, of all the Creator plann'd,
His noblest work is reckoned,
Of the works of His hand, by sea or by land,
The horse may at least rank second.
Did they quail, those steeds of the squadrons light,
Did they flinch from the battle's roar,
When they burst on the guns of the Muscovite,
By the echoing Black Sea shore?
On! on! to the cannon's mouth they stride,
With never a swerve nor a shy,
Oh! the minutes of yonder maddening ride,
Long years of pleasure outvie!
No slave, but a comrade staunch, in this,
Is the horse, for he takes his share,
Not in peril alone, but in feverish bliss,
And in longing to do and dare.
Where bullets whistle, and round shot whiz,
Hoofs trample, and blades flash bare,
God send me an ending as fair as his
Who died in his stirrups there!
The wind has slumbered throughout the day,
Now a fitful gust springs over the bay,
My wandering thoughts no longer stray,
I'll fix my overcoat buttons;
Secure my old hat as best I may
(And a shocking bad one it is, by the way),
Blow a denser cloud from my stunted clay,
And then, friend BELL, as the Frenchmen say,
We'll 'go back again to our muttons'.
There's a lull in the tumult on yonder hill,
And the clamour has grown less loud,
Though the Babel of tongues is never still,
With the presence of such a crowd.
The bell has rung. With their riders up
At the starting post they muster,
The racers stripp'd for the 'Melbourne Cup',
All gloss and polish and lustre;
And the course is seen, with its emerald sheen,
By the bright spring-tide renew'd,
Like a ribbon of green stretched out between
The ranks of the multitude.
The flag is lowered. 'They're off!' 'They come!'
The squadron is sweeping on;
A sway in the crowd-a murmuring hum:
'They're here!' 'They're past!' 'They're gone!'
They came with the rush of the southern surf,
On the bar of the storm-girt bay;
And like muffled drums on the sounding turf
Their hoof-strokes echo away.
The rose and black draws clear of the ruck,
And the murmur swells to a roar,
As the brave old colours that never were struck,
Are seen with the lead once more.
Though the feathery ferns and grasses wave
O'er the sod where Lantern sleeps,
Though the turf is green on Fisherman's grave,
The stable its prestige keeps.
Six lengths in front she scours along,
She's bringing the field to trouble;
She's tailing them off, she's running strong,
She shakes her head and pulls double.
Now Minstrel falters and Exile flags,
The Barb finds the pace too hot,
And Toryboy loiters, and Playboy lags,
And the BOLT of Ben Bolt is shot.
That she never may be caught this day,
Is the worst that the public wish her.
She won't be caught: she comes right away;
Hurrah for Seagull and Fisher!
See, Strop falls back, though his reins are slack,
Sultana begins to tire,
And the top-weight tells on the Sydney crack,
And the pace on 'the Gippsland flyer'.
The rowels, as round the turn they sweep,
Just graze Tim Whiffler's flanks;
Like the hunted deer that flies through the sheep,
He strides through the beaten ranks.
Daughter of Omen, prove your birth,
The colt will take lots of choking;
The hot breath steams at your saddle girth,
From his scarlet nostril smoking.
The shouts of the Ring for a space subside,
And slackens the bookmaker's roar;
Now, Davis, rally; now, Carter, ride,
As man never rode before.
When Sparrowhawk's backers cease to cheer,
When Yattendon's friends are dumb,
When hushed is the clamour for Volunteer-
Alone in the race they come!
They're neck and neck; they're head and head;
They're stroke for stroke in the running;
The whalebone whistles, the steel is red,
No shirking as yet nor shunning.
One effort, Seagull, the blood you boast
Should struggle when nerves are strained;-
With a rush on the post, by a neck at the most,
The verdict for Tim is gained.
Tim Whiffler wins. Is blood alone
The sine qua non for a flyer?
The breed of his dam is a myth unknown,
And we've doubts respecting his sire.
Yet few (if any) those proud names are,
On the pages of peerage or stud,
In whose 'scutcheon lurks no sinister bar,
No taint of the base black blood.
Aye, Shorthouse, laugh-laugh loud and long,
For pedigree you're a sticker;
You may be right, I may be wrong,
Wiseacres both! Let's liquor.
Our common descent we may each recall
To a lady of old caught tripping,
The fair one in fig leaves, who d--d us all
For a bite at a golden pippin.
When first on this rocky ledge I lay,
There was scarce a ripple in yonder bay,
The air was serenely still;
Each column that sailed from my swarthy clay
Hung loitering long ere it passed away,
Though the skies wore a tinge of leaden grey,
And the atmosphere was chill.
But the red sun sank to his evening shroud,
Where the western billows are roll'd,
Behind a curtain of sable cloud,
With a fringe of scarlet and gold;
There's a misty glare in the yellow moon,
And the drift is scudding fast,
There'll be storm, and rattle, and tempest soon,
When the heavens are overcast.
The neutral tint of the sullen sea
Is fleck'd with the snowy foam,
And the distant gale sighs drearilie,
As the wanderer sighs for his home.
The white sea-horses toss their manes
On the bar of the southern reef,
And the breakers moan, and-by Jove, it rains
(I thought I should come to grief):
Though it can't well damage my shabby hat,
Though my coat looks best when it's damp;
Since the shaking I got (no matter where at),
I've a mortal dread of the cramp.
My matches are wet, my pipe's put out,
And the wind blows colder and stronger;
I'll be stiff, and sore, and sorry, no doubt,
If I lie here any longer.
Part II
The Fields of Coleraine
On the fields of Col'raine there'll be labour in vain
Before the Great Western is ended,
The nags will have toil'd, and the silks will be soil'd,
And the rails will require to be mended.
For the gullies are deep, and the uplands are steep,
And mud will of purls be the token,
And the tough stringy-bark, that invites us to lark,
With impunity may not be broken.
Though Ballarat's fast, and they say he can last,
And that may be granted hereafter,
Yet the judge's decision to the Border division
Will bring neither shouting nor laughter.
And Blueskin, I've heard that he goes like a bird,
And I'm told that to back him would pay me;
He's a good bit of stuff, but not quite good enough,
'Non licuit credere famae.'
Alfred ought to be there, we all of us swear
By the blood of King Alfred, his sire;
He's not the real jam, by the blood of his dam,
So I sha'n't put him down as a flyer.
Now, Hynam, my boy, I wish you great joy,
I know that when fresh you can jump, sir;
But you'll scarce be in clover, when you're ridden all over,
And punished from shoulder to rump, sir.
Archer goes like a shot, they can put on their pot,
And boil it to cover expenses;
Their pot will boil over, the run of his dover
He'll never earn over big fences.
There's a horse in the race, with a blaze on his face,
And we know he can gallop a docker!
He's proved himself stout, of his speed there's no doubt,
And his jumping's according to Cocker.
When Hynam's outstripp'd, and when Alfred is whipp'd,
To keep him in sight of the leaders,
While Blueskin runs true, but his backers look blue,
For his rider's at work with the bleeders;
When his carcase of beef brings 'the bullock' to grief,
And the rush of the tartan is ended;
When Archer's in trouble-who's that pulling double,
And taking his leaps unextended?
He wins all the way, and the rest-sweet, they say,
Is the smell of the newly-turned plough, friend,
But you smell it too close when it stops eyes and nose,
And you can't tell your horse from your cow, friend.
Part III
Credat Judaeus Apella
Dear Bell,-I enclose what you ask in a letter,
A short rhyme at random, no more and no less,
And you may inser it, for want of a better,
Or leave it, it doesn't much matter, I guess;
And as for a tip, why, there isn't much in it,
I may hit the right nail, but first, I declare,
I haven't a notion what's going to win it
(The Champion, I mean), and what's more, I don't care.
Imprimis, there's Cowra-few nags can go quicker
Than she can-and Smith takes his oath she can fly;
While Brown, Jones, and Robinson swear she's a sticker,
But 'credat Judaeus Apella', say I.
There's old Volunteer, I'd be sorry to sneer
At his chance; he'll be there, if he goes at the rate
He went at last year, when a customer queer,
Johnny Higgerson, fancied him lock'd in the straight;
I've heard that the old horse has never been fitter,
I've heard all performances past he'll outvie;
He may gallop a docker, and finish a splitter,
But 'credat Judaeus Apella', say I.
I know what they say, sir, 'The Hook' he can stay, sir,
And stick to his work like a sleuth-hound or beagle;
He stays 'with a HOOK', and he sticks in the clay, sir;
I'd rather, for choice, pop my money on Seagull;
I'm told that the Sydney division will rue, sir,
Their rashness in front of the stand when they spy,
With a clear lead, the white jacket spotted with blue, sir,
But 'credat Judaeus Apella', say I.
There's The Barb-you may talk of your flyers and stayers,
All bosh-when he strips you can see his eye range
Round his rivals, with much the same look as Tom Sayers
Once wore when he faced the big novice, Bill Bainge.
Like Stow, at our hustings, confronting the hisses
Of roughs, with his queer Mephistopheles' smile;
Like Baker, or Baker's more wonderful MRS.,
The terror of blacks at the source of the Nile;
Like Triton 'mid minnows; like hawk among chickens;
Like-anything better than everything else:
He stands at the post. Now they're off! the plot thickens!
Quoth Stanley to Davis, 'How is your pulse?'
He skims o'er the smooth turf, he scuds through the mire,
He waits with them, passes them, bids them good-bye!
Two miles and three-quarters, cries Filgate, 'He'll tire.'
Oh! 'credat Judaeus Apella', say I.
Lest my tale should come true, let me give you fair warning,
You may 'shout' some cheroots, if you like, no champagne
For this child-'Oh! think of my head in the morning,'
Old chap, you don't get me on that lay again.
The last time those games I look'd likely to try on,
Says Bradshawe, 'You'll feel very sheepish and shy
When you are haul'd up and caution'd by D--g--y and L--n,'
Oh! 'credat Judaeus Apella', say I.
This writing bad verses is very fatiguing,
The brain and the liver against it combine,
And nerves with digestion in concert are leaguing,
To punish excess in the pen and ink line;
Already I feel just as if I'd been rowing
Hard all-on a supper of onions and tripe
(A thing I abhor), but my steam I've done blowing,
I am, my dear BELL, yours truly, 'The Pipe'.
P.S.-Tell J. P., if he fancies a good 'un,
That old chestnut pony of mine is for sale.
N.B.-His forelegs are uncommonly wooden,
I fancy the near one's beginning to fail,
And why shouldn't I do as W--n does oft,
And swear that a cripple is sound-on the Bible-
Hold hard! though the man I allude to is soft,
He's game to go in for an action of libel.
Part IV
Banker's Dream
Of chases and courses dogs dream, so do horses-
Last night I was dozing and dreaming,
The crowd and the bustle were there, and the rustle
Of the silk in the autumn sky gleaming.
The stand throng'd with faces, the broadcloth and laces,
The booths, and the tents, and the cars,
The bookmakers' jargon, for odds making bargain,
The nasty stale smell of cigars.
We formed into line, 'neath the merry sunshine,
Near the logs at the end of the railing;
'Are you ready, boys? Go!' cried the starter, and low
Sank the flag, and away we went sailing.
In the van of the battle we heard the stones rattle,
Some slogging was done, but no slaughter,
A shout from the stand, and the whole of our band
Skimm'd merrily over the water.
Two fences we clear'd, and the roadway we near'd,
When three of our troop came to trouble;
Like a bird on the wing, or a stone from a sling,
Flew Cadger, first over the double.
And Western was there, head and tail in the air,
And Pondon was there, too-what noodle
Could so name a horse? I should feel some remorse
If I gave such a name to a poodle.
In and out of the lane, to the racecourse again,
Craig's pony was first, I was third,
And Ingleside lit in my tracks, with the bit
In his teeth, and came up 'like a bird'.
In the van of the battle we heard the rails rattle,
Says he, 'Though I don't care for shunning
My share of the raps, I shall look out for gaps,
When the light weight's away with the running.'
At the fence just ahead the outsider still led,
The chestnut play'd follow my leader;
Oh! the devil a gap, he went into it slap,
And he and his jock took a header.
Says Ingleside, 'Mate, should the pony go straight,
You've no time to stop or turn restive;'
Says I, 'Who means to stop? I shall go till I drop;'
Says he, 'Go it, old cuss, gay and festive.'
The fence stiff and tall, just beyond the log wall,
We cross'd, and the walls, and the water,-
I took off too near, a small made fence to clear,
And just touch'd the grass with my snorter.
At the next post and rail up went Western's bang tail,
And down (by the very same token)
To earth went his nose, for the panel he chose
Stood firm and refused to be broken.
I dreamt someone said that the bay would have made
The race safe if he'd STOOD a while longer;
IF he had,-but, like if, there the panel stands stiff-
He stood, but the panel stood stronger.
In and out of the road, with a clear lead still show'd
The violet fluted with amber;
Says Johnson, 'Old man, catch him now if you can,
'Tis the second time round you'll remember.'
At the road once again, pulling hard on the rein,
Craig's pony popp'd in and popp'd out;
I followed like smoke and the pace was no joke,
For his friends were beginning to shout.
And Ingleside came to my side, strong and game,
And once he appear'd to outstrip me,
But I felt the steel gore, and I shot to the fore,
Only Cadger seem'd likely to whip me.
In the van of the battle I heard the logs rattle,
His stroke never seem'd to diminish,
And thrice I drew near him, and thrice he drew clear,
For the weight served him well at the finish.
Ha! Cadger goes down, see, he stands on his crown-
Those rails take a power of clouting-
A long sliding blunder-he's up-well, I wonder
If now it's all over but shouting.
All loosely he's striding, the amateur's riding
All loosely, some reverie locked in
Of a 'vision in smoke', or a 'wayfaring bloke',
His poetical rubbish concocting.
Now comes from afar the faint cry, 'Here they are,'
'The violet winning with ease,'
'Fred goes up like a shot,' 'Does he catch him or not?'
Level money, I'll take the cerise.
To his haunches I spring, and my muzzle I bring
To his flank, to his girth, to his shoulder;
Through the shouting and yelling I hear my name swelling,
The hearts of my backers grow bolder.
Neck and neck! head and head! staring eye! nostril spread!
Girth and stifle laid close to the ground!
Stride for stride! stroke for stroke! through one hurdle we've broke!
On the splinters we've lit with one bound.
And 'Banker for choice' is the cry, and one voice
Screams 'Six to four once upon Banker;'
'Banker wins,' 'Banker's beat,' 'Cadger wins,' 'A dead heat'-
Ah! there goes Fred's whalebone a flanker.
Springs the whip with a crack! nine stone ten on his back,
Fit and light he can race like the devil;
I draw past him-'tis vain; he draws past me again,
Springs the whip! and again we are level.
Steel and cord do their worst, now my head struggles first!
That tug my last spurt has expended-
Nose to nose! lip to lip! from the sound of the whip
He strains to the utmost extended.
How they swim through the air, as we roll to the chair,
Stand, faces, and railings flit past;
Now I spring * * *
from my lair with a snort and a stare,
Rous'd by Fred with my supper at last.
Part V
Ex Fumo Dare Lucem
['Twixt the Cup and the Lip]
Prologue
Calm and clear! the bright day is declining,
The crystal expanse of the bay,
Like a shield of pure metal, lies shining
'Twixt headlands of purple and grey,
While the little waves leap in the sunset,
And strike with a miniature shock,
In sportive and infantine onset,
The base of the iron-stone rock.
Calm and clear! the sea-breezes are laden
With a fragrance, a freshness, a power,
With a song like the song of a maiden,
With a scent like the scent of a flower;
And a whisper, half-weird, half-prophetic,
Comes home with the sigh of the surf;-
But I pause, for your fancies poetic
Never rise from the level of 'Turf'.
Fellow-bungler of mine, fellow-sinner,
In public performances past,
In trials whence touts take their winner,
In rumours that circulate fast,
In strains from Prunella or Priam,
Staying stayers, or goers that go,
You're much better posted than I am,
'Tis little I care, less I know.
Alas! neither poet nor prophet
Am I, though a jingler of rhymes-
'Tis a hobby of mine, and I'm off it
At times, and I'm on it at times;
And whether I'm off it or on it,
Your readers my counsels will shun,
Since I scarce know Van Tromp from Blue Bonnet,
Though I might know Cigar from the Nun.
With 'visions' you ought to be sated
And sicken'd by this time, I swear
That mine are all myths self-created,
Air visions that vanish in air;
If I had some loose coins I might chuck one,
To settle this question and say,
'Here goes! this is tails for the black one,
And heads for my fav'rite the bay.'
And must I rob Paul to pay Peter,
Or Peter defraud to pay Paul?
My rhymes, are they stale? if my metre
Is varied, one chime rings through all:
One chime-though I sing more or sing less,
I have but one string to my lute,
And it might have been better if, stringless
And songless, the same had been mute.
Yet not as a seer of visions,
Nor yet as a dreamer of dreams,
I send you these partial decisions
On hackney'd, impoverish'd themes;
But with song out of tune, sung to pass time,
Flung heedless to friends or to foes,
Where the false notes that ring for the last time,
May blend with some real ones, who knows?
The Race
On the hill they are crowding together,
In the stand they are crushing for room,
Like midge-flies they swarm on the heather,
They gather like bees on the broom;
They flutter like moths round a candle-
Stale similes, granted, what then?
I've got a stale subject to handle,
A very stale stump of a pen.
Hark! the shuffle of feet that are many,
Of voices the many-tongued clang-
'Has he had a bad night?' 'Has he any
Friends left?'-How I hate your turf slang;
'Tis stale to begin with, not witty,
But dull, and inclined to be coarse,
But bad men can't use (more's the pity)
Good words when they slate a good horse.
Heu! heu! quantus equis (that's Latin
For 'bellows to mend' with the weeds),
They're off! lights and shades! silk and satin!
A rainbow of riders and steeds!
And one shows in front, and another
Goes up and is seen in his place,
Sic transit (more Latin)-Oh! bother,
Let's get to the end of the race.
* * * * *
See, they come round the last turn careering,
Already Tait's colours are struck,
And the green in the vanguard is steering,
And the red's in the rear of the ruck!
Are the stripes in the shade doom'd to lie long?
Do the blue stars on white skies wax dim?
Is it Tamworth or Smuggler? 'Tis Bylong
That wins-either Bylong or Tim.
As the shell through the breach that is riven
And sapp'd by the springing of mines,
As the bolt from the thunder-cloud driven,
That levels the larches and pines,
Through yon mass parti-colour'd that dashes
Goal-turn'd, clad in many-hued garb,
From rear to van, surges and flashes
The yellow and black of The Barb.
Past The Fly, falling back on the right, and
The Gull, giving way on the left,
Past Tamworth, who feels the whip smite, and
Whose sides by the rowels are cleft;
Where Tim and the chestnut together
Still bear of the battle the brunt,
As if eight stone twelve were a feather,
He comes with a rush to the front.
Tim Whiffler may yet prove a Tartar,
And Bylong's the horse that can stay,
But Kean is in trouble-and Carter
Is hard on the satin-skinn'd bay;
And The Barb comes away unextended,
Hard held, like a second Eclipse,
While behind the hoof-thunder is blended
With the whistling and crackling of whips.
Epilogue
He wins; yes, he wins upon paper,
He hasn't yet won upon turf,
And these rhymes are but moonshine and vapour,
Air-bubbles and spume from the surf.
So be it, at least they are given
Free, gratis, for just what they're worth,
And (whatever there may be in heaven)
There's little worth much upon earth.
When, with satellites round them the centre,
Of all eyes, hard press'd by the crowd,
The pair, horse and rider, re-enter
The gate, 'mid a shout long and loud,
You may feel, as you might feel, just landed
Full length on the grass from the clip
Of a vicious cross-counter, right-handed,
Or upper-cut whizzing from hip.
And that's not so bad if you're pick'd up
Discreetly, and carefully nursed;
Loose teeth by the sponge are soon lick'd up,
And next time you MAY get home first.
Still I'm not sure you'd like it exactly
(Such tastes as a rule are acquired),
And you'll find in a nutshell this fact lie,
Bruised optics are not much admired.
Do I bore you with vulgar allusions?
Forgive me, I speak as I feel,
I've pondered and made my conclusions-
As the mill grinds the corn to the meal;
So man striving boldly but blindly,
Ground piecemeal in Destiny's mill,
At his best, taking punishment kindly,
Is only a chopping-block still.
Are we wise? Our abstruse calculations
Are based on experience long;
Are we sanguine? Our high expectations
Are founded on hope that is strong;
Thus we build an air-castle that crumbles
And drifts till no traces remain,
And the fool builds again while he grumbles,
And the wise one laughs, building again.
'How came they to pass, these rash blunders,
These false steps so hard to defend?'
Our friend puts the question and wonders,
We laugh and reply, 'Ah! my friend,
Could you trace the first stride falsely taken,
The distance misjudged, where or how,
When you pick'd yourself up, stunn'd and shaken,
At the fence 'twixt the turf and the plough?'
In the jar of the panel rebounding!
In the crash of the splintering wood!
In the ears to the earth shock resounding!
In the eyes flashing fire and blood!
In the quarters above you revolving!
In the sods underneath heaving high!
There was little to aid you in solving
Such questions-the how or the why.
And destiny, steadfast in trifles,
Is steadfast for better or worse
In great things, it crushes and stifles,
And swallows the hopes that we nurse.
Men wiser than we are may wonder,
When the future they cling to so fast,
To the roll of that destiny's thunder,
Goes down with the wrecks of the past.
* * * * *
The past! the dead past! that has swallow'd
All the honey of life and the milk,
Brighter dreams than mere pastimes we've follow'd,
Better things than our scarlet or silk;
Aye, and worse things-that past is it really
Dead to us who again and again
Feel sharply, hear plainly, see clearly,
Past days with their joy and their pain?
Like corpses embalm'd and unburied
They lie, and in spite of our will,
Our souls on the wings of thought carried,
Revisit their sepulchres still;
Down the channels of mystery gliding,
They conjure strange tales, rarely read,
Of the priests of dead Pharaohs presiding
At mystical feasts of the dead.
Weird pictures arise, quaint devices,
Rude emblems, baked funeral meats,
Strong incense, rare wines, and rich spices,
The ashes, the shrouds, and the sheets;
Does our thraldom fall short of completeness
For the magic of a charnel-house charm,
And the flavour of a poisonous sweetness,
And the odour of a poisonous balm?
And the links of the past-but, no matter,
For I'm getting beyond you, I guess,
And you'll call me 'as mad as a hatter'
If my thoughts I too freely express;
I subjoin a quotation, pray learn it,
And with the aid of your lexicon tell us
The meaning thereof-'Res discernit
Sapiens, quas confundit asellus.'
Already green hillocks are swelling,
And combing white locks on the bar,
Where a dull, droning murmur is telling
Of winds that have gather'd afar;
Thus we know not the day, nor the morrow,
Nor yet what the night may bring forth,
Nor the storm, nor the sleep, nor the sorrow,
Nor the strife, nor the rest, nor the wrath.
Yet the skies are still tranquil and starlit,
The sun 'twixt the wave and the west
Dies in purple, and crimson, and scarlet,
And gold; let us hope for the best,
Since again from the earth his effulgence
The darkness and damp-dews shall wipe.
Kind reader, extend your indulgence
To this the last lay of 'The Pipe'.
poem by Adam Lindsay Gordon
Submitted by Poetry Lover
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The air is full of souls those who are nearest to earth descending to be tied to mortal bodies return to other bodies, desiring to live in them.
quote by Philo Judaeus
Submitted by Lucian Velea
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Red Robin
Hi, it's a funny world! This mornin' when I woke
I saw red robin on the fence, an' heard the words he spoke.
Red robin, he's a perky chap, an' this was his refrain:
'Dear, it's a pity that poor Jenny is so plain.'
To talk like that about his wife! It had me scandalized.
I'd heard him singin' so before, but never recognised
The meaning of his chatter, or that he could be so vain:
'Dear, it's a pity that poor Jenny is so plain.'
I don't know how, I don't know why, but this reminded me
I was promised to the widow for this Sunday night to tea.
I'd promised her for weeks an' weeks, until she pinned me down.
I recollects this is the day, an' gets up with a frown.
I was thinkin' of the widow while I gets me clobber on -
Like a feller will start thinkin' of the times that's past an' gone.
An', while my thoughts is runnin' so, that bird chips in again:
'Dear, it's a pity that poor Jenny is so plain.'
Now, the widow's name is Jenny, an' it strikes me sort of queer
That my thoughts should be upon her when that robin's song I hear.
She ain't so homely neither; but she never could compare
With a certain bonzer vision with the sunlight in her hair.
When I wander down that evenin', she come smilin' to the gate,
An' her look is calculatin', as she scolds because I'm late.
She takes my hat an' sits me down an' heaves a little sigh.
But I get a queer sensation from that glimmer in her eye.
She starts to talk about the mill, an' then about the strike,
An' then she digs Ben Murray up an' treats him nasty-like;
She treats him crool an' cattish, as them soft, sweet women can.
But I ups an' tells her plainly that I think Ben is a man.
First round to me. But she comes back, an' says Ben is a cad
Who's made a laughin'-stock of her, an' treated her reel bad.
I twig she's out for sympathy; so counters that, an' says
That Ben's a broken-hearted man about the mill these days.
The second round to me on points; an' I was havin' hopes.
(I might have known that widows were familiar with the ropes.)
'But he'd never make a husband!' says the widow, with a sigh.
An' again I gets a warnin' from that glimmer in her eye.
I says I ain't no judge of that; an' treats it with a laugh.
But she keeps the talk on 'usbands for a minute an' a half.
I can't do much but spar a bit, an' keep her out of range;
So the third round is the widow's; an' the fight takes on a change.
I'm longin' for a breather, for I've done my nerve a lot,
When suddenly she starts on 'Love,' an' makes the pace reel hot.
In half a jiff she has me on the ropes, an' breathin' hard,
With not a fight inside me - I can only duck an' guard.
She uppercuts me with a sigh, an' jabs me with a glance.
(When a widow is the fighter, has a single bloke a chance?)
Her short-arm blows are amorous, most lovin' is her lunge;
Until it's just a touch an' go I don't throw up the sponge.
I use my head-piece here a bit to wriggle from the fix;
For the widow is a winner 'less I fluke a win by tricks.
An' I lets a reel mean notion (that I don't seek to excuse),
when I interrupts her rudely with, 'But have you heard the news?'
Now, to a woman, that's a lead dead certain of a score,
An' a question that the keenest is unable to ignore.
An' good old Curiosity comes in to second me,
As I saw her struggle hopeless, an' 'What news is that?' says she.
An' here I spins a lovely yarn, a gloomy hard-luck tale
Of how I've done my money in, an' I'm about to fail,
How my house an' land is mortgaged, how I've muddled my affairs
Through foolin' round with racin' bets and rotten minin' shares.
I saw the fight was easy mine the minute I begun;
An', after half a dozen words, the time-keep counted 'One.'
An' when I finish that sad tale there ain't the slightest doubt
I am winner of the contest, an' the widow's down an' out.
But not for long. Although she's lost, the widow is dead game:
'I'm sorry, Mister Jim,' says she, 'for both your loss an' shame.
All things is changed between us now, of course; the past is dead.
An' what you were about to say you please will leave unsaid.'
. . . . . . . . . .
I was thinkin' in the evenin' over how I had escaped,
An' how the widow took it all - the way she stared an' gaped.
She looked her plainest at that time; but that don't matter now;
For, plain or fair, I know of one who's fairer, anyhow.
I tells meself that beauty ain't a thing to count with man,
An' I would never choose a wife on that unthinkin' plan.
No robin was awake, I swear; but still I heard that strain;
'Dear, it's a pity that poor Jenny is so plain.'
poem by Clarence Michael James Stanislaus Dennis
Submitted by Poetry Lover
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De Puero Et Praecone. Catul.
DE PUERO ET PRAECONE. CATUL.
Cum puero bello praeconem qui videt esse,
Quid credat, nisi se vendere discupere?
CATUL.
With a fair boy a cryer we behold,
What should we think, but he would not be sold?
poem by Richard Lovelace
Submitted by Poetry Lover
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Understatement
I'm Sick of Smiling
And so is my jaw
Can't you see my front is crumbling down?
I'm sick of being someone im not
Please get me out of this slump
I'm sick of clapping
When I know I can do it better for myself
I'm sick of waiting
Sick of all these words that will never matter
I wire all these nerves together
Hoping for a chance to think on time
And I'm tracing over your letter
To see if your intentions are as good as mine
But you're getting worse
I swear it
It's hard to prove you're an understatement
You're getting worse and I know
That you'll be calling me again
I'm done with everything
That had to do with you
Don't worry you pictures are already burned
I'm done with new friends
Don't sell yourself short
You'll lose it in the end
I can't help how I feel
song performed by by New Found Glory from Sticks And Stones
Submitted by Lucian Velea
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A Dream of the Melbourne Cup
Bring me a quart of colonial beer
And some doughy damper to make good cheer,
I must make a heavy dinner;
Heavily dine and heavily sup,
Of indigestible things fill up,
Next month they run the Melbourne Cup,
And I have to dream the winner.
Stoke it in, boys! the half-cooked ham,
The rich ragout and the charming cham.,
I've got to mix my liquor;
Give me a gander's gaunt hind leg,
Hard and tough as a wooden peg,
And I'll keep it down with a hard-boiled egg,
'Twill make me dream the quicker.
Now that I'm full of fearful feed,
Oh, but I'll dream of a winner indeed
In my restless, troubled slumber;
While the night-mares race through my heated brain
And their devil-riders spur amain,
The trip for the Cup will reward my pain,
And I'll spot the winning number.
Thousands and thousands and thousands more,
Like sands on the white Pacific shore,
The crowding people cluster;
For evermore is the story old,
While races are bought and backers are sold,
Drawn by the greed of the gain of gold,
In their thousands still they muster.
* * * * *
And the bookies' cries grow fierce and hot,
"I'll lay the Cup! The double, if not!"
"Five monkeys, Little John, sir!"
"Here's fives bar one, I lay, I lay!"
And so they shout through the livelong day,
And stick to the game that is sure to pay,
While fools put money on, sir!
And now in my dream I seem to go
And bet with a "book" that I seem to know --
A Hebrew money-lender;
A million to five is the price I get --
Not bad! but before I book the bet
The horse's name I clean forgret,
Its number and even gender.
Now for the start, and here they come,
And the hoof-strokes roar like a mighty drum
Beat by a hand unsteady;
They come like a rushing, roaring flood,
Hurrah for the speed of the Chester blood;
For Acme is making the pace so good
They are some of 'em done already.
But round the track she begins to tire,
And a mighty shout goes up "Crossfire!"
The magpie jacket's leading;
And Crossfire challenges fierce and bold,
And the lead she'll have and the lead she'll hold,
But at length gives way to the black and gold,
Which right to the front is speeding.
Carry them on and keep it up --
A flying race is the Melbourne Cup,
You must race and stay to win it;
And old Commotion, Victoria's pride,
Now takes the lead with his raking stride,
And a mighty roar goes far and wide --
"There's only Commotion in it!"
But one draws out from the beaten ruck
And up on the rails by a piece of luck
He comes in a style that's clever;
"It's Trident! Trident! Hurrah for Hales!"
"Go at 'em now while their courage fails;"
"Trident! Trident! for New South Wales!"
"The blue and white for ever!"
Under the whip! with the ears flat back,
Under the whip! though the sinews crack,
No sign of the base white feather:
Stick to it now for your breeding's sake,
Stick to it now though your hearts should break,
While the yells and roars make the grand-stand shake,
They come down the straignt together.
Trident slowly forges ahead,
The fierce whips cut and the spurs are red,
The pace is undiminished
Now for the Panics that never fail!
But many a backer's face grows pale
As old Commotion swings his tail
And swerves -- and the Cup is finished.
* * * * *
And now in my dream it all comes back:
I bet my coin on the Sydney crack,
A million I've won, no question!
"Give me my money, you hook-nosed hog!
Give me my money, bookmaking dog!"
But he disappeared in a kind of fog,
And I woke with "the indigestion".
poem by Andrew Barton Paterson
Submitted by Poetry Lover
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Cherry
'Some I got with amber stems an' some with silver bands,
Bent ones an' straight ones an' all sorts o' brands.
A lot of pipes, sez you, for one old pensioner to own;
But, folks, as soon as Christmas comes, they won't leave me alone.
'We'll give old Pete a pipe,' they sez, forgetful in their way,
It's wot they gives me every year,' said old Pete Parraday.
'Bent ones an' straight ones, some must ha' cost real dear -
More than I'd smoke if I should live for two hundred year.
''We'll give ole Pete a pipe,' they sez. (People is awful good
Here in the bush! 'He sucks,' they sez, 'at that ole cherrywood
All bound with bits of wire an' stuff, an' cracked an' caked up too!'
But, lordy, none of 'em don't know that pipe the way I do.
I've had him over seven year, an' I just likes him fine;
For, cracked an' all, an' caked an' all, he's a good ole mate o' mine.
'Cherry,' I calls him, just for short. I own he smells no end,
But, if I was to lose him now, I'd feel I'd lost a friend.
'Yes, he knows me an' I knows him - a cranky coot some ways:
Got to be youmered, like a man; he has his sulky days.
Goes stubborn an' won't dror at all if I packs him too tight;
An', if I cuts the baccy coarse, the cow won't stay alight!
But on long winter evenin's, there by the blazin' log,
The three of us gits yarnin' - him an' me an' my ole dog -
But, lordy, if I told you all about ole Cherry here,
You'd say me brain was softnin'; you'd say; 'Ole Pete's gone queer.'
'He lost his self last winter down there along the creek,
An' a pretty dance he led me with his crazy hide an' seek.
That's how I catched pnoomonier. The doctor sez, 'Yer mad!
Risk death for that old stikin' pipe!' But I sez, 'Listen, lad,
Ole Cherry does me far more good than all your doctor's stuff!'
But he jist stands an' grins at me; he knowed it sure enough.
'Cherry,' I sez, 'has been my mate -'. But he sez, 'Hold yer row!
You tough ole hunk o' hide!' he sez. 'Sit up an' drink this now.'
'Some I got with amber stems an' some with silver bands,
Bent ones an' straight ones - all sorts o' brands.
If you came into my bush hut you'd see a brave array -
Pipes of every shape an' cut,' said old Pete Parraday.
'But don't you say you seen 'em, 'cos folks is awful good.
'We'll give ole Pete a pipe,' they sez. 'Pooh! That ole cherrywood!'
Yes; folks is kind at Christmas time; but, now an' then, I grants,
I wish they'd stand a man a short, or p'raps a pair o' pants.'
poem by Clarence Michael James Stanislaus Dennis
Submitted by Poetry Lover
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Here & There
Oh Mother Dear it doesn't seem fair
That we're still down here and you're way up there.
Another thing that's not a favorite of mine
Is that chronologically I seem to be next in line.
Now that you're in heaven please say hi to Dad.
Tell him I'm still bitter ‘bout the Hole-In-One he had.
I've been playing this pitiful game almost forever.
He played once; made one and for me it's been never.
As for the joker who talked about the 'Golden Years, '
It was brown stuff, not gray matter, between his ears.
When I get up in the morning and gaze into the mirror.
I cringe at that old man as he moves ever nearer.
Dear Mother, please put in a good word for us here
Because without you it's hard to smile and cheer.
As our Mom you'll always be the best and most rare.
You'll live here in our hearts tho you're way up there.
poem by Gregory Huyette
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Johnny, I Hardly Knew Ye
WHILE going the road to sweet Athy,
Hurroo! hurroo!
While going the road to sweet Athy,
Hurroo! hurroo!
While going the road to sweet Athy,
A stick in my hand and a drop in my eye,
A doleful damsel I heard cry:
“Och, Johnny, I hardly knew ye!
“With drums and guns, and guns and drums,
The enemy nearly slew ye;
My darling dear, you look so queer,
Och, Johnny, I hardly knew ye!
“Where are your eyes that looked so mild?
Hurroo! hurroo!
Where are your eyes that looked so mild?
Hurroo! hurroo!
Where are your eyes that looked so mild,
When my poor heart you first beguiled?
Why did you run from me and the child?
Och, Johnny, I hardly knew ye!
With drums, etc.
“Where are the legs with which you run?
Hurroo! hurroo!
Where are thy legs with which you run?
Hurroo! hurroo!
Where are the legs with which you run
When first you went to carry a gun?
Indeed, your dancing days are done!
Och, Johnny, I hardly knew ye!
With drums, etc.
It grieved my heart to see you sail,
Hurroo! hurroo!
It grieved my heart to see you sail,
Hurroo! hurroo!
It grieved my heart to see you sail,
Though from my heart you took leg-bail;
Like a cod you’re doubled up head and tail,
Och, Johnny, I hardly knew ye!
With drums, etc.
“You haven’t an arm and you haven’t a leg,
Hurroo! hurroo!
You haven’t an arm and you haven’t a leg,
Hurroo! hurroo!
You haven’t an arm and you haven’t a leg,
You’re an eyeless, noseless, chickenless egg;
You’ll have to be put with a bowl to beg:
Och, Johnny, I hardly knew ye!
With drums, etc.
“I’m happy for to see you home,
Hurroo! hurroo!
I’m happy for to see you home,
Hurroo! hurroo!
I’m happy for to see you home,
All from the Island of Sulloon;
So low in flesh, so high in bone;
Och, Johnny, I hardly knew ye!
With drums, etc.
“But sad it is to see you so,
Hurroo! hurroo!
But sad it is to see you so,
Hurroo! hurroo!
But sad it is to see you so,
And to think of you now as an object of woe,
Your Peggy’ll still keep you on as her beau;
Och, Johnny, I hardly knew ye!
With drums and guns, and guns and drums,
The enemy nearly slew ye;
My darling dear, you look so queer,
Och, Johnny, I hardly knew ye.
poem by Anonymous English
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I Could Really Love You
(eric carmen/dean pitchford)
I never quite know what to do
When Im with you
(when Im with you)
Im never really sure if Im doin things right
I never know the words to say
The games to play,
But thats okay
I bet that I could get you through the night
Oh, I could really love you
I swear (I swear)
Its true (its true)
There isnt much Im certain of
But this much I can do
Oh, I could really love you
I know theres lots of other men
Who talk of love
(theyll talk of love)
Theyll sweep you off your feet with the way they live
After all those champagne highs
And quick goodbyes
Youll realize theres something more
That only I could give
Oh, I could really love you
I swear (I swear)
Its true (its true)
There isnt much Im certain of
But this much I can do
Oh, I could really love you
And even though youre waiting for your perfect love
You dont have to wait around no more
I could really love you
I swear (I swear)
Its true (its true)
There isnt much Im certain of
But this much I can do
Oh, I could really love you
I could really love you
I swear (I swear)
Its true (its true)
There isnt much Im certain of
But this much I can do
Oh, I could really love you
I could really love you
I swear (I swear)
Its true (its true)
There isnt much Im certain of
But this much I can do
Oh, I could really love you
song performed by by Eric Carmen
Submitted by Lucian Velea
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Wandering Justice
Wandering Justice
O! Dear, have I hit a miss?
With wandering justice
When society systems fail
And someone goes to jail
Without any chance of bail
Or ever setting out again on sea to sail
For something they did not do; it is a sad tale
When there is war instead of peace
And dignified people are looking for ass to kiss
Where is justice?
Countries are suffering in health and poverty
Whilst others are enjoying wealth and property
Where is justice?
O! Dear, have I hit a miss?
With wandering justice
When someone you love
Is taken away to the skies above
Where is the justice?
When you read endlessly to take exams
Another passes it with some fraudulent scam
Where is the justice?
When all your life you work so hard
Doesn’t it get you viciously mad?
When the jackpot hits another who is bad
Where is the justice?
When life takes away your child
Because you ignored health symptoms as mild
Where is the justice?
At work when your original innovations
Reward your boss with a standing ovation
Followed by a double or triple promotion
And all you get from the boss is a caution
Where is the justice?
When living a healthy life is nothing but a trick
As destiny picks on you for the sake of a kick
With illnesses for the unhealthy and the weak
All the same you are the one who ends up sick
Where is the justice?
O! Dear, have I hit a miss?
With wandering justice
Fair for all is what I call justice
Moments of rewarding bliss
When a man plants his seeds
Creating numerous mouths to feed
And he provides them with all their needs
I call it Justice!
When you work hard
Indulging in good not bad
And life rewards make you so glad
I call it Justice!
Yet justice often wanders away
Before you have your chance of say
When it wanders, the price is often high to pay
O! Dear, have I hit a miss?
With wandering justice
As it leaves behind a trail of flaws
That is not within the confinement of fair law!
poem by Sylvia Chidi
Submitted by Poetry Lover
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Dinner Bell
Ive been leaving on my things
So in the morning when the morning bird sings
Theres still dinner on my dinner jacket
til the dinner bell rings
Experimental dog*
Salivating dog
Good dog
Waiting for the dinner bell to do the bell thing (waiting for the dinner bell)
Dinner bell dinner bell ring
Ive been leaving on my things
So in the morning when the morning bird sings
Theres still dinner on my dinner jacket
til the dinner bell rings
I dont want a pizza, I dont want a piece of (experimental dog)
Peanut brittle, I dont want a pear.
I dont want a bagel I dont want a bean I wouldnt like (salivating dog)
A bag of beef or a beer or a
Cup of chowder, corn, cake, or creamed cauliflower cause Im (good dog)
Waiting for the dinner bell to do the bell thing (waiting for the dinner bell)
Dinner bell dinner bell ring
Shoulder, bicep, elbow, arm
Forearm, thumb, wrist, knuckle, palm
Middle, pinky, index, ring
Dinner bell dinner bell ding
I dont know whether Id rather be having a bottle of vinegar (experimental dog)
I dont know whether Id rather be having an egg.
I dont know whether Id rather be having an order of bacon (salivating dog)
Or whether Id rather be having a basket of garlic bread.
I dont know whether Id rather be having some pie or (good dog)
Saving my appetite cause im
Waiting for the dinner bell to do the bell thing (waiting for the dinner bell)
Dinner bell dinner bell ring
Ive been leaving on my things (Ive been leaving on)
So in the morning when the morning bird sings (the morning)
Theres still dinner on my dinner jacket (on my)
til the dinner bell does the bell thing
Dinner bell dinner bell do the bell thing
Im waiting for the dinner bell to do the bell thing (waiting for the ding)
Dinner bell dinner bell ding ding ding
Waiting for the dinner bell to do the bell thing (waiting for the ding)
Dinner bell dinner bell ding ding ding
Waiting for the dinner bell to do the bell thing (waiting for the ding)
Dinner bell dinner bell ding
song performed by by They Might Be Giants
Submitted by Lucian Velea
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I'm Ok, You're Ok
[Verse 1]
The first thing I did wrong
Was hook up with a girl who wasn't grown
She looked like a woman but her mind worked like a child
It was her girlish qualities that made me smile
The outside never showed me what was in
And her ending didn't look like it began
Now I know and it's for sure
That you can't change a girl into a woman
[Hook]
I'm okay, make sure you're okay
No matter how long it takes
Make sure that you're okay
And if she goes away
Make sure that you're okay
Now that I got out
I'm just looking out trying to show you the way
To be okay
[Verse 2]
Now I hate to see you make the same mistakes
So avoid the things that cause your heart to break
From a hurting brother, I ain't trying to hate
But if you mess around with her she'll seal your fate
You'll never see it coming till it's there
And you'll find out that she doesn't really care
And it's real what I feel
You can have her ass I don't want her over here
[Hook]
[Bridge]
If you decide to stay it's alright (it's your decision)
But take heed to what I say you'll be alright (listen to what I'm saying)
If you decide to go then go now (you better leave her)
Don't look back because she'll only bring you down
Oh, bring you down
Bring you down (bring you down)
[Breakdown]
Sing it one time
Okay, woo, woo, woo, woo, woo
Make sure you'll be okay
It's okay, okay
[Hook]
song performed by by Boyz II Men
Submitted by Lucian Velea
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What is a poem?
A poem comes in many guises.
A good one almost hynotizes,
drags a reader to the end
as if they'd found a long lost friend
Wakes in them, familiar feelings
makes them smile or leaves them reeling.
Says so much in so few words
or sometimes says so little
It glorifies exotic birds
or simple cuckoo spittle.
A poem has a humane hook
that leads us to a notion.
A cellar door through which we look
and share the poets true emotion.
A poem has a tale to tell
beginning, middle and ending,
and if it doesn't rhyme...oh well
that doesn't really matter.; ¬)
poem by Hola Mentirosa
Submitted by Poetry Lover
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Good Thing Going
You were a good little girl,
I was a good little boy, and
Baby together we had a good thing going!
You wore white,
I wore blue,
our love was true-
And baby together we had a good thing going!
Didn't have much money, but we had
so much love; it was flowing like
milk and honey-
and baby together we had a good
thing going!
Now we're older; but just like when we
were so young- We're still together, and still going
just as strong!
lyric-
poem by Dorsey Baker
Submitted by Poetry Lover
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Poems I've Considered Writing..All Thanks to You..
It seems I'm writing more
Than I have for quite some time..
It's not always good writing
Sometimes It's just a matter of getting out my emotions on paper
Though they say you shouldn't put everything on paper
But,
That wouldn't make me much of a writer then, would it..
I don't do it on purpose..
To be honest,
I can't really help it..
And,
When I contemplate some of the poems I've thought of writing
Since our acquaintance
Well,
Some of the following titles spring to mind..
'This should be interesting'
'I wonder how I'll ever get on in this place'
'I hope I make a good enough impression'
But, then, that's not specific to you, is it..
I'm always worried about making a good impression, doing a good job, working on bettering me...worried about what others may or may not think
I'm not in competition with anyone but myself and sometimes I think that's
Tougher than competing with someone else..
'Ummmm...I don't know what to think'
'Someone thinks highly of themselves'
This would have been about you by the way..
I guess first impressions aren't always accurate
'I think I can trust you'
'Maybe I've made a friend'
'Why did that feel like a date'
'What's wrong with me'
'Something to look forward to'
'Saying Goodbye'
'Hello Again'
'I like having you as my friend'
'Someone to talk to'
'That's...Not..What..! ! ! '
Because sometimes I feel like I can read your mind..
And,
It's not always on it's best behavior, is it..
I hope that doesn't change... it makes me smile.
'I Have to Admit, You're Kind-a Sweet'
'Nooooo! ! ! '
This would have been a funny poem..As would,
'Do you mean what you say, when you say what you say'
But, then.. I think..
'Maybe it's all in my head'
Let's face it.. I am known to think too much, too often, all the time...
It's a minor glitch with my mind...
Then, there was the minor incident where..
'Being Forced to Face That I'm Feeling....Something'
But, that's just hard for me to do..so,
'Bury it, Pretend it Doesn't Exist'
Or
'We Aren't Going to Talk About the Elephant in the Room'
Were poems that were quite appropriate to write..
I didn't write them..
Well, not quite that way..
Some others would have been,
'Uneasy with My Feelings'
'I Wonder What You Really Think of Me'
'Too Bad I Can't Read Minds'
'I'd love to know what your first impression of me was...does it still hold true'
I don't know if you have read my work..
I sometimes think it's you..
But, I figure there's no way for me to know
Unless you give me a clue..
And, maybe you have
But, subtleties are lost on me
Especially when it comes to you..
So I write..
Or contemplate writing poems..
With funny titles
Titles that don't always mean what they say
Or say how I feel
Or are specific to you...
Because writers write..
It's what they do
But, sometimes
My Poems
Might be
Just for you...
poem by Rabia Minhas
Submitted by Poetry Lover
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Standing Beside Fay One Saturday.
It was Saturday morning
and Fay stood beside you
on the balcony of the flats
looking over the Square
she pointed at the baker
and his horse drawn cart
down by the wall below
my daddy says he's Jewish
she said
those who asked
for the death of Christ
you followed the baker
as he made his way to the stairs
carrying his bread basket
I don't think he was involved
you said watching the baker
until he disappeared up the stairs
she looked right over the balcony
gripping the brick wall
with her hands
I don't think he's Jewish at all
she said letting her feet
dropp back on the floor
and it doesn't matter if he is
I think he's a nice man
she added
looking at you
with her bright blue eyes
and you gazed at her
standing there
her flowered dress
colourful and coming
just below her knees
her battered sandals
having seen
better days
and her fair hair
tied into a ponytail
at the back
she looked over
the balcony again
I like to feed his horse
with sugar cubes
I get from home
she said thoughtfully
you lean over the balcony
beside her
your elbow touching hers
the pulse of her being
vibrating into your arm
you imagine
don't your parents mind
you taking their sugar?
you asked
she looked guiltily away
they don't know
she said softly
daddy would punish
if he knew
she paused and then said
you won't tell them will you?
the baker came along
the balcony behind you both
whistling happily
of course not
you said
taking in her
trembling jaw line
her blue eyes
and her lips slightly open
her words gone
it's a nice day
the baker called
yes
you both replied
I don't think he's Jewish
she said
anyway.
poem by Terry Collett
Submitted by Poetry Lover
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In Nunhead Cemetary
It is the clay what makes the earth stick to his spade;
He fills in holes like this year after year;
The others have gone; they were tired, and half afraid
But I would rather be standing here;
There is nowhere else to go. I have seen this place
From the windows of the train that's going past
Against the sky. This is rain on my face -
It was raining here when I saw it last.
There is something horrible about a flower;
This, broken in my hand, is one of those
He threw it in just now; it will not live another hour;
There are thousands more; you do not miss a rose.
One of the children hanging about
Pointed at the whole dreadful heap and smiled
This morning after THAT was carried out;
There is something terrible about a child.
We were like children last week, in the Strand;
That was the day you laughed at me
Because I tried to make you understand
The cheap, stale chap I used to be
Before I saw the things you made me see.
This is not a real place; perhaps by-and-by
I shall wake - I am getting drenched with all this rain:
To-morrow I will tell you about the eyes of the Chrystal Palace train
Looking down on us, and you will laugh and I shall see what you see again.
Not here, not now. We said 'Not yet
Across our low stone parapet
Will the quick shadows of the sparrows fall.
But still it was a lovely thing
Through the grey months to wait for Spring
With the birds that go a-gypsying
In the parks till the blue seas call.
And next to these, you used to care
For the Lions in Trafalgar Square,
Who'll stand and speak for London when her bell of Judgement tolls -
And the gulls at Westminster that were
The old sea-captains souls.
To-day again the brown tide splashes step by step, the river stair,
And the gulls are there!
By a month we have missed our Day:
The children would have hung about
Round the carriage and over the way
As you and I came out.
We should have stood on the gulls' black cliffs and heard the sea
And seen the moon's white track,
I would have called, you would have come to me
And kissed me back.
You have never done that: I do not know
Why I stood staring at your bed
And heard you, though you spoke so low,
But could not reach your hands, your little head;
There was nothing we could not do, you said,
And you went, and I let you go!
Now I will burn you back, I will burn you through,
Though I am damned for it we two will lie
And burn, here where the starlings fly
To these white stones from the wet sky - ;
Dear, you will say this is not I -
It would not be you, it would not be you!
If for only a little while
You will think of it you will understand,
If you will touch my sleeve and smile
As you did that morning in the Strand
I can wait quietly with you
Or go away if you want me to -
God! What is God? but your face has gone and your hand!
Let me stay here too.
When I was quite a little lad
At Christmas time we went half mad
For joy of all the toys we had,
And then we used to sing about the sheep
The shepherds watched by night;
We used to pray to Christ to keep
Our small souls safe till morning light - ;
I am scared, I am staying with you to-night -
Put me to sleep.
I shall stay here: here you can see the sky;
The houses in the street are much too high;
There is no one left to speak to there;
Here they are everywhere,
And just above them fields and fields of roses lie -
If he would dig it all up again they would not die.
poem by Charlotte Mary Mew
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Our New Horse
The boys had come back from the races
All silent and down on their luck;
They'd backed 'em, straight out and for places,
But never a winner they's struck.
They lost their good money on Slogan,
And fell most uncommonly flat
When Partner, the pride of the Bogan,
Was beaten by Aristocrat.
And one said, "I move that instanter
We sell out our horses and quit;
The brutes ought to win in a canter,
Such trials they do when they're fit.
The last one they ran was a snorter --
A gallop to gladden one's heart --
Two-twelve for a mile and a quarter,
And finished as straight as a dart.
"And then when I think that they're ready
To win me a nice little swag,
They are licked like the veriest neddy --
They're licked from the fall of the flag.
The mare held her own to the stable,
She died out to nothing at that,
And Partner he never seemed able
To pace with the Aristocrat.
"And times have been bad, and the seasons
Don't promise to be of the best;
In short, boys, there's plenty of reasons
For giving the racing a rest.
The mare can be kept on the station --
Her breeding is good as can be --
But Partner, his next destination
Is rather a trouble to me.
"We can't sell him here, for they know him
As well as the clerk of the course;
He's raced and won races till, blow him,
He's done as a handicap horse.
A jady, uncertain performer,
They weight him right out of the hunt,
And clap it on warmer and warmer
Whenever he gets near the front.
"It's no use to paint him or dot him
Or put any fake on his brand,
For bushmen are smart, and they'd spot him
In any sale-yard in the land.
The folk about here could all tell him,
Could swear to each separate hair;
Let us send him to Sydney and sell him,
There's plenty of Jugginses there.
"We'll call him a maiden, and treat 'em
To trials will open their eyes;
We'll run their best horses and beat 'em,
And then won't they think him a prize.
I pity the fellow that buys him,
He'll find in a very short space,
No matter how highly he tries him,
The beggar won't race in a race."
* * * * *
Next week, under "Seller and Buyer",
Appeared in the Daily Gazette:
"A racehorse for sale, and a flyer;
Has never been started as yet;
A trial will show what his pace is;
The buyer can get him in light,
And win all the handicap races.
Apply before Saturday night."
He sold for a hundred and thirty,
Because of a gallop he had
One morning with Bluefish and Bertie.
And donkey-licked both of 'em bad.
And when the old horse had departed,
The life on the station grew tame;
The race-track was dull and deserted,
The boys had gone back on the game.
* * * * *
The winter rolled by, and the station
Was green with the garland of Spring;
A spirit of glad exultation
Awoke in each animate thing;
And all the old love, the old longing,
Broke out in the breasts of the boys --
The visions of racing came thronging
With all its delirious joys.
The rushing of floods in their courses,
The rattle of rain on the roofs,
Recalled the fierce rush of the horses,
The thunder of galloping hoofs.
And soon one broke out: "I can suffer
No longer the life of a slug;
The man that don't race is a duffer,
Let's have one more run for the mug.
"Why, everything races, no matter
Whatever its method may be:
The waterfowl hold a regatta;
The possums run heats up a tree;
The emus are constantly sprinting
A handicap out on the plain;
It seems that all nature is hinting
'Tis ime to be at it again.
"The cockatoo parrots are talking
Of races to far-away lands;
The native companions are walking
A go-as-you-please on the sands;
The little foals gallop for pastime;
The wallabies race down the gap;
Let's try it once more for the last time --
Bring out the old jacket and cap.
"And now for a horse; we might try one
Of those that are bred on the place.
But I fancy it's better to buy one,
A horse that has proved he can race.
Let us send down to Sydney to Skinner,
A thorough good judge who can ride,
And ask him to buy us a spinner
To clean out the whole country-side."
They wrote him a letter as follows:
"we want you to buy us a horse;
He must have the speed to catch swallows,
And stamina with it, of course.
The price ain't a thing that'll grieve us,
It's getting a bad un annoys
The undersigned blokes, and believe us,
We're yours to a cinder, 'the boys'."
He answered: "I've bought you a hummer,
A horse that has never been raced;
I saw him run over the Drummer,
He held him outclassed and outpaced.
His breeding's not known, but they state he
Is born of a thoroughbred strain.
I've paid them a hundred and eighty,
And started the horse in the train."
They met him -- alas, that these verses
Aren't up to their subject's demands,
Can't set forth thier eloquent curses --
For Partner was back in their hands.
They went in to meet him with gladness
They opened his box with delight --
A silent procession of sadness
They crept to the station at night.
And life has grown dull on the station,
The boys are all silent and slow;
Their work is a daily vexation,
And sport is unknown to them now.
Whenever they think how they stranded,
They squeal just as guinea-pigs squeal;
They'd bit their own hook, and were landed
With fifty pounds loss on the deal.
poem by Andrew Barton Paterson
Submitted by Poetry Lover
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Pretending
Okay I'm done with pretending,
acting like I don't care,
when yet I do,
hence every minute I stare.
I won't try saying,
that you don't mean a thing,
when yet you mean the world,
in which cries for you love to bring.
The world needs you,
as do I,
which is why I never,
want to say good-bye.
Saying good-bye to you,
is like saying good-bye to rain,
and all that would be left,
is hurt and pain.
As you know,
what I feel for you is strong,
and It will never,
feel wrong.
Just knowing,
that you'll be there,
gives me all the more,
reasons to care.
You're the smile,
I'll wear this day,
and I'll follow you,
every step of the way.
It's like a fairy tale,
written for you and me,
but in the end,
the two can't be.
Romeo and Juliet,
in modern time,
although without,
the death and rhyme.
I've spend a long time,
dreaming of you,
I know it seems foolish,
but it's completely true.
I dream about you,
to many times to add,
even though one day,
I'll be broken and sad.
I know that one day,
I must give up on you,
but until then,
I'll stay true.
poem by Katherine Bryce
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