Part II: The Fields of Coleraine
On the fields of Col'raine there'll be labour in vain
Before the Great Western is ended,
The nags will have toil'd, and the silks will be soil'd.
And the rails will require to be mended.
For the gullies are deep, and the uplands are steep,
And mud will of purls be the token,
And the tough stringy-bark, that invites us to lark,
With impunity may not be broken.
Though Ballarat's fast, and they say he can last,
And that may be granted hereafter,
Yet the judge's decision to the Border division
Will bring neither shouting nor laughter.
And Blueskin, I've heard that he goes like a bird,
And I'm told that to back him would pay me ;
He's a good bit of stuff, but not quite good enough,
'Non licuit credere famae.'
Alfred ought to be there, we all of us swear
By the blood of King Alfred, his sire ;
He's not the real jam, by the blood of his dam,
So I shan't put him down as a flyer.
Now, Hynam, my boy, I wish you great joy,
I know that when fresh you can jump, sir ;
But you'll scarce be in clover, when you're ridden all over,
And punish'd from shoulder to rump, sir.
Archer goes like a shot, they can put on their pot,
And boil it to cover expenses ;
Their pot will boil over, the run of his Dover
He'll never earn over big fences.
There's a horse in the race, with a blaze on his face,
And we know he can gallop a docker !
He's proved himself stout, of his speed there's no doubt,
And his jumping's according to Cocker.
When Hynam's outstripp'd, and when Alfred is whipp'd,
To keep him in sight of the leaders,
While Blueskin runs true, but his backers look blue,
For his rider's at work with the bleeders ;
When his carcase of beef brings 'the bullock' to grief,
And the rush of the tartan is ended ;
When Archer's in trouble—who's that pulling double,
And taking his leaps unextended ?
He wins all the way, and the rest—sweet, they say,
Is the smell of the newly-turn'd plough, friend,
But you smell it too close when it stops eyes and nose,
And you can't tell your horse from your cow, friend.
poem by Adam Lindsay Gordon

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Hippodromania; Or, Whiffs From The Pipe
Part I
Visions in the Smoke
Rest, and be thankful! On the verge
Of the tall cliff rugged and grey,
But whose granite base the breakers surge,
And shiver their frothy spray,
Outstretched, I gaze on the eddying wreath
That gathers and flits away,
With the surf beneath, and between my teeth
The stem of the 'ancient clay'.
With the anodyne cloud on my listless eyes,
With its spell on my dreamy brain,
As I watch the circling vapours rise
From the brown bowl up to the sullen skies,
My vision becomes more plain,
Till a dim kaleidoscope succeeds
Through the smoke-rack drifting and veering,
Like ghostly riders on phantom steeds
To a shadowy goal careering.
In their own generation the wise may sneer,
They hold our sports in derision;
Perchance to sophist, or sage, or seer,
Were allotted a graver vision.
Yet if man, of all the Creator plann'd,
His noblest work is reckoned,
Of the works of His hand, by sea or by land,
The horse may at least rank second.
Did they quail, those steeds of the squadrons light,
Did they flinch from the battle's roar,
When they burst on the guns of the Muscovite,
By the echoing Black Sea shore?
On! on! to the cannon's mouth they stride,
With never a swerve nor a shy,
Oh! the minutes of yonder maddening ride,
Long years of pleasure outvie!
No slave, but a comrade staunch, in this,
Is the horse, for he takes his share,
Not in peril alone, but in feverish bliss,
And in longing to do and dare.
Where bullets whistle, and round shot whiz,
Hoofs trample, and blades flash bare,
God send me an ending as fair as his
Who died in his stirrups there!
The wind has slumbered throughout the day,
Now a fitful gust springs over the bay,
My wandering thoughts no longer stray,
I'll fix my overcoat buttons;
Secure my old hat as best I may
(And a shocking bad one it is, by the way),
Blow a denser cloud from my stunted clay,
And then, friend BELL, as the Frenchmen say,
We'll 'go back again to our muttons'.
There's a lull in the tumult on yonder hill,
And the clamour has grown less loud,
Though the Babel of tongues is never still,
With the presence of such a crowd.
The bell has rung. With their riders up
At the starting post they muster,
The racers stripp'd for the 'Melbourne Cup',
All gloss and polish and lustre;
And the course is seen, with its emerald sheen,
By the bright spring-tide renew'd,
Like a ribbon of green stretched out between
The ranks of the multitude.
The flag is lowered. 'They're off!' 'They come!'
The squadron is sweeping on;
A sway in the crowd-a murmuring hum:
'They're here!' 'They're past!' 'They're gone!'
They came with the rush of the southern surf,
On the bar of the storm-girt bay;
And like muffled drums on the sounding turf
Their hoof-strokes echo away.
The rose and black draws clear of the ruck,
And the murmur swells to a roar,
As the brave old colours that never were struck,
Are seen with the lead once more.
Though the feathery ferns and grasses wave
O'er the sod where Lantern sleeps,
Though the turf is green on Fisherman's grave,
The stable its prestige keeps.
Six lengths in front she scours along,
She's bringing the field to trouble;
She's tailing them off, she's running strong,
She shakes her head and pulls double.
Now Minstrel falters and Exile flags,
The Barb finds the pace too hot,
And Toryboy loiters, and Playboy lags,
And the BOLT of Ben Bolt is shot.
That she never may be caught this day,
Is the worst that the public wish her.
She won't be caught: she comes right away;
Hurrah for Seagull and Fisher!
See, Strop falls back, though his reins are slack,
Sultana begins to tire,
And the top-weight tells on the Sydney crack,
And the pace on 'the Gippsland flyer'.
The rowels, as round the turn they sweep,
Just graze Tim Whiffler's flanks;
Like the hunted deer that flies through the sheep,
He strides through the beaten ranks.
Daughter of Omen, prove your birth,
The colt will take lots of choking;
The hot breath steams at your saddle girth,
From his scarlet nostril smoking.
The shouts of the Ring for a space subside,
And slackens the bookmaker's roar;
Now, Davis, rally; now, Carter, ride,
As man never rode before.
When Sparrowhawk's backers cease to cheer,
When Yattendon's friends are dumb,
When hushed is the clamour for Volunteer-
Alone in the race they come!
They're neck and neck; they're head and head;
They're stroke for stroke in the running;
The whalebone whistles, the steel is red,
No shirking as yet nor shunning.
One effort, Seagull, the blood you boast
Should struggle when nerves are strained;-
With a rush on the post, by a neck at the most,
The verdict for Tim is gained.
Tim Whiffler wins. Is blood alone
The sine qua non for a flyer?
The breed of his dam is a myth unknown,
And we've doubts respecting his sire.
Yet few (if any) those proud names are,
On the pages of peerage or stud,
In whose 'scutcheon lurks no sinister bar,
No taint of the base black blood.
Aye, Shorthouse, laugh-laugh loud and long,
For pedigree you're a sticker;
You may be right, I may be wrong,
Wiseacres both! Let's liquor.
Our common descent we may each recall
To a lady of old caught tripping,
The fair one in fig leaves, who d--d us all
For a bite at a golden pippin.
When first on this rocky ledge I lay,
There was scarce a ripple in yonder bay,
The air was serenely still;
Each column that sailed from my swarthy clay
Hung loitering long ere it passed away,
Though the skies wore a tinge of leaden grey,
And the atmosphere was chill.
But the red sun sank to his evening shroud,
Where the western billows are roll'd,
Behind a curtain of sable cloud,
With a fringe of scarlet and gold;
There's a misty glare in the yellow moon,
And the drift is scudding fast,
There'll be storm, and rattle, and tempest soon,
When the heavens are overcast.
The neutral tint of the sullen sea
Is fleck'd with the snowy foam,
And the distant gale sighs drearilie,
As the wanderer sighs for his home.
The white sea-horses toss their manes
On the bar of the southern reef,
And the breakers moan, and-by Jove, it rains
(I thought I should come to grief):
Though it can't well damage my shabby hat,
Though my coat looks best when it's damp;
Since the shaking I got (no matter where at),
I've a mortal dread of the cramp.
My matches are wet, my pipe's put out,
And the wind blows colder and stronger;
I'll be stiff, and sore, and sorry, no doubt,
If I lie here any longer.
Part II
The Fields of Coleraine
On the fields of Col'raine there'll be labour in vain
Before the Great Western is ended,
The nags will have toil'd, and the silks will be soil'd,
And the rails will require to be mended.
For the gullies are deep, and the uplands are steep,
And mud will of purls be the token,
And the tough stringy-bark, that invites us to lark,
With impunity may not be broken.
Though Ballarat's fast, and they say he can last,
And that may be granted hereafter,
Yet the judge's decision to the Border division
Will bring neither shouting nor laughter.
And Blueskin, I've heard that he goes like a bird,
And I'm told that to back him would pay me;
He's a good bit of stuff, but not quite good enough,
'Non licuit credere famae.'
Alfred ought to be there, we all of us swear
By the blood of King Alfred, his sire;
He's not the real jam, by the blood of his dam,
So I sha'n't put him down as a flyer.
Now, Hynam, my boy, I wish you great joy,
I know that when fresh you can jump, sir;
But you'll scarce be in clover, when you're ridden all over,
And punished from shoulder to rump, sir.
Archer goes like a shot, they can put on their pot,
And boil it to cover expenses;
Their pot will boil over, the run of his dover
He'll never earn over big fences.
There's a horse in the race, with a blaze on his face,
And we know he can gallop a docker!
He's proved himself stout, of his speed there's no doubt,
And his jumping's according to Cocker.
When Hynam's outstripp'd, and when Alfred is whipp'd,
To keep him in sight of the leaders,
While Blueskin runs true, but his backers look blue,
For his rider's at work with the bleeders;
When his carcase of beef brings 'the bullock' to grief,
And the rush of the tartan is ended;
When Archer's in trouble-who's that pulling double,
And taking his leaps unextended?
He wins all the way, and the rest-sweet, they say,
Is the smell of the newly-turned plough, friend,
But you smell it too close when it stops eyes and nose,
And you can't tell your horse from your cow, friend.
Part III
Credat Judaeus Apella
Dear Bell,-I enclose what you ask in a letter,
A short rhyme at random, no more and no less,
And you may inser it, for want of a better,
Or leave it, it doesn't much matter, I guess;
And as for a tip, why, there isn't much in it,
I may hit the right nail, but first, I declare,
I haven't a notion what's going to win it
(The Champion, I mean), and what's more, I don't care.
Imprimis, there's Cowra-few nags can go quicker
Than she can-and Smith takes his oath she can fly;
While Brown, Jones, and Robinson swear she's a sticker,
But 'credat Judaeus Apella', say I.
There's old Volunteer, I'd be sorry to sneer
At his chance; he'll be there, if he goes at the rate
He went at last year, when a customer queer,
Johnny Higgerson, fancied him lock'd in the straight;
I've heard that the old horse has never been fitter,
I've heard all performances past he'll outvie;
He may gallop a docker, and finish a splitter,
But 'credat Judaeus Apella', say I.
I know what they say, sir, 'The Hook' he can stay, sir,
And stick to his work like a sleuth-hound or beagle;
He stays 'with a HOOK', and he sticks in the clay, sir;
I'd rather, for choice, pop my money on Seagull;
I'm told that the Sydney division will rue, sir,
Their rashness in front of the stand when they spy,
With a clear lead, the white jacket spotted with blue, sir,
But 'credat Judaeus Apella', say I.
There's The Barb-you may talk of your flyers and stayers,
All bosh-when he strips you can see his eye range
Round his rivals, with much the same look as Tom Sayers
Once wore when he faced the big novice, Bill Bainge.
Like Stow, at our hustings, confronting the hisses
Of roughs, with his queer Mephistopheles' smile;
Like Baker, or Baker's more wonderful MRS.,
The terror of blacks at the source of the Nile;
Like Triton 'mid minnows; like hawk among chickens;
Like-anything better than everything else:
He stands at the post. Now they're off! the plot thickens!
Quoth Stanley to Davis, 'How is your pulse?'
He skims o'er the smooth turf, he scuds through the mire,
He waits with them, passes them, bids them good-bye!
Two miles and three-quarters, cries Filgate, 'He'll tire.'
Oh! 'credat Judaeus Apella', say I.
Lest my tale should come true, let me give you fair warning,
You may 'shout' some cheroots, if you like, no champagne
For this child-'Oh! think of my head in the morning,'
Old chap, you don't get me on that lay again.
The last time those games I look'd likely to try on,
Says Bradshawe, 'You'll feel very sheepish and shy
When you are haul'd up and caution'd by D--g--y and L--n,'
Oh! 'credat Judaeus Apella', say I.
This writing bad verses is very fatiguing,
The brain and the liver against it combine,
And nerves with digestion in concert are leaguing,
To punish excess in the pen and ink line;
Already I feel just as if I'd been rowing
Hard all-on a supper of onions and tripe
(A thing I abhor), but my steam I've done blowing,
I am, my dear BELL, yours truly, 'The Pipe'.
P.S.-Tell J. P., if he fancies a good 'un,
That old chestnut pony of mine is for sale.
N.B.-His forelegs are uncommonly wooden,
I fancy the near one's beginning to fail,
And why shouldn't I do as W--n does oft,
And swear that a cripple is sound-on the Bible-
Hold hard! though the man I allude to is soft,
He's game to go in for an action of libel.
Part IV
Banker's Dream
Of chases and courses dogs dream, so do horses-
Last night I was dozing and dreaming,
The crowd and the bustle were there, and the rustle
Of the silk in the autumn sky gleaming.
The stand throng'd with faces, the broadcloth and laces,
The booths, and the tents, and the cars,
The bookmakers' jargon, for odds making bargain,
The nasty stale smell of cigars.
We formed into line, 'neath the merry sunshine,
Near the logs at the end of the railing;
'Are you ready, boys? Go!' cried the starter, and low
Sank the flag, and away we went sailing.
In the van of the battle we heard the stones rattle,
Some slogging was done, but no slaughter,
A shout from the stand, and the whole of our band
Skimm'd merrily over the water.
Two fences we clear'd, and the roadway we near'd,
When three of our troop came to trouble;
Like a bird on the wing, or a stone from a sling,
Flew Cadger, first over the double.
And Western was there, head and tail in the air,
And Pondon was there, too-what noodle
Could so name a horse? I should feel some remorse
If I gave such a name to a poodle.
In and out of the lane, to the racecourse again,
Craig's pony was first, I was third,
And Ingleside lit in my tracks, with the bit
In his teeth, and came up 'like a bird'.
In the van of the battle we heard the rails rattle,
Says he, 'Though I don't care for shunning
My share of the raps, I shall look out for gaps,
When the light weight's away with the running.'
At the fence just ahead the outsider still led,
The chestnut play'd follow my leader;
Oh! the devil a gap, he went into it slap,
And he and his jock took a header.
Says Ingleside, 'Mate, should the pony go straight,
You've no time to stop or turn restive;'
Says I, 'Who means to stop? I shall go till I drop;'
Says he, 'Go it, old cuss, gay and festive.'
The fence stiff and tall, just beyond the log wall,
We cross'd, and the walls, and the water,-
I took off too near, a small made fence to clear,
And just touch'd the grass with my snorter.
At the next post and rail up went Western's bang tail,
And down (by the very same token)
To earth went his nose, for the panel he chose
Stood firm and refused to be broken.
I dreamt someone said that the bay would have made
The race safe if he'd STOOD a while longer;
IF he had,-but, like if, there the panel stands stiff-
He stood, but the panel stood stronger.
In and out of the road, with a clear lead still show'd
The violet fluted with amber;
Says Johnson, 'Old man, catch him now if you can,
'Tis the second time round you'll remember.'
At the road once again, pulling hard on the rein,
Craig's pony popp'd in and popp'd out;
I followed like smoke and the pace was no joke,
For his friends were beginning to shout.
And Ingleside came to my side, strong and game,
And once he appear'd to outstrip me,
But I felt the steel gore, and I shot to the fore,
Only Cadger seem'd likely to whip me.
In the van of the battle I heard the logs rattle,
His stroke never seem'd to diminish,
And thrice I drew near him, and thrice he drew clear,
For the weight served him well at the finish.
Ha! Cadger goes down, see, he stands on his crown-
Those rails take a power of clouting-
A long sliding blunder-he's up-well, I wonder
If now it's all over but shouting.
All loosely he's striding, the amateur's riding
All loosely, some reverie locked in
Of a 'vision in smoke', or a 'wayfaring bloke',
His poetical rubbish concocting.
Now comes from afar the faint cry, 'Here they are,'
'The violet winning with ease,'
'Fred goes up like a shot,' 'Does he catch him or not?'
Level money, I'll take the cerise.
To his haunches I spring, and my muzzle I bring
To his flank, to his girth, to his shoulder;
Through the shouting and yelling I hear my name swelling,
The hearts of my backers grow bolder.
Neck and neck! head and head! staring eye! nostril spread!
Girth and stifle laid close to the ground!
Stride for stride! stroke for stroke! through one hurdle we've broke!
On the splinters we've lit with one bound.
And 'Banker for choice' is the cry, and one voice
Screams 'Six to four once upon Banker;'
'Banker wins,' 'Banker's beat,' 'Cadger wins,' 'A dead heat'-
Ah! there goes Fred's whalebone a flanker.
Springs the whip with a crack! nine stone ten on his back,
Fit and light he can race like the devil;
I draw past him-'tis vain; he draws past me again,
Springs the whip! and again we are level.
Steel and cord do their worst, now my head struggles first!
That tug my last spurt has expended-
Nose to nose! lip to lip! from the sound of the whip
He strains to the utmost extended.
How they swim through the air, as we roll to the chair,
Stand, faces, and railings flit past;
Now I spring * * *
from my lair with a snort and a stare,
Rous'd by Fred with my supper at last.
Part V
Ex Fumo Dare Lucem
['Twixt the Cup and the Lip]
Prologue
Calm and clear! the bright day is declining,
The crystal expanse of the bay,
Like a shield of pure metal, lies shining
'Twixt headlands of purple and grey,
While the little waves leap in the sunset,
And strike with a miniature shock,
In sportive and infantine onset,
The base of the iron-stone rock.
Calm and clear! the sea-breezes are laden
With a fragrance, a freshness, a power,
With a song like the song of a maiden,
With a scent like the scent of a flower;
And a whisper, half-weird, half-prophetic,
Comes home with the sigh of the surf;-
But I pause, for your fancies poetic
Never rise from the level of 'Turf'.
Fellow-bungler of mine, fellow-sinner,
In public performances past,
In trials whence touts take their winner,
In rumours that circulate fast,
In strains from Prunella or Priam,
Staying stayers, or goers that go,
You're much better posted than I am,
'Tis little I care, less I know.
Alas! neither poet nor prophet
Am I, though a jingler of rhymes-
'Tis a hobby of mine, and I'm off it
At times, and I'm on it at times;
And whether I'm off it or on it,
Your readers my counsels will shun,
Since I scarce know Van Tromp from Blue Bonnet,
Though I might know Cigar from the Nun.
With 'visions' you ought to be sated
And sicken'd by this time, I swear
That mine are all myths self-created,
Air visions that vanish in air;
If I had some loose coins I might chuck one,
To settle this question and say,
'Here goes! this is tails for the black one,
And heads for my fav'rite the bay.'
And must I rob Paul to pay Peter,
Or Peter defraud to pay Paul?
My rhymes, are they stale? if my metre
Is varied, one chime rings through all:
One chime-though I sing more or sing less,
I have but one string to my lute,
And it might have been better if, stringless
And songless, the same had been mute.
Yet not as a seer of visions,
Nor yet as a dreamer of dreams,
I send you these partial decisions
On hackney'd, impoverish'd themes;
But with song out of tune, sung to pass time,
Flung heedless to friends or to foes,
Where the false notes that ring for the last time,
May blend with some real ones, who knows?
The Race
On the hill they are crowding together,
In the stand they are crushing for room,
Like midge-flies they swarm on the heather,
They gather like bees on the broom;
They flutter like moths round a candle-
Stale similes, granted, what then?
I've got a stale subject to handle,
A very stale stump of a pen.
Hark! the shuffle of feet that are many,
Of voices the many-tongued clang-
'Has he had a bad night?' 'Has he any
Friends left?'-How I hate your turf slang;
'Tis stale to begin with, not witty,
But dull, and inclined to be coarse,
But bad men can't use (more's the pity)
Good words when they slate a good horse.
Heu! heu! quantus equis (that's Latin
For 'bellows to mend' with the weeds),
They're off! lights and shades! silk and satin!
A rainbow of riders and steeds!
And one shows in front, and another
Goes up and is seen in his place,
Sic transit (more Latin)-Oh! bother,
Let's get to the end of the race.
* * * * *
See, they come round the last turn careering,
Already Tait's colours are struck,
And the green in the vanguard is steering,
And the red's in the rear of the ruck!
Are the stripes in the shade doom'd to lie long?
Do the blue stars on white skies wax dim?
Is it Tamworth or Smuggler? 'Tis Bylong
That wins-either Bylong or Tim.
As the shell through the breach that is riven
And sapp'd by the springing of mines,
As the bolt from the thunder-cloud driven,
That levels the larches and pines,
Through yon mass parti-colour'd that dashes
Goal-turn'd, clad in many-hued garb,
From rear to van, surges and flashes
The yellow and black of The Barb.
Past The Fly, falling back on the right, and
The Gull, giving way on the left,
Past Tamworth, who feels the whip smite, and
Whose sides by the rowels are cleft;
Where Tim and the chestnut together
Still bear of the battle the brunt,
As if eight stone twelve were a feather,
He comes with a rush to the front.
Tim Whiffler may yet prove a Tartar,
And Bylong's the horse that can stay,
But Kean is in trouble-and Carter
Is hard on the satin-skinn'd bay;
And The Barb comes away unextended,
Hard held, like a second Eclipse,
While behind the hoof-thunder is blended
With the whistling and crackling of whips.
Epilogue
He wins; yes, he wins upon paper,
He hasn't yet won upon turf,
And these rhymes are but moonshine and vapour,
Air-bubbles and spume from the surf.
So be it, at least they are given
Free, gratis, for just what they're worth,
And (whatever there may be in heaven)
There's little worth much upon earth.
When, with satellites round them the centre,
Of all eyes, hard press'd by the crowd,
The pair, horse and rider, re-enter
The gate, 'mid a shout long and loud,
You may feel, as you might feel, just landed
Full length on the grass from the clip
Of a vicious cross-counter, right-handed,
Or upper-cut whizzing from hip.
And that's not so bad if you're pick'd up
Discreetly, and carefully nursed;
Loose teeth by the sponge are soon lick'd up,
And next time you MAY get home first.
Still I'm not sure you'd like it exactly
(Such tastes as a rule are acquired),
And you'll find in a nutshell this fact lie,
Bruised optics are not much admired.
Do I bore you with vulgar allusions?
Forgive me, I speak as I feel,
I've pondered and made my conclusions-
As the mill grinds the corn to the meal;
So man striving boldly but blindly,
Ground piecemeal in Destiny's mill,
At his best, taking punishment kindly,
Is only a chopping-block still.
Are we wise? Our abstruse calculations
Are based on experience long;
Are we sanguine? Our high expectations
Are founded on hope that is strong;
Thus we build an air-castle that crumbles
And drifts till no traces remain,
And the fool builds again while he grumbles,
And the wise one laughs, building again.
'How came they to pass, these rash blunders,
These false steps so hard to defend?'
Our friend puts the question and wonders,
We laugh and reply, 'Ah! my friend,
Could you trace the first stride falsely taken,
The distance misjudged, where or how,
When you pick'd yourself up, stunn'd and shaken,
At the fence 'twixt the turf and the plough?'
In the jar of the panel rebounding!
In the crash of the splintering wood!
In the ears to the earth shock resounding!
In the eyes flashing fire and blood!
In the quarters above you revolving!
In the sods underneath heaving high!
There was little to aid you in solving
Such questions-the how or the why.
And destiny, steadfast in trifles,
Is steadfast for better or worse
In great things, it crushes and stifles,
And swallows the hopes that we nurse.
Men wiser than we are may wonder,
When the future they cling to so fast,
To the roll of that destiny's thunder,
Goes down with the wrecks of the past.
* * * * *
The past! the dead past! that has swallow'd
All the honey of life and the milk,
Brighter dreams than mere pastimes we've follow'd,
Better things than our scarlet or silk;
Aye, and worse things-that past is it really
Dead to us who again and again
Feel sharply, hear plainly, see clearly,
Past days with their joy and their pain?
Like corpses embalm'd and unburied
They lie, and in spite of our will,
Our souls on the wings of thought carried,
Revisit their sepulchres still;
Down the channels of mystery gliding,
They conjure strange tales, rarely read,
Of the priests of dead Pharaohs presiding
At mystical feasts of the dead.
Weird pictures arise, quaint devices,
Rude emblems, baked funeral meats,
Strong incense, rare wines, and rich spices,
The ashes, the shrouds, and the sheets;
Does our thraldom fall short of completeness
For the magic of a charnel-house charm,
And the flavour of a poisonous sweetness,
And the odour of a poisonous balm?
And the links of the past-but, no matter,
For I'm getting beyond you, I guess,
And you'll call me 'as mad as a hatter'
If my thoughts I too freely express;
I subjoin a quotation, pray learn it,
And with the aid of your lexicon tell us
The meaning thereof-'Res discernit
Sapiens, quas confundit asellus.'
Already green hillocks are swelling,
And combing white locks on the bar,
Where a dull, droning murmur is telling
Of winds that have gather'd afar;
Thus we know not the day, nor the morrow,
Nor yet what the night may bring forth,
Nor the storm, nor the sleep, nor the sorrow,
Nor the strife, nor the rest, nor the wrath.
Yet the skies are still tranquil and starlit,
The sun 'twixt the wave and the west
Dies in purple, and crimson, and scarlet,
And gold; let us hope for the best,
Since again from the earth his effulgence
The darkness and damp-dews shall wipe.
Kind reader, extend your indulgence
To this the last lay of 'The Pipe'.
poem by Adam Lindsay Gordon

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Verses Inspired by 'My Old Black Pipe
Aye ! Many a sport old Homer names.
By Achilles held ' at his little games ',
On the banks of the swift Scamander ;
And Pindar sings the Olympian deeds
Of the ivory car and the milk-white steeds
Of Catullus or Lysander.
How clouds of dust aloft were spurn'd
By wheels that grazed the goals as they turn'd
Till the bright sparks flicker'd redly ;
How the strains of mingled mirth and fury,
That swell'd in the chant of ' Morituri ',
Proclaimed when the sports were deadly.
Ah ! little we cared for classic lore,
When Greek was a task and Latin a bore,
In school-days that are deemed of yore ;
And who will venture to chide us,
If better we loved the play-field green,
And the black-thorn hedge that served as a screen
In the mills that settled our boyish spleen,
From the tutor's eyes to hide us ?
Who envies the bygone days of old ?
They never were half so good as we're told ;
Their loss is not worth bewailing.
We have seen young Camel's slashing stride,
And Archer's rush, and Mormon's pride ;
And the deer-like bound of Ingleside,
At ' five-foot-three ' of a paling.
We've seen how the side of Falcon bled,
And the hopes of Arinna's backers fled
When the Rose of Denmark shot ahead,
And never again they caught her.
How false were the shouts of ' Barwon's first ! '
When she came 'from the distance home' with a burst,
And the favourite's friends devoutly cursed
Old Premier's gamest daughter.
What cheers for King Alfred's white-faced son
Were heard when the Western chase was done,
And the judge's verdict given ;
While Vandyke fell in the beaten ranks,
And the red spots showed on the mare's great flanks
How vainly the steel was driven.
And with anxious longing we wait the day,
When the prads must strip for the coming fray,
To be criticized in rotation ;
But to spot the winner we well not try,
For a mist obscures our mental eye,
And we have not the power of prophecy,
Nor the spirit of divination.
Yet in fancy's glass we may scan the course,
And hear the bookmaker's challenge hoarse,
The odds incessantly dunning ;
We may watch the starter's signal fall,
And the nags may picture, one and all,
For a Cup in a cluster running.
And mark, as they sweep before the stand
How Ebor is going well in hand,
And Banker is pulling double ;
How longer each moment grows the tail,
As one by one the outsiders fail,
To get into grief and trouble.
How Trainor pulls out of Waldock's track,
And Morrison steadies the Caulfield crack,
While up on the right comes the rose and black
Like an eagle that scents the plunder ;
How round the turn they jostle and crush,
And Simpson clears his whip for a rush,
And then on the crowd comes a lull and a hush
And then a roar like thunder.
And when Beaufort collars the Western pet,
Then Greek meets Greek, unconquered yet,
And the tug of war commences ;
As stride for stride, with the stoke of one,
Like greyhounds running with couples on
Together they fly their fences.
There ' Vates ' and ' Rhyming Richard ' too,
Can tell much better than I or you
What nags are likely the trick to do,
Nor will I their judgement sneer at ;
If the gift of second sight were mine,
I'd make a fortune, and then ' I'd shine ',
But I haven't got it, and so I'll sign
' Qui Meruit Palmam Ferat '.
poem by Adam Lindsay Gordon

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The Open Steeplechase
I had ridden over hurdles up the country once or twice,
By the side of Snowy River with a horse they called 'The Ace'.
And we brought him down to Sydney, and our rider, Jimmy Rice,
Got a fall and broke his shoulder, so they nabbed me in a trice,
Me, that never wore the colours, for the open Steeplechase.
'Make the running,' said the trainer, 'it's your only chance whatever,
Make it hot from start to finish, for the old black horse can stay,
And just think of how they'll take it, when they hear on Snowy River
That the country boy was plucky, and the country horse was clever.
You must ride for old Monaro and the mountain boys today.'
'Are you ready? said the starter, as we held the horses back.
All ablazing with impatience, with excitement all aglow;
Before us like a ribbon stretched the steeplechasing track,
And the sun-rays glistened brightly on the chestnut and the black
As the starter's words came slowly, 'Are, you, ready? Go!'
Well I scarcely knew we'd started, I was stupid-like with wonder
Till the field closed up beside me and a jump appeared ahead.
And we flew it like a hurdle, not a baulk and not a blunder,
As we charged it all together, and it fairly whistled under,
And then some were pulled behind me and a few shot out and led.
So we ran for half the distance, and I'm making no pretenses
When I tell you I was feeling very nervous-like and queer,
For those jockeys rode like demons; you would think they'd lost their senses
If you saw them rush their horses at those rasping five-foot fences,
And in place of making running I was falling to the rear.
Till a chap came racing past me on a horse the called 'The Quiver',
And said he, 'My country joker, are you going to give it best?
Are you frightened of the fences? does their stoutness make you shiver?
Have they come to breeding cowards by the side of Snowy River?
Are there riders in Monaro?, 'but I never heard the rest.
For I drove The Ace and sent him just as fast as he could pace it
At the big black line of timber stretching fair across the track,
And he shot beside The Quiver. 'Now,' said I, 'my boy, we'll race it.
You can come with Snowy River if you're only game to face it,
Let us mend the pace a little and we'll see who cries a crack.'
So we raced away together, and we left the others standing,
And the people cheered and shouted as we settled down to ride,
And we clung beside The Quiver. At his taking off and landing
I could see his scarlet nostril and his mighty ribs expanding,
And The Ace stretched out in earnest, and we held him stride for stride.
But the pace was so terrific that they soon ran out their tether,
They were rolling in their gallop, they were fairly blown and beat,
But they both were game as pebbles, neither one would show the feather.
And we rushed them at the fences, and they cleared them both together,
Nearly every time they clouted, but they somehow kept their feet.
Then the last jump rose before us, and they faced it game as ever,
We were both at spur and whipcord, fetching blood at every bound,
And above the people's cheering and the cries of 'Ace' and 'Quiver',
I could hear the trainer shouting, 'One more run for Snowy River.'
Then we struck the jump together and came smashing to the ground.
Well, The Quiver ran to blazes, but The Ace stood still and waited,
Stood and waited like a statue while I scrambled on its back.
There was no one next or near me for the field was fairly slated,
So I cantered home a winner with my shoulder dislocated,
While the man who rode The Quiver followed limping down the track.
And he shook my hand and told me that in all his days he never
Met a man who rode more gamely, and our last set-to was prime.
Then we wired them on Monaro how we chanced to beat The Quiver,
And they sent us back an answer, 'Good old sort from Snowy River:
Send us word each race you start in and we'll back you every time.'
poem by Andrew Barton Paterson

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The Incantation
Scene: Federal Political Arena
A darkened cave. In the middle, a cauldron, boiling.
Enter the three witches.
1ST WITCH: Thrice hath the Federal Jackass brayed.
2ND WITCH: Once the Bruce-Smith War-horse neighed.
3RD WITCH: So Georgie comes, 'tis time, 'tis time,
Around the cauldron to chant our rhyme.
1ST WITCH: In the cauldron boil and bake
Fillet of a tariff snake,
Home-made flannels -- mostly cotton,
Apples full of moths, and rotten,
Lamb that perished in the drought,
Starving stock from "furthest out",
Drops of sweat from cultivators,
Sweating to feed legislators.
Grime from a white stoker's nob,
Toiling at a nigger's job.
Thus the great Australian Nation,
Seeks political salvation.
ALL: Double, double, toil and trouble,
Fire burn, and cauldron bubble.
2ND WITCH: Heel-taps from the threepenny bars,
Ash from Socialist cigars.
Leathern tongue of boozer curst
With the great Australian thirst,
Two-up gambler keeping dark,
Loafer sleeping in the park --
Drop them in to prove the sequel,
All men are born free and equal.
ALL: Double, double, toil and trouble,
Fire burn, and cauldron bubble.
3RD WITCH:Lung of Labour agitator,
Gall of Isaacs turning traitor;
Spleen that Kingston has revealed,
Sawdust stuffing out of Neild;
Mix them up, and then combine
With duplicity of Lyne,
Alfred Deakin's gift of gab,
Mix the gruel thick and slab.
ALL: Double, double, toil and trouble,
Heav'n help Australia in her trouble.
HECATE: Oh, well done, I commend your pains,
And everyone shall share i' the gains,
And now about the cauldron sing,
Enchanting all that you put in.
Round about the cauldron go,
In the People's rights we'll throw,
Cool it with an Employer's blood,
Then the charm stands firm and good,
And thus with chaos in possession,
Ring in the coming Fed'ral Session.
poem by Andrew Barton Paterson

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The Stringy-Bark Tree
There's the whitebox and pine on the ridges afar,
Where the iron-bark, blue-gum, and peppermint are;
There is many another, but dearest to me,
And the king of them all was the stringy-bark tree.
Then of stringy-bark slabs were the walls of the hut,
And from stringy-bark saplings the rafters were cut;
And the roof that long sheltered my brothers and me
Was of broad sheets of bark from the stringy-bark tree.
And when sawn-timber homes were built out in the West,
Then for walls and for ceilings its wood was the best;
And for shingles and palings to last while men be,
There was nothing on earth like the stringy-bark tree.
Far up the long gullies the timber-trucks went,
Over tracks that seemed hopeless, by bark hut and tent;
And the gaunt timber-finder, who rode at his ease,
Led them on to a gully of stringy-bark trees.
Now still from the ridges, by ways that are dark,
Come the shingles and palings they call stringy-bark;
Though you ride through long gullies a twelve months you’ll see
But the old whitened stumps of the stringy-bark tree.
poem by Henry Lawson

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El-Zorab
An Arab comes, looking like hell,
His voice is weak, he can't speak well,
– O, pasha, please, don't be severe,
From Bab-el-Manteb I've come here
My EL-Zorab to sell.
All Arabs then approach with care
To see my horse with reddish hair.
I pull the reins, he trots a while
I love him for his graceful style,
I'd die to leave him there.
But my three kids do starve in pain
Their mouth is dry, I go insane,
And my wife's misery is great,
Because her breasts are in such state
They can't give milk again!
My dearest ones are cold as ice,
But you, O, pasha, you are nice!
Now buy the horse! I'm poor, indeed!
Give me some money on the steed,
Be good and name a price!
He takes the horse and rides about
Slowly and fast, to clear his doubt;
Then pasha's eyes begin to glow
Touches his beard and his thoughts flow,
His soul is somewhere out.
– One thousand sequins, you agree?
– How noble, pasha, you can be!
It's more than ever crossed my mind!
May God be good to you and kind
For how you're paying me!
The Arab takes with smiling eyes
The golden sequins, his dear prize –
From now on they will not be sad,
From now on they'll be rich and glad
Won't beg from foreign guys!
Won't live in tent and breathe the smoke
His kids won't beg from other folk,
His wife will be as was before
And they themselves will give the poor
Some money when they're broke! –
He grabs the money on a whim
And leaves; the fate is good to him.
Runs like a drunkard, out of mind,
But suddenly he looks behind,
Then stops, his sight is dim.
Gazes the money from the sale,
Then falters and his face turns pale,
Looks at the horse, into his eyes;
And walking slowly, deeply sighs,
Comes back along the trail.
He grabs his neck, he's crying, too,
Caresses him, feeling so blue,
And tells him: O, my lion dear,
I know for you it's very clear
That I am selling you.
My children will not play again
By putting leaves on your thick mane,
And will not lead you to the spring
And figs from now to you won't bring,
They'll wait for you in vain!
They won't come out day after day
To reach out from the place they stay,
To lift them on the horse's back!
I will not see them on the track
How laugh and keep my way!
How shall I still my children's yell,
To my sweet wife what shall I tell
When El-Zorab she will not see,
The Arabs all will mock at me,
My life will be like hell!
My wife, Raira, it is true
Now, El-Zorab won't come to you
To walk together, feel the breeze,
He will not fall down on his knees
The way he used to do!
And Ben-Ardun, your husband dear,
Won't fly again, having no fear,
To chase a hawk in its swift fly
And shoot it down from the blue sky,
You will not laugh and cheer!
You will not stare with happy face
His clothes, which flutter in the race,
And on the ground won't put your ear
To hear the trot so loud and clear
When comes back to his place!
O, my dear horse! You are my core,
But I'll not see you anymore,
How with your nose you sniff the ground
How your thick tail you move around
And in the sky you soar!
How every time you chew your foam,
How jumps your mane when we two roam.
How when you gallop people scream
And how you rush like a big stream
When we're away from home!
The desert knew us, I maintain,
And the horizon was in pain –
From now on who'll take care of you?
Who will protect you, as I do,
From winds and heavy rain?
They won't speak gently to you, dear,
They'll curse you often around here
And they will beat you with the whip
And you'll endure their brutal grip;
And you will starve in fear!
They'll treat you badly on the track
And you will die like a poor hack!...
O, pasha, I don't need your pay
Without my horse I'll go astray
I want to have him back.
The pasha frowns: "Are you insane?"
My janissaries, it is plain,
Can throw you to the dogs by force
Because right now he is my horse,
So stop pleading in vain!
– Your horse? Come on, then tell me who
Has raised him, pasha: I or you?
Whose arm obeys, when he's a ram,
To turn him into a good lamb?
Not yours, but mine, it's true!
He is my horse! And on a whim,
I would fight God, for I'm not slim,
Be nice, that's all I do request,
Because your horses are the best,
But I have only him!
Therefore, I ask you to be fair!
Allah is just and from up there
He'll judge and see how you behave
And how you treat me like a slave,
But you don't really care!
The world will curse you, you will see,
With what you do, they disagree!
I'll go to beg from other guys
But from your coins I turn my eyes
What good can give to me?
Then pasha orders, once, not twice,
"Strip him and beat him as a price!"
The eunucks jump from their place –
The Arab turns with pallid face
His sight is cold as ice...
Pulls out a dagger, looks ahead,
And blood is flowing, thick and red,
When cuts the throat wearing a mane
And in a blink, without much pain,
The noble horse falls dead.
Pasha is looking, feels a chill,
The Spachies shudder at the kill,
The Arab falls onto his knees
Kisses the blood that seems to freeze
On those eyes, which are still.
Then turns around, he groans and sobs
He drops the dagger, his throat clogs,
– My kids will take revenge on you,
Now if you want, cut me in two
And throw me to your dogs!
poem by George Coşbuc, translated by Octavian Cocoş

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A Dream Fulfilled (My First Trail Ride)
Upon the saddle I am mounted
My foot in the stirrup is set
Precious time is happily counted
a kinder horse have I never met
Upon the rocky trail I ride
I enjoy fresh air and tree-given shade
Within this horse my trust I confide
and I new friend I have surely made
Though the hills are steep and the trail is rough
This horse has been well-trained
Through the rugged trail, he proves hardy and tough
He knows the way and needs not to be reined
I hear the water of a running creek
I spot a lone deer in the distance
At the sight of this animal, I am unable to speak
While upon a horse she ignores my existence
Closer to nature I start to feel
Trees on either side I can see
Almost like a dream, yet so real
There has never been a happier me
But the trail has ended, I start to cry
I will have a horse of my own! ...But when?
For now, I depart and heave a big sigh
And look forward to the rocky trail again
poem by Glaedr the poet

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What is a Horse?
What is a horse?
A horse has eyes as dainty as a mink.
The grace is interrupted merely by a blink.
A horse is beauty.
What is a horse?
A horse is a tree in a storm that never goes down.
A horse is a weathered rock that stays around.
A horse is ancient.
What is a horse?
A horse waltzes like breeze over rivers.
She curvets and leaps like rain shivers.
A horse is a marionette.
What is a horse?
A horse is determination, that never stops flowing.
A horse is fondness, that never stops growing.
A horse is poetic power.
poem by Lily Whittaker

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Princess And The Black Horse-II
The sun came out with smiling face,
from the horizon of deep blue sea.
The sky became as crimson red,
They crossed the blank-blank lea.
There they met, a good wizard,
he listened her all history.
Gave her a magical flower-dust,
which he kept in a hole of a tree.
They had together, the sunflower juice,
and drank the dazzling ray of the sun.
Her Bird-horse, ate too all which she had.
They set out, as before the day did burn,
they had to reach friend's kingdom.
She took the dust, and the wand with her.
Rode on the winged-horse and bade good bye.
'Blackberry, fly fast'-She whispered, in his ear.
'Yes, Ma'am, 'it seemed the bird answered.
The breeze was rustling, bright was the noon.
The princess was afraid, could she reach,
his father's friend's castle so soon?
'If night drops down her black curtain,
the power of the wand would go away,
The bird would be horse then again!
'Yes, '-Black-berry said his head did sway.
What to do was to take rest in an inn,
or in a very safe and enemy free place,
in a house of simple man, or in a tavern,
'No fear, we will be saved by God's grace! '
Uttering these words, she embraced her horse,
and said-oh! fatigued am I, now feel sleepy,
but I may fall, and face thus my end.'
'You can sleep, my princess, your eyes are droopy.'
poem by Nilakshi Das

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Father Riley's Horse
'Twas the horse thief, Andy Regan, that was hunted like a dog
By the troopers of the upper Murray side,
They had searched in every gully -- they had looked in every log,
But never sight or track of him they spied,
Till the priest at Kiley's Crossing heard a knocking very late
And a whisper "Father Riley -- come across!"
So his Rev'rence in pyjamas trotted softly to the gate
And admitted Andy Regan -- and a horse!
"Now, it's listen, Father Riley, to the words I've got to say,
For it's close upon my death I am tonight.
With the troopers hard behind me I've been hiding all the day
In the gullies keeping close and out of sight.
But they're watching all the ranges till there's not a bird could fly,
And I'm fairly worn to pieces with the strife,
So I'm taking no more trouble, but I'm going home to die,
'Tis the only way I see to save my life.
"Yes, I'm making home to mother's, and I'll die o' Tuesday next
An' be buried on the Thursday -- and, of course,
I'm prepared to meet my penance, but with one thing I'm perplexed
And it's -- Father, it's this jewel of a horse!
He was never bought nor paid for, and there's not a man can swear
To his owner or his breeder, but I know,
That his sire was by Pedantic from the Old Pretender mare
And his dam was close related to The Roe.
"And there's nothing in the district that can race him for a step,
He could canter while they're going at their top:
He's the king of all the leppers that was ever seen to lep,
A five-foot fence -- he'd clear it in a hop!
So I'll leave him with you, Father, till the dead shall rise again,
Tis yourself that knows a good 'un; and, of course,
You can say he's got by Moonlight out of Paddy Murphy's plain
If you're ever asked the breeding of the horse!
"But it's getting on to daylight and it's time to say goodbye,
For the stars above the east are growing pale.
And I'm making home to mother -- and it's hard for me to die!
But it's harder still, is keeping out of gaol!
You can ride the old horse over to my grave across the dip
Where the wattle bloom is waving overhead.
Sure he'll jump them fences easy -- you must never raise the whip
Or he'll rush 'em! -- now, goodbye!" and he had fled!
So they buried Andy Regan, and they buried him to rights,
In the graveyard at the back of Kiley's Hill;
There were five-and-twenty mourners who had five-and-twenty fights
Till the very boldest fighters had their fill.
There were fifty horses racing from the graveyard to the pub,
And their riders flogged each other all the while.
And the lashin's of the liquor! And the lavin's of the grub!
Oh, poor Andy went to rest in proper style.
Then the races came to Kiley's -- with a steeplechase and all,
For the folk were mostly Irish round about,
And it takes an Irish rider to be fearless of a fall,
They were training morning in and morning out.
But they never started training till the sun was on the course
For a superstitious story kept 'em back,
That the ghost of Andy Regan on a slashing chestnut horse,
Had been training by the starlight on the track.
And they read the nominations for the races with surprise
And amusement at the Father's little joke,
For a novice had been entered for the steeplechasing prize,
And they found it was Father Riley's moke!
He was neat enough to gallop, he was strong enough to stay!
But his owner's views of training were immense,
For the Reverend Father Riley used to ride him every day,
And he never saw a hurdle nor a fence.
And the priest would join the laughter: "Oh," said he, "I put him in,
For there's five-and-twenty sovereigns to be won.
And the poor would find it useful, if the chestnut chanced to win,
And he'll maybe win when all is said and done!"
He had called him Faugh-a-ballagh, which is French for 'Clear the course',
And his colours were a vivid shade of green:
All the Dooleys and O'Donnells were on Father Riley's horse,
While the Orangemen were backing Mandarin!
It was Hogan, the dog poisoner -- aged man and very wise,
Who was camping in the racecourse with his swag,
And who ventured the opinion, to the township's great surprise,
That the race would go to Father Riley's nag.
"You can talk about your riders -- and the horse has not been schooled,
And the fences is terrific, and the rest!
When the field is fairly going, then ye'll see ye've all been fooled,
And the chestnut horse will battle with the best.
"For there's some has got condition, and they think the race is sure,
And the chestnut horse will fall beneath the weight,
But the hopes of all the helpless, and the prayers of all the poor,
Will be running by his side to keep him straight.
And it's what's the need of schoolin' or of workin' on the track,
Whin the saints are there to guide him round the course!
I've prayed him over every fence -- I've prayed him out and back!
And I'll bet my cash on Father Riley's horse!"
*
Oh, the steeple was a caution! They went tearin' round and round,
And the fences rang and rattled where they struck.
There was some that cleared the water -- there was more fell in and drowned,
Some blamed the men and others blamed the luck!
But the whips were flying freely when the field came into view,
For the finish down the long green stretch of course,
And in front of all the flyers -- jumpin' like a kangaroo,
Came the rank outsider -- Father Riley's horse!
Oh, the shouting and the cheering as he rattled past the post!
For he left the others standing, in the straight;
And the rider -- well they reckoned it was Andy Regan's ghost,
And it beat 'em how a ghost would draw the weight!
But he weighed in, nine stone seven, then he laughed and disappeared,
Like a banshee (which is Spanish for an elf),
And old Hogan muttered sagely, "If it wasn't for the beard
They'd be thinking it was Andy Regan's self!"
And the poor of Kiley's Crossing drank the health at Christmastide
Of the chestnut and his rider dressed in green.
There was never such a rider, not since Andy Regan died,
And they wondered who on earth he could have been.
But they settled it among 'em, for the story got about,
'Mongst the bushmen and the people on the course,
That the Devil had been ordered to let Andy Regan out
For the steeplechase on Father Riley's horse!
poem by Andrew Barton Paterson

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In a far off summer
These are the fields, bushes and trees
where a boy cried heartbroken
in a far off summer,
when the bull
swiped his darling filly
with its horns
while she was drinking
at the trough
and that horse fell twitching
on her back
with her guts ripped out
and she had to be shot
and his older brother
brought the.303 rifle
with only one bullet
and was determined
to take the shot,
but the filly moved her head
and the bullet when up her nose
and there was blood everywhere
while she neighed in pain
and he ran as fast as he could
while weeping
to get some more bullets
and without a word
took the rifle from his older brother
put a bullet in the slot and cocked it
brought the firearm to his shoulder
and took a deep breath
before squeezing the trigger.
His favourite horse was slain
and the pain was great
and almost unbearable for him
and his brother tried to comfort
but there wasn’t anything
that he could do or say
to take that pain away.
poem by Gert Strydom

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The Champion Horse
Thousands of people greet the best horse in the field.
It runs so fast yet easily though not four-wheeled.
Its speed is higher than the wind and bird in the sky.
Sometimes it neighs on the grass; sometimes it looks so shy.
Is it the son of the famous horse owned by the king?
Its excellent performance makes all horse owners awing.
It wins many open events in an easy way.
Leaving his good name in the racing world today.
Chinese paintings & calligraphy about all Charles Wu's poems
http: //poem.bestfd.com/bbs/forum.php? mod=viewthread&tid=12101&extra=page%3D1
poem by Charles WOO

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Horses for courses
See them at the starting-gate:
impatient horses tossing their bridled heads,
rearing, backing, snorting;
silk-bright riders patient;
how have they attained this race?
they’ve shared a fortitude, horse and rider together:
out at dawn in all weathers, focussed, thundering
down and round the beaten, scuffed-soil track;
never a slack training session;
they share – without a common language
save that of the heart – their discipline;
share that rare sense of unity
once forged in battle, now in peaceful excellence;
‘they’re off! ’ – the race begun;
all around, the watchers shouting, jumping, waving race-cards;
the rider, in the camera’s eye,
so calm; invisibly controlling;
amidst all this excited noise,
they are the quietest;
amidst all this galloping,
they are the stillest in their mind;
yet who knows a horse’s mind,
to say what’s patiently endured,
the daily training, bridle, bit and whip;
or what’s sheer exultation for a horse?
or where the discipline and freedom meet?
who knows what may be horse’s sheer contentment?
knows what contentment may exceed
that of horse being horse? …
as rider knows, that, win or lose, he’s done his best,
for himself and for the horse..
what do horse and rider share
between themselves, that’s
never spoken? For, see: each,
a clear and shining eye..
poem by Michael Shepherd

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Part IV: Banker’s Dream
Of chases and courses dogs dream, so do horses—
Last night I was dozing and dreaming,
The crowd and the bustle were there, and the rustle
Of the silk in the autumn sky gleaming.
The stand throng'd with faces, the broadcloth and laces,
The booths, and the tents, and the cars,
The bookmakers' jargon, for odds making bargain,
The nasty stale smell of cigars.
We formed into line, 'neath the merry sunshine,
Near the logs at the end of the railing ;
'Are you ready, boys ? Go !' cried the starter, and low
Sank the flag, and away we went sailing.
In the van of the battle we heard the stones rattle,
Some slogging was done, but no slaughter,
A shout from the stand, and the whole of our band
Skimm'd merrily over the water.
Two fences we clear'd, and the roadway we near'd,
When three of our troop came to troublen ;
Like a bird on the wing, or a stone from a sling,
Flew Cadger, first over the double.
And Western was there, head and tail in the air,
And Pondon was there, too—what noodle
Could so name a horse ? I should feel some remorse
If I gave such a name to a poodle.
In and out of the lane, to the racecourse again,
Craig's pony was first, I was third,
And Ingleside lit in my tracks, with the bit
In his teeth, and came up 'like a bird.'
In the van of the battle we heard the rails rattle,
Says he, 'Though I don't care for shunning
My share of the raps, I shall look out for gaps,
When the light weight's away with the running.'
At the fence just ahead the outsider still led,
The chestnut play'd follow my leader ;
Oh ! the devil a gap, he went into it slap,
And he and his jock took a header.
Says Ingleside, 'Mate, should the pony go straight,
You've no time to stop or turn restive ;'
Says I, 'Who means to stop ? I shall go till I drop ;'
Says he, 'Go it, old cuss, gay and festive.'
The fence stiff and tall, just beyond the log wall,
We cross'd, and the walls, and the water,—
I took off too near, a small made fence to clear,
And just touch'd the grass with my snorter.
At the next post and rail up went Western's bang tail,
And down (by the very same token)
To earth went his nose, for the panel he chose
Stood firm and refused to be broken.
I dreamt someone said that the bay would have made
The race safe if he'd stood a while longer ;
If he had,—but, like if, there the panel stands stiff—
He stood, but the panel stood stronger.
In and out of the road, with a clear lead still show'd
The violet fluted with amber ;
Says Johnson, 'Old man, catch him now if you can,
'Tis the second time round, you'll remember.'
At the road once again, pulling hard on the rein,
Craig's pony popp'd in and popp'd out ;
I followed like smoke, and the pace was no joke,
For his friends were beginning to shout.
And Ingleside came to my side, strong and game,
And once he appear'd to outstrip me,
But I felt the steel gore, and I shot to the fore,
Only Cadger seem'd likely to whip me.
In the van of the battle I heard the logs rattle,
His stroke never seem'd to diminish,
And thrice I drew near him, and thrice he drew clear,
For the weight served him well at the finish.
Ha ! Cadger goes down, see, he stands on his crown—
Those rails take a power of clouting—
A long sliding blunder—he's up—well, I wonder
If now it's all over but shouting.
All loosely he's striding, the amateur's riding
All loosely, some reverie locked in
Of a 'vision in smoke,' or a 'wayfaring bloke,'
His poetical rubbish concocting.
Now comes from afar the faint cry, 'Here they are,'
'The violet winning with ease,'
'Fred goes up like a shot,' 'Does he catch him or not ?'
Level money, I'll take the cerise.
To his haunches I spring, and my muzzle I bring
To his flank, to his girth, to his shoulder ;
Through the shouting and yelling I hear my name swelling,
The hearts of my backers grow bolder.
Neck and neck ! head and head ! staring eye ! nostrils spread !
Girth and stifle laid close to the ground !
Stride for stride ! stroke for stroke ! through one hurdle we've broke!
On the splinters we've lit with one bound.
And 'Banker for choice' is the cry, and one voice
Screams, 'Six to four once upon Banker ;'
'Banker wins,' 'Banker's beat,' 'Cadger wins,' 'A dead heat'—
'Ah ! there goes Fred's whalebone a flanker.'
Springs the whip with a crack ! nine stone ten on his back,
Fit and light he can race like the devil ;
I draw past him—'tis vain ; he draws past me again,
Springs the whip ! and again we are level.
Steel and cord do their worst, now my head struggles first !
That tug my last spurt has expended—
Nose to nose ! lip to lip ! from the sound of the whip
He strains to the utmost extended.
How they swim through the air, as we roll to the chair,
Stand, faces, and railings flit past ;
Now I spring. . .
from my lair, with a snort and a stare,
Rous'd by Fred with my supper at last.
poem by Adam Lindsay Gordon

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Of Horses And Flies
A fly had ventured from his nest
and flew (of course) then came to rest
upon the tailbone of a horse.
And with considerable force
he pushed his stinger through the hide
which promptly ended up inside.
The horse, whose tolerance of pain
was governed by an oblong brain,
a horse, that much is widely known
is born without a funny bone
It follows that a horse may cry
when bitten by a nasty fly.
The fly, whose cousins own the dunny
inflicts his germs and thinks it funny
when bits of half-digested dung
infect the spot where he has stung.
Though in the case of any horse
it matters little since, of course
a horse makes, on command, vaccine
which brings resistance to the scene.
Thus horses won't, upon reflection,
pick up a Coliform infection,
which pleases me (you may ask why)
but tell me, why the horse would cry!
A horse will cry at times, of course
due to the fly's lack of remorse.
Which does intensify the pain
I hope I've made this subject plain.
Since stings make horses jump and wince
you'll never see a horse that grins.
You may consider this quite silly
but think about it, as a filly
a horse soon meets the dreaded fly
he suffers, as the years go by
and stores the thought inside his head
that flies would better off be dead.
And if, the Gods in the hereafter
outlawed all flies we'd hear the laughter
of horses just as now and then
a nicker sound comes from the pen.
This is a soft and pleasant sound
containing vowels that are round.
But if you hear them whinny-ing
you know they're thinking of the sting
and of the time when God will boil
all flies in holy Hyssop oil.
All mammals then will celebrate
the new and blessed stingless state
and will, in gratitude endorse
the king of critters, yes the horse.
poem by Herbert Nehrlich

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The Horse That I Am Riding
then finally, the horse that i am riding,
the black one with long hair and
long feet, flying without wings,
speed nearing the speed of light,
has taken the lead, and the rest follow
tirelessly still,
i do not look back,
i do not beat the horse with a stick
i keep on riding making the horse
feel confident that i am still
supporting its cause, to be first,
to be famous
and then my horse wins,
the owner gets the real buck,
and i the jockey,
merely receives a little name
and a little commission.
the horse gets nothing.
poem by Ric S. Bastasa

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Dark Man
I was in deep, profound sleep,
Suddenly, I heard a quick knock.
I got up and rubbed my eyes.
And oh! it was a great shock!
In thin darkness, I saw a horse-rider,
stood near my semi-dark door.
Who are you and whom do you come for?
'I came crossing the ocean's shore,
to take you there, to king's court.'
The thunderbolt voice replied, then.
Out of sheer fear, I reclined to go.
'I'm at my days end, nothing to gain-'
Told I but, no reply from his end came.
He turned back, and signaled to follow.
Mesmerized I leaving everything
rode on the horse, and bore the wallop.
How long the horse galloped,
I could not tell you all...
The night fell to days lap,
and at last the waning moon did fall.
I heard the sound of ocean's tide,
stopped the horse on its coast!
We, got down from the horse's back-
I saw his mouth's part most.
He was death, and none else,
the dark man took my hand...
A boat came, sailed us away from
the shore lagging behind dust and sand
poem by Nilakshi Das

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If You Live Like That
You say you want to live for today
Before today is lost
But when the returns come in
Do they balance the cost
I can see your four wheels spin
I can smell smoke from the blaze
But we arent moving anyway
If youre seeing past rose colored shades
If you live like that
Dont look back
cause its cold
And its mighty
It may turn your back
Blood on the tracks baby
Blood on the tracks
Blood on the tracks baby
I said dont look back
I see it all around
People want it good and want it fast
As long as it moves you for the moment
It doesnt matter if it lasts
But our love is sweet
It can drive me to my knees
But we still got troubles you and i
Seeing the forest for the trees
If you live like that
Dont look back
cause its cold
And its mighty
It may turn your back
Blood on the tracks baby
Blood on the tracks
Blood on the tracks baby
I said dont look back
Ive had enough of these two lives
You say youll give to me
Ive had enough of your freedom
You know I want to feel free
Ive had enough gospel
I could spin my head around
I said if youre so caught up in heaven
You dont even see the ground
If you live like that
Dont look back
cause its cold
And its mighty
It may turn your back
Blood on the tracks, baby
Blood on the tracks
Blood on the tracks, baby
I said dont look back
All we need is to take time
(slow down, new way)
See tomorrow in plain sight
(new dawn, new day)
New horizon in plain view
And were oiling up the engine
To put you straight on through
If you live like that
Dont look back
Oh no cause its cold
And its mighty
It may turn your back
Blood on the tracks baby
Blood on the tracks
Blood on the tracks baby
I said dont look back
Blood on the tracks baby
Blood on the tracks
Blood on the tracks baby
I said dont look back
Oh theres blood on the tracks baby
Blood on the tracks
Blood on the tracks baby
Dont look back
Dont look back
If you live like that
song performed by by Indigo Girls

Submitted by Lucian Velea
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Ghost Song
An old man and an old horse moved slowly and steadily
towards the furthest mountain.
An old man on an old horse.
The old man thought of the many times he'd been thrown;
the old horse, how many times he'd been ridden.
They weren't in no great rush.
The old man sat straight in the saddle, head held high.
The old horse kept his head high too,
letting his feet choose the way as they
searched the clouds looking for any old friends
they had passed on the way.
A soft gentle rain started to fall,
the horse stopped, the old man bent over
and stroked his friend's neck
poem by William Mendelson

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Like Abel
Pace, lace, race, ace, face, dace, mace;
To be able like Abel in the land of your muse,
Bride, ride, pride, stride;
Buried alive in the land of war!
Flow, slow, blow;
Drowned in the red sea without hope,
Goal, foal, coal;
Don't let your past atrocities destroy your life,
Soil, foil, boil, coil, moil, toil;
And like the horse and its rider!
But you have no hope in the midst of the sea.
poem by Edward Kofi Louis

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