The language fictional characters use is chosen for effect, at least if the author is concentrating.

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Richard Bach

If you will practice being fictional for a while, you will understand that fictional characters are sometimes more real than people with bodies and heartbeats.

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My characters are fictional. I get ideas from real people, sometimes, but my characters always exist only in my head.

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A Mirror Image

How many times when reading a book,
do we identify with the characters within?
Their traits they have we share,
their loves and heartaches
their lives go through somehow mirror our own.
It’s as if the author was writing about us.
As though he has put us under a microscope
and then writing down everything, he saw.
However, we know this isn’t so
because he or she has written
segments of their own life
and by accident they happen to mirror ours.
Every writer will tell you
that they have their characters under control.
Having written numerous novels,
I know the characters take on a life of their own
and do what they want to do.
We become their instrument as they guide us on our way.
We end up writing what they want us to say.
To every writer his characters are real,
they live, breathe and feel.
The more you write about them,
the more alive they become.
So the next time you pick up a book
and the characters seem real,
they probably are to the author
who looks after them.

24 September 2008

poem by David HarrisReport problemRelated quotes
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I love playing different characters all the time, so I'm concentrating on doing other stuff.

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Homer's whole language, the language in which he lived, the language that he breathed, because he never saw it, or certainly those who formed his tradition never saw it, in characters on the pages. It was all on the tongue and in the ear.

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Kneel Before This Fictional Power

Kneel before this fictional power,
Bow to those whom stand above,
the ones whom hover over us thinking were mere pigs wallowing in filth,
While you eat as a king, remeber One day you shall be like us...
Eat your fortunes for now, They soon shall be taken, and passed around,
passing all you were, or passing around all you thought yourselves to be.

Kneel before this fictional power,
We strive for nothing you have,
Because what you have is a fiction,
Disgust filled you are, to rotten from outside, to core,
Your decay, doesn't reach us though,
It stays above poisoning all of you.

Kneel Before this fictional power
Rest upon this crimson shoulder,
Brothers and sisters remeber this day,
We begin to rise from the opressions opressed upon us,
We lift ourselves up, we gift upon the world a new day,
Love whom you love, hate whom you hate,

Kneel before this fictional power
Don't let such powerless fictions tell you who to be,
Your you, no one else, your not me, as I am not you,
Rise above the ones above us,
We shall bow before this fictional power no more.

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For me, there's a fine line between telling a story that's fictional with lots of details and then removing yourself too much from it, so it's bloodless, a little too fictional.

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Today's youth cannot miss something they have never known, but I fear that there are no current fictional characters whose impact and influence will last with such abiding affection into their 'sore and yellow' as this splendid man's creations have in mine!

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Neil Gaiman

Because, if one is writing novels today, concentrating on the beauty of the prose is right up there with concentrating on your semi-colons, for wasted effort.

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The future author is one who discovers that language, the exploration and manipulation of the resources of language, will serve him in winning through to his way.

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The Play's The Thing

Every day
the same play.
The moment I rise,
the first act begins,
the same plot
all over again.
Only the characters,
only the scenery,
vary. Act after act,
no intermission,
no denouement,
it never ends.
Every night,
in the front row,
the same lady
in a plumed hat
stands and shouts,
"Author, Author! "
I smile, I bow,
what else can I do?
Finally I pull the curtain
and turn in.

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A Fictional Loss

How many times have i sat by your side?
How many times have i cursed my life?
How many miles have you crossed today?
How many miles since yesterday?

How many things have you wished for?
How many things have you adored?
How many people have you held dear?
How many people around here?

Holding on to a picture
Chasing endlessly after
Love without a frame
Love caving in

Confused and distort
Surprisingly bored
Not a single memory
Was captivating

The emptiness inside
Is holding me tight
A fictional loss!
A fictional loss!

Why do i feel such pain?
With no reason attained?
A fictional loss!
A fictional loss!

Took over my heart
And broke me apart
Into my voiceless lungs
You planted the melody

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Started a New Play

My Scorpio colleague jumps into the day
with ice-cold precision and complete lack
of existential angst, no other emotion than
irritation apparent, the beautiful easygoing
Libran saunters gracefully through wide
scope projects that scares the little alien
clinging to the rafters in my head to death

Today the little alien is into Freudian self-
destruction and sabotages everything I do,
Agony Aunt within me gave up in disgust,
my inner Alice has withdrawn and only a
shell is left – luckily my characters have
started a new play and the story unfolding
makes a wonderful day, thank you

Thank you to everyone who consented to
appear in my life to become archetypes
populating my fictional universe, it is so
wonderful when I meet you here, creating
the perfect ambiance for the unfolding of
a most wonderful dream without my
having to go anywhere!

[Seeing me so destitute my fictional characters
started a new play and the sweetness obliterates
the world and its problems so that Agony Aunt –
grim-faced and tight-lipped – is left carrying the
consciousness while inside such a magnificent
emotional unfolding is creating the most perfect
delicate tracery of sublime emotion ]

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Alan Dean Foster

Besides the mistakes that are pointed out, I love the way readers become involved with the characters. When readers start asking about character motivations instead of concentrating on the special effects, it means you're connecting with them on a personal level.

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The Cinematic

It's a strange task to put something down in ink
The things worth saying
Are the things that can't be said- I think
The songs that mean something to sing
Are beyond words above language
The kind you can't directly engage
All this to say what I now say
Is worth saying, worth it to me

When I write a movie script
There's something about me
That becomes
Invested
Inserted
Infused
Into my characters, it's a feeling that is foreign
For I feel what they feel and not what I fell
And yet their person flows from who I am, closer than kin
Simultaneously their emotions are born of mine
As their emotions are born in me.
It's not quite as if I see what they see
And yet they are me, more than just a sign
Of something I feel, something I thought
They're a piece of myself that I brought
To fictional life with words that don't
Describe all that they are, nor all I am
Sometimes it feels like their identity hits me, unplanned
But then there's the sense it was always there
Was always here
Was always me-

Some characters scare me
Are they all pieces of myself?
Are they all mine? If they're mine are they me?
Do I have that darkness? Their darkness?
That light? Their light?
That hope? Their hope?
That despair? Their despair?
That love? Their love?
That hate? Their hate?
Is everyone so attached to their characters?
I feel their pain it makes me cry
I cry real tears in fake dreams
Fake stories with fake screams
If it's all so fake, then why?
So close, so near, and when they die...
Do I lose them? Do they live forever
Without ever living or do they die and
Pass away? Am I allowed to wonder such things, allowed to ponder?
One thing I know
Every characters I make I feel
And in each script there's always one, always one much like me
Am I self-focused or simply too attached?
Even as they breathe I breathe
As their story I weave
They weave mine
The beautiful irony wherein they write or influence my life
As I write theirs
So what do they feel about me?
How do we interact? Am I free?
They seem to have influence, seem to exist
Theirs is not a power I think to resist
So I'm left with question
That they're asking
That I'm asking

What are we to us?

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Vladimir Nabokov

No author has created with less emphasis such pathetic characters as Chekhov has.

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Moments

a life
a single life
our lives

follows
follow dignified bearings
compass bearings

charted
upon self set course
chosen

by a moment
those significant
moments


moments
mere fleetings
moments

moments
seeded upon cast wind
of our own actions

actions
which we shall be
accountable for

for for
the duration of
our lives


upon great
moments chosen
conscience

wisely are
our characters
our reputations

won
upon
smallness

smallness
of a single
solitary act


can a single
act ungoverned
our characters

reputations
can be
lost forever


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With a film, I do my best to understand the author's intentions and try to bring the characters to life.

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Vin Diesel

It was interesting to do a completely fictional piece. You know, Saving Private Ryan was not a fictional piece! So the challenge was: How do you incorporate real emotions? How do you incorporate aspects that people are going to be able to identify with?

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I think people enjoy a series. When you like a story, many readers want more of the same, which is dandy, if the author and the characters have more to say.

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