I mean when I was working shall we say with Disney, you know they sent me the script for the film Hercules and I had to imagine what all the characters looked like. And to develop those characters, so nothing exists visually when I get the script.

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Mark Ruffalo

With indies, all they have is their script and it's very important to them. The characters are better drawn, the stories more precise and the experience greater than with studio films where sometimes they fill in the script as they're shooting.

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If you get a book which is 600 pages, you have to reduce it to a script of 100 pages. In two hours of film, you cannot possibly include all the characters.

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House was the first film where I had no influence on the script. I had to buy the script with the game rights.

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We started getting the script to different people and we were in the business of trying to fund it so we could get it off and running, and all the characters and sets designed and everything.

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John Hurt

I mark a script like an exam, and I try not to do anything under 50 per cent. Similarly with the part. And also film is a peculiar thing, parts don't necessarily read in script form anything like as well as they can do when it comes to materialising.

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Ray Liotta

The first script I got was Narc and I really responded to it; it reminded me of a '70s type movie, I really liked the characters, I didn't anticipate the ending.

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I started writing this feature comedy in New York - a Chris Farley vehicle. The script was decent. When I got to LA, I met some new friends in film school and had them read my script and give me notes.

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Ellen Page

It's much simpler to be tortured on camera or to be filmed losing your mind. Whereas a script that has characters who are honest, witty and genuine... is often much harder to act.

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Francis Ford Coppola

I wrote the script of Patton. I had this very bizarre opening where he stands up in front of an American flag and gives this speech. Ultimately, I was fired. When the script was done, they hired another writer and that script was forgotten.

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Anjelica Huston

I like it when you read a script and there's the part that you show to the other characters and then there's the part that only the audience knows.

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Guy Ritchie

They're all based on factual characters. Well, a good amount of them. That's why I was attracted to this genre anyways, because these characters are so large and cartoonish, they're like caricatures, I just felt that there had to be a film made about them.

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Before there was any talk of a movie, people would sometimes ask me what actors I would imagine playing these characters. And the only thing I could ever say is: I have such a clear idea of these characters that they'd have to play themselves.

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Movement should be a counter, whether in action scenes or dialogue or whatever. It counters where your eye is going. This style thing, for me it's all fitted to the action, to the script, to the characters.

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The Cinematic

It's a strange task to put something down in ink
The things worth saying
Are the things that can't be said- I think
The songs that mean something to sing
Are beyond words above language
The kind you can't directly engage
All this to say what I now say
Is worth saying, worth it to me

When I write a movie script
There's something about me
That becomes
Invested
Inserted
Infused
Into my characters, it's a feeling that is foreign
For I feel what they feel and not what I fell
And yet their person flows from who I am, closer than kin
Simultaneously their emotions are born of mine
As their emotions are born in me.
It's not quite as if I see what they see
And yet they are me, more than just a sign
Of something I feel, something I thought
They're a piece of myself that I brought
To fictional life with words that don't
Describe all that they are, nor all I am
Sometimes it feels like their identity hits me, unplanned
But then there's the sense it was always there
Was always here
Was always me-

Some characters scare me
Are they all pieces of myself?
Are they all mine? If they're mine are they me?
Do I have that darkness? Their darkness?
That light? Their light?
That hope? Their hope?
That despair? Their despair?
That love? Their love?
That hate? Their hate?
Is everyone so attached to their characters?
I feel their pain it makes me cry
I cry real tears in fake dreams
Fake stories with fake screams
If it's all so fake, then why?
So close, so near, and when they die...
Do I lose them? Do they live forever
Without ever living or do they die and
Pass away? Am I allowed to wonder such things, allowed to ponder?
One thing I know
Every characters I make I feel
And in each script there's always one, always one much like me
Am I self-focused or simply too attached?
Even as they breathe I breathe
As their story I weave
They weave mine
The beautiful irony wherein they write or influence my life
As I write theirs
So what do they feel about me?
How do we interact? Am I free?
They seem to have influence, seem to exist
Theirs is not a power I think to resist
So I'm left with question
That they're asking
That I'm asking

What are we to us?

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I've had three novels published, and I was working a little bit in theater in Ireland. I wrote one film script just to see what it would turn out like.

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Part of the success of the show is that the audience sees themselves in the characters, becomes the characters. The more they inhabit the characters, the more they see.

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I think it's definitely beneficial for these characters to have good acting voices behind them and it affects the characters in a way that people can feel like they're part of the game and that they know these characters.

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Matt Groening

It's a funny show. The characters are surprisingly likable, given how ugly they are. We've got this huge cast of characters that we can move around. And over the last few seasons, we've explored some of the secondary characters' personal lives a bit more.

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Michelangelo Antonioni

You know what I would like to do: make a film with actors standing in empty space so that the spectator would have to imagine the background of the characters.

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My role in 'Legally Blonde' was really rewarding, because I had so much fun working on the movie. I've had really rewarding experiences on tiny low budget films that you'll never see but where I had a cool time creating characters as well. I love almost all of the characters I've played.

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