The Dead was cool, It's a great horror story. I went to the casting director of this movie and talked to him, then they called my agent and had me come in and read for it and they wanted to use me.

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Scott Speedman

I didn't really know what I wanted to do, and then I got this call from a casting director in Los Angeles. She remembered me from something years before, and she called my mom wanting me to audition for this thing.

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Fundamental of Liar Chapter LXXX: Story

Story about future is called imagination
Story about past is called memories
Story about present is called reality
Story that becomes true is called prophecy
Story that becomes unfulfilled is called regret
Story that becomes no end is called boasting
Small story is called experience
Epic story is called history
Forgotten story is called lesson
Story that becomes obsession is called ambition
Story that becomes untold is called secret
Story that becomes go its own way is called life

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Then my first film was something called Cannibal Girls, which sounds like a horror movie but was actually kind of a goofy comedy with horror elements. Like a horror spoof.

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Rebecca De Mornay

When I was very young I wanted to be a professional horseback rider. Then I wanted to be a pop singer. Then I wanted to be a psychiatrist. Then I wanted to be a movie director.

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Monica Bellucci

If you have a script that's not great, if you have a great director, you can make a great movie, but if you have a great script with a director who's not good, never are you going to have a good movie.

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In England, I'm a horror movie director. In Germany, I'm a filmmaker. In the US, I'm a bum.

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Elizabeth Pena

I believe the director is the one that sets the mood and if you have this hysterical director it's a domino effect. I would work for him forever, for nothing. Don't tell my agent that.

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It's a director's job to tell a story and he's very well versed in telling stories with a bit of comedy in them and keeping the pace of the movie right and that's exactly what he did. He was observant of a world he didn't understand but he told a wonderful story.

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I wanted to do - there was this film called 'Magic' that Anthony Hopkins did. And the director wanted me. The writer wanted me. Joe Levine said no, I don't want any comedians in this.

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A director shouldn't get in the way of the movie, the story should.

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Olivia Wilde

I got an internship with the casting director of The Girl Next Door. I would hold the clipboard and help them in their casting sessions and get them lunch.

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In Memory Of The Unknown Poet, Robert Boardman Vaughn

But the essential advantage for a poet is not, to have a beautiful world with which to deal: it is to be able to see beneath both beauty and ugliness; to see the boredom, and the horror, and the glory.
T. S. ELIOT


It was his story. It would always be his story.
It followed him; it overtook him finally—
The boredom, and the horror, and the glory.


Probably at the end he was not yet sorry,
Even as the boots were brutalizing him in the alley.
It was his story. It would always be his story,


Blown on a blue horn, full of sound and fury,
But signifying, O signifying magnificently
The boredom, and the horror, and the glory.


I picture the snow as falling without hurry
To cover the cobbles and the toppled ashcans completely.
It was his story. It would always be his story.


Lately he had wandered between St. Mark’s Place and the Bowery,
Already half a spirit, mumbling and muttering sadly.
O the boredom, and the horror, and the glory.


All done now. But I remember the fiery
Hypnotic eye and the raised voice blazing with poetry.
It was his story and would always be his story—
The boredom, and the horror, and the glory.

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Tell me a story,

Tell me a story, And what I want to hear,

About a king in the Bible, of Saul and his spear;

He wanted to kill David, but David spared his life,

While Saul was asleep, David took the jug, spear, to show

Saul that he was near.


Please tell me a story, Of Esther the Jewish queen,

And of uncle mordecai, and Haman who was mean;

Wicked Haman hated, the Jews, and wanted them dead,

But he got his punishment, to be hung by his head.


Tell me another story, of Jonah and the whale,

When God said 'go to Ninevah, he needed a kick in his tale;

He ran the other way, then caught a large ship,

But; when a storm blew up, but he got the flip.


Tell me one more story, before I get off to bed,

How Jesus talked to a crowd, and food they were fed;

There were 5,000 people, and only 5 loaves, and two fish,

It was a miracle of Jesus, and not just an answer to a wish.

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Julie Delpy

I was six years old when I saw my first Godard movie, eight when I first experienced Bergman. I wanted to be a director when I was fourteen.

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Story Of My Life

The story of my life
is very plain to read
it starts the day you came
and ends the day you leave
The story of my life
begins and ends with you
the names are still the same
and the story's still the truth
I was alone
you found my waiting
and made me your own
I was afraid
that somehow I never could be
the man that you wanted of me
You're the story of my life
and every word is true
each chapter sings your name
each page begins with you
It's the story of our times
and never letting go
and if I die today
I wanted you to know
Stay with my here
share with me care with me
stay and be near
and when it began
I'd lie awake every night
just knowing somewhere deep inside
that our affair just might write
The story of my life
it's so very plain to read
it starts the day you came
and ends the day you leave

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Catherine Keener

If you work in casting, it's sort of not cool to want to act. A lot of people think that casting directors are frustrated actors, but it wasn't true with any of the casting people I knew.

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I think you've got to talk to the director, see the director's films and recognise that it's important that the work fits right in and see if as part of the movie.

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As for Tenacious D, of course it could work as a full length movie; all it requires is a great writer and great director with an ability to think outside of conventional film comedy.

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Monica Bellucci

Mel is a great director because he's not just a director, he's an actor, so he knows how to direct actors. I loved working with him. He's great as a director. He's so intelligent. He's generous. I really loved him.

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The Silent Member

He lived in Mundaloo, and Bill McClosky was his name,
But folks that knew him well had little knowledge of that same;
For he some'ow lost his surname, and he had so much to say –-
He was called 'The Silent Member' in a mild, sarcastic way.

He could talk on any subject -- from the weather and the crops
To astronomy and Euclid, and he never minded stops;
And the lack of a companion didn't lay him on the shelf,
For he'd stand before a looking-glass and argue with himself.

He would talk for hours on literature, or calves, or art, or wheat;
There was not a bally subject you could say had got him beat;
And when strangers brought up topics that they reckoned he would baulk,
He'd remark, 'I never heard of that.' But all the same -- he'd talk.

He'd talk at christ'nings by the yard; at weddings by the mile;
And he used to pride himself upon his choice of words and style.
In a funeral procession his remarks would never end
On the qualities and virtues of the dear departed friend.

We got quite used to hearing him, and no one seemed to care --
In fact, no happ'ning seemed complete unless his voice was there.
For close on thirty year he talked, and none could talk him down,
Until one day an agent for insurance struck the town.

Well, we knew The Silent Member, and we knew what he could do,
And it wasn't very long before we knew the agent, too,
As a crack long-distance talker that was pretty hard to catch;
So we called a hasty meeting and decided on a match.

Of course, we didn't tell them we were putting up the game;
But we fixed it up between us, and made bets upon the same.
We named a time-keep and a referee to see it through;
Then strolled around, just casual, and introduced the two.

The agent got first off the mark, while our man stood and grinned;
He talked for just one solid hour, then stopped to get his wind.
'Yes; but --' sez Bill; that's all he said; he couldn't say no more;
The agent got right in again, and fairly held the floor.

On policies, and bonuses, and premiums, and all that,
He talked and talked until we thought he had our man out flat.
'I think --' Bill got in edgeways, but that there insurance chap
Just filled himself with atmosphere, and took the second lap.

I saw our man was getting dazed, and sort of hypnotized,
And they oughter pulled the agent up right there, as I advised.
'See here -' Bill started, husky; but the agent came again,
And talked right on for four hours good -- from six o'clock to ten.

Then Bill began to crumple up, and weaken at the knees,
When all at once he ups and shouts, 'Here, give a bloke a breeze!
Just take a pull for half a tick and let me have the floor,
And I'll take out a policy.' The agent said no more.

The Silent Member swallowed hard, then coughed and cleared his throat,
But not a single word would come –- no; not a blessed note.
His face looked something dreadful –- such a look of pained dismay;
Then he have us one pathetic glance, and turned, and walked away.

He's hardly spoken since that day –- not more than 'Yes' or 'No'.
We miss his voice a good bit, too; the town seems rather slow.
He was called 'The Silent Member' just sarcastic, I'll allow;
But since that agent handled him it sort o' fits him now.

poem by Clarence Michael James Stanislaus DennisReport problemRelated quotes
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