Oscar Wilde: 'Do you mind if I smoke?' Sarah Bernhardt: 'I don't care if you burn.'

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Oscar Wilde

Phedre

(To Sarah Bernhardt)

How vain and dull this common world must seem
To such a One as thou, who should'st have talked
At Florence with Mirandola, or walked
Through the cool olives of the Academe:
Thou should'st have gathered reeds from a green stream
For Goat-foot Pan's shrill piping, and have played
With the white girls in that Phaeacian glade
Where grave Odysseus wakened from his dream.

Ah! surely once some urn of Attic clay
Held thy wan dust, and thou hast come again
Back to this common world so dull and vain,
For thou wert weary of the sunless day,
The heavy fields of scentless asphodel,
The loveless lips with which men kiss in Hell.

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It is in spending oneself that one becomes rich.

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I do love cricket - it's so very English.

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I adore Chicago. It is the pulse of America.

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Your words are my food, your breath my wine. You are everything to me.

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All power in human hands is liable to be abused.

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Legend remains victorious in spite of history.

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The theatre is the involuntary reflex of the ideas of the crowd.

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Each action of the actor on the stage should be the visible concomitant of his thoughts.

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Permanent success cannot be achieved except by incessant intellectual labour, always inspired by the ideal.

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Although all new ideas are born in France, they are not readily adopted there. It seems that they must first commence to prosper in a foreign country.

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The actor is too prone to exaggerate his powers; he wants to play Hamlet when his appearance is more suitable to King Lear.

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He who is incapable of feeling strong passions, of being shaken by anger, of living in every sense of the word, will never be a good actor.

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I have, thanks to my travels, added to my stock all the superstitions of other countries. I know them all now, and in any critical moment of my life, they all rise up in armed legions for or against me.

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To be a good actor... it is necessary to have a firmly tempered soul, to be surprised at nothing, to resume each minute the laborious task that has barely just been finished.

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Once the curtain is raised, the actor is ceases to belong to himself. He belongs to his character, to his author, to his public. He must do the impossible to identify himself with the first, not to betray the second, and not to disappoint the third.

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What matters poverty? What matters anything to him who is enamoured of our art? Does he not carry in himself every joy and every beauty?

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For the theatre one needs long arms... an artiste with short arms can never make a fine gesture.

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The truth, the absolute truth, is that the chief beauty for the theatre consists in fine bodily proportions.

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Sarah Maria

Well the moon is in the ocean
And the starts are in the sky
And all that I can see
Is my sweet marias eyes
Sarah, sarah maria
Sarah maria, ya, ya, ya, ya
Well, you know about the sugar cane
That comes from way down south
Shes got one end in her hand
Shes got one end in her mouth
Sarah, sarah maria
Sarah maria, ya, ya, ya, ya
She took me out walking
To the corner of the world
Where everyone was a-talking
About such a pretty little girl
Sarah, sarah maria.
Sarah maria, ya, ya, ya, ya

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