We all write, but the script is a blueprint. We can lose whole scenes when we're shooting.

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Heath Ledger

I don't have a technique. I've never been a believer in having one set technique on how to act. There are no rules and there is no rulebook. At the end of the day, it all comes down to my instincts. That's the one thing that guides me through every decision professionally. Socially, also. That's my technique. Yeah, you read through the script 100 times. I guess I have little characteristics about myself. Sometimes, most often than not, once we start shooting I won't look at the script at all until we finished shooting. It's kind of like it's been imprinted in my head during rehearsals. You just let it go.

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Heath Ledger

I don't have a technique. I've never been a believer in having one set technique on how to act. There are no rules and there is no rulebook. At the end of the day, it all comes down to my instincts. That's the one thing that guides me through every decision professionally. Socially, also. That's my technique. Yeah, you read through the script 100 times. I guess I have little characteristics about myself. Sometimes, most often than not, once we start shooting I won't look at the script at all until we finished shooting. It's kind of like it's been imprinted in my head during rehearsals. You just let it go.

Heath Ledger in Reel.com (May 2001)Report problemRelated quotes
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Fisher Stevens

Unfortunately, the public might not know that we get a script usually two days before shooting. So sometimes I'm shooting an episode and don't even know how it's going to end because I haven't read that yet.

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Mark Ruffalo

With indies, all they have is their script and it's very important to them. The characters are better drawn, the stories more precise and the experience greater than with studio films where sometimes they fill in the script as they're shooting.

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Once we were in the studio, we realized we were getting certain effects through the shooting of the dramatic scenes on video, shooting off a screen and then getting wave patterns and stuff like that.

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One hasn't constant views.

I write, rewrite, edit, amend and scrap.
Each script comes with changed views and ideas.
Each script bears different visions and versions.
No one is constant in one’s view through out.
05.08.2010

poem by Rm. Shanmugam ChettiarReport problemRelated quotes
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Lost In The Music

the music you write
makes my mind soar
the music you write
makes me want to dance
the music you write
is like a lullaby
the music you write
makes my heart jump
the music you write
makes me want to hear it again
the music you write
is like a shooting star
the music you write
makes me fall in love with you
the music you write
is like a shower in a drought
the music you write
is like a dream that i don't want to wake up from
i get lost in the music you write

poem by Brittney CrozierReport problemRelated quotes
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Wishing on a shooting star

I wished upon a shooting star
As it went through the sky,
I wished upon a shooting star
As it shot right by.

I wished upon a shooting star
That my prayers would all come true,
I wished upon a shooting star
And then I thought of you.

I wished upon a shooting star
And noticed I was crying,
I wished upon a shooting star
And realized I was dying.

I wished upon a shooting star
But my wish never came true,
I wished upon a shooting star
And hoped it would get me through.

I wished upon a shooting star
That the she would still be there,
I wished upon a shooting star
That she would always care.

I wished upon a shooting star
Here in this night sky,
I wished upon a shooting star
That our love will never die.

poem by Xx Charmer XxReport problemRelated quotes
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I did all my directing when I wrote the screenplay. It was probably harder for a regular director. He probably had to read the script the night before shooting started.

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We go through, I think, six different drafts of each script. And then my shooting it is roughly, you know, fifteen percent of the total work that gets done on a show. Then it's all post-production animation after that.

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Francis Ford Coppola

I wrote the script of Patton. I had this very bizarre opening where he stands up in front of an American flag and gives this speech. Ultimately, I was fired. When the script was done, they hired another writer and that script was forgotten.

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Scott Speedman

I'd like to do the young cadet thing again for sure, but that's why I wanted to do this, to see if I could do it. I took the scenes out of the script and put them together and read them as one little arc, story and that seemed to work.

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I like to rehearse with the actors scenes that are not in the script and will not be in the film because what we're really doing is trying to establish their character, and good acting to me is about reacting.

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Tobey Maguire

You live for those really great scenes where you almost feel that the film has gone beyond what was printed on the script pages and been raised to another level.

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Martin Scorsese

If it's a modern-day story dealing with certain ethnic groups, I think I could open up certain scenes for improvisation, while staying within the structure of the script.

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Writer

I'm the writer got a front page cover
Hot gossip 'bout who's with their latest lover
I write all chapters by the second scene
I call the shots, don't need a fleet street team
I am a writer and i'm the news
You cross me you know you're gonna lose
I'll do the story if you're dead or alive
If seconds out or if you're gonna take a dive
Slip out the news or a piece of scandal
Don't toe the line, 'cause nothing's too hot to handle
I am the writer and i'm the news
If you cross me you know you're gonna lose
Yeah you're gonna lose
[instrumental]
I am a writer and i am the news
If you cross me you know you're gonna lose
And where you are it's because of me
'cause overnight you know it don't come free
I'll put you up there or i'll bring you down
'cause nothing moves without me in this town
I am a writer and i am the news
If you cross me you know you're gonna lose
Boy you're gonna lose i said you're gonna lose
I write the news i am the news
Got to, got to lose
Oh yeah you're gonna lose
So don't step on my blue suede shoes...

song performed by by UfoReport problemRelated quotes
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The Blueprint States

It has always been significant.
That blueprint.
It describes their events!
Time released...
And to them sent.
But alterations to it...
Was never meant.
They have been trying to find,
Ways to avoid it.
Undermining the message.
And becoming annoyed by it!
And the blueprint states...
Exactly what the stakes are.
They have their scholars shouting in their ears.
Even Earth itself...
Can not get them to hear.
And they can not conceive,
This Earth living and breathing at all!
A common sense within them,
Has been ego enthralled!
And nothing sent...
Can transcend their dementedness.
They truly believe they are descendants of the heavens.
And yet their actions represent a demonicness.
And that blueprint goes ignored...
With every detail being abhorred!
As if to wish its existence,
To simply fade and go away!
Like a 'sanity' that now betrays them.
And the 'deities' have given them that!
And it appears as though...
They are clearly too powerful.
And here to take every shred of sanity back!
It has been selfishly abused...
To feed the greed of mindless fools!
What height of arrogance is this?
To dismiss what has been to them given,
To correct their senselessness!

poem by Lawrence S. PertillarReport problemRelated quotes
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Perhaps the most difficult thing is shooting scenes set 6,000 feet up in the mountains of Mexico.

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Catherine Deneuve

Mississippi Mermaid was a very special experience because we only had the dialogues for the scenes we were shooting the night before.

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Each film is different. Time Code was very quick - a matter of months. Miss Julie has been on my shelf as a script for some seven or eight years. But then the shooting process was very quick - 16 days.

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