Maurice Jarre

Some months ago, while I was preparing a new work, I told a young cinema executive my intention of including in a soundtrack two themes from Bach. But when he asked me which has been the last hit from that Bach?, then I knew that I had no longer place in cinema.

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There is nothing like a Bach fugue to remove me from a discordant moment... only Bach hold up fresh and strong after repeated playing. I can always return to Bach when the other records weary me.

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Richard Attenborough

Well, you cannot think of cinema now, and you cannot think of cinema in the UK and not place Chaplin in the most extraordinary elevated context, if there can be such a thing, in that he was a genius, he was unique.

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I am an animator. I feel like I'm the manager of a animation cinema factory. I am not an executive. I'm rather like a foreman, like the boss of a team of craftsmen. That is the spirit of how I work.

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I'm a huge fan of world cinema, because each country uses cinema in a very individual way.

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Eriq La Salle

I think American cinema, particularly, has become so disposable. It's not even cinema, It's just moviemaking.

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Eriq La Salle

I think American cinema, particularly, has become so disposable. It's not even cinema, it's just moviemaking.

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Helen and You and The ABC Cinema

In the evening after tea
of bread and jam
and a glass of milk
you went out

and met Helen
under the railway bridge
in Rockingham Street
next to the Duke

of Wellington pub
and she was waiting
there looking up
and down the street

and when she saw you
she waved and walked
towards you
where's your doll

Battered Betty?
you asked
mum's washing her clothes
and I didn't want

to bring her out
with nothing on
she said
no that wouldn't be decent

you said
where are we going?
she asked
I want to show you

the passages behind
the ABC cinema
you said
it's like a cavern

of dark passages
and once I saw a rat
running along by a wall
oh god

she said
putting a hand
to her mouth
not a rat

yes it run along
one of the walls
not sure
I want to go there

she said softly
one little rat
isn't going to hurt you
you said

besides I'll chase it away
if it comes
will you?
she said

yes of course I will
nothing is going to harm you
while I am here
you said

you showed her
the toy gun
tucked in
the inside pocket

of your jacket
she nodded
and she took
your hand

and you walked her
along and up behind
the Trocodero cinema
and onto

the New Kent Road
and you crossed quickly
before the traffic lights changed
and once you got

to the other side
you took her
to the ABC cinema
and went down beside

the cinema walls
along the dark passages
that went on beside
and behind the cinema

all the time
she gripped your hand
and now and then
her grip tightened

when she thought
she saw something
out of the corner
of her eye

what was that?
she said
stopping still
clutching your hand tight

just a piece of paper
blown by the wind
are you sure?
yes just paper

she untightened
her grip
and you both
walked on

with the sound
of traffic and voices
in the distance
and at the back

of the cinema
you came to an entrance
where two doors where
and you said

sometimes the doors are open
and you can sneak in free
she looked at you
her eyes behind

her thick lens glasses
large and innocent
is that allowed?
she asked

no
you replied
if they catch you
you get into trouble

but if you're lucky
you can get in
no trouble
you said

oh
she said
my mum wouldn't like it
if I got into trouble

we won't get in tonight
anyway
you said
the doors are locked

another time maybe
and she gripped
your hand
and her face looked shocked.

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Pedro Almodovar

I also wanted to express the strength of cinema to hide reality, while being entertaining. Cinema can fill in the empty spaces of your life and your loneliness.

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Soundtrack To A Generation

The smell of trees. can only be that way. on a sunny day.
Floating through the open window. to the cool inside.
Where we lay side by side. how can anything we feel. ever
Mean so much. as a summer love? how can anything we
Need. ever get in touch. with the meaning of.
A whole life waiting? wishing suddenly. that its going to be
The real thing. or separating. try your luck again. its just
Part of the adventure.
Holy cow. you do it to me now. the soundtrack to a
Generation. oh, wow. youre getting to me now. the
Soundtrack to a generation.
Another tune. before the light has gone. and well be on
Our way. the sounds and smells. will always linger on.
Theyre in my heart today.
We feel so lucky then. the worlds a massive place. but we
Run into each other. just one small happening. an accident
Of fate. or the work of co-conspirators? but if we knew.
What could it do. to help us now?
Holy cow. you do it to me now. the soundtrack to a
Generation. anyhow. just give it to me now. the
Soundtrack to a generation. oh wow. you really got me
Now. the soundtrack to a generation. holy cow. youre
Getting to me now. the soundtrack to a generation.
Years have gone on in between. but all I knew at
Seventeen. is all I know now now. through times of joy and
Suffering. the music flavours everything. thats all I know
Now.
Holy cow. you do it to me now. the soundtrack to a
Generation. oh wow. you really got me now. the
Soundtrack to a generation. anyhow just give it to me
Now. the soundtrack to a generation.
Just give it. youre getting. you do it you really got me now.
The soundtrack to a generation. oh wow. just give it.
Youre getting. you do it.
You really got me now. the soundtrack to a generation.
Oh wow. you really got me now. the soundtrack to a
Generation.

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That's why it's called Sebastian Bach. I mean, it's a permanent band, pretty much, but if I jam with other people, it just makes a better album, I think.

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Nina Simone

Once I understood Bach's music, I wanted to be a concert pianist. Bach made me dedicate my life to music, and it was that teacher who introduced me to his world.

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In a sense I feel very much a part of the cinema now in a way where when I come back to the theater now I feel like a visitor. The cinema is really what I enjoy. I want to do more independent movies.

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Isabelle Huppert

For a long time I have compared cinema to music, I think cinema has a lot to do with the rhythm of music.

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Jean-Luc Godard

I pity the French Cinema because it has no money. I pity the American Cinema because it has no ideas.

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Friends Within The Darkness

I can remember starving in a
small room in a strange city
shades pulled down, listening to
classical music
I was young I was so young it hurt like a knife
inside
because there was no alternative except to hide as long
as possible--
not in self-pity but with dismay at my limited chance:
trying to connect.

the old composers -- Mozart, Bach, Beethoven,
Brahms were the only ones who spoke to me and
they were dead.

finally, starved and beaten, I had to go into
the streets to be interviewed for low-paying and
monotonous
jobs
by strange men behind desks
men without eyes men without faces
who would take away my hours
break them
piss on them.

now I work for the editors the readers the
critics

but still hang around and drink with
Mozart, Bach, Brahms and the
Bee
some buddies
some men
sometimes all we need to be able to continue alone
are the dead
rattling the walls
that close us in.


Anonymous submission.

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Outside the Cinema.

After tea
you went out

into the summer evening
without cowboy hat

or rifle
but your six shooter

tucked in the belt
of your jeans

to meet Helen
under the railway bridge

next to the Duke of Wellington
public house

I thought you weren't coming
Helen said

standing in her summer dress
and holding her favourite doll

Battered Betty
my horse refused to come

so I had to walk
you said

Helen smiled
my mum knows I'm with you

but I mustn't be out late
Helen said

where shall we go?
you asked

let's go and see
what's on at the cinema

Helen said
so you both walked

along the back streets
until you came

onto the main road
and studied the cinema billboards

I saw Davy Crockett here
you said

who's he?
Helen asked

he was a frontiersman
who fought Indians

and wore a bearskin hat
you said

was he here?
Helen asked

it was a film
you replied

oh
she said

she swung Battered Betty
behind her back

from hand to hand
I haven't been

to the pictures recently
mum said we can't afford it

what about Saturday matinee?
you asked

you could come to that
it's for kids only

and it's fun
Helen brought Battered Betty

into her arms
I'm not sure

she said
I could asked your mum

you said
I'd take care of you

I've got my six shooter
Helen put her hand

in your hand
and said

ok she'd listen to you
Helen said

you felt her hand in yours
and hoped no boys

who knew you
saw this or

the following
small lips kiss.

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Cinema

You can have girls and girls
You can have boys and boys
You can have sex and violence
You can have space age toys
You can have anything that you think will fit
As long as its box office, as long as its a hit
Cinema, cinema
You can have birdmen and snowmen
You can have women in red
Hero taxi drivers talk about evil dead
Black hats and white hats you know what I mean
A flashdance welder and jesus in jeans
Cinema, cinema
Norma jean has gone with the wind
And well never, never see her no more
Jimmy dean you drove that machine
Chased a dream, chased a dream
Weve been up the junction, down the yellow brick road
Weve got beauty with beast
And a prince with a toad
Weve got future adventures
You believe man can fly
Put on your 3-d glasses
Get a shark in the eye
(mccafferty, sweet, charlton, ngnew)
Publishing copyright:m.a.c.s. music
Copyright 1986 nazareth (dunfermline) ltd., dunfermline

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Not Communicating To Oneself

Listening to Beethoven we sense
the inspiration pouring from the master.
Johann Sebastian Bach sounds as intense,
but far more distant from disaster.
He seems to want to have a conversation
with anyone prepared to pay attention.
Although we lose him when his great elation
exceeds the limits of our comprehension,
we know that he is trying to communicate,
as if he’d just found, lying on a shelf,
the notes he’s trying to communicate
to us, and not, like Ludwig, to himself.
The proofs of Beethoven’s profundity
lay in the notes that for him had no sound,
while Bach, with effortless fecundity,
encouraged all of us to be profound.

J. M. Coetzee contrasts his relationship to the music of Beethoven and J. S. Bach. Whereas he imagines Beethoven as a genius from whom inspiration pours forth while oblivious to the people who may be listening to him he imagines J. S. Bach as a teacher who is attempting to instruct him while he sits next him while he is playing. As a rider, Coetzee added that there are moments when J. S. Bach’s inspiration exceeds the listener’s comprehension. These are the moments of his greatest inspiration. Listening to this report I was reminded of Richard Eder’s comment on Ceotzee when reviewing his book “Diary of a Bad Year” (“A Writer, A Muse, Their Laundry, ” NYT, January 1,2008) :
I think of the childlike simplicity of late Beethoven on a profound return trip from profundity.”

10/7/08

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Colour does not make so much difference. Look at the Bach Chaconne: There is not one dynamic mark in the whole Bach Chaconne. Colours do not make so much difference.

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Sonia and You and The Promise

Sonia closed
the door
behind her
and leaned

against it
you go out
with me?
she asked

her Polish/English
grated on your ears
look I can't
I have other

things to do
you said
running a hand
to smooth

Mr Dubbin's bed
she looked around
the room
and said

what if someone
come in
and see you
here with me?

what if they think
you been having me?
but it wouldn't
be true

you said
standing up
and moving away
from the bed

you know that
and I know it
but others
they do not

she said
her voice
crisp and cool
what if I undo

my uniform
and show my breasts
and say you did it?
you blushed

at the thought
look
just leave me be
you said

she stood firm
against the door
her hands
on the lapels

of her uniform
you could say yes
she said
you could take me

out to cinema
and then
it would be good
huh?

you watched
as she undid
one button
at a time

you watched
her fingers undo
each button
with deliberate

slowness
if I say yes
you'll stop this folly?
you asked

if you mean it
I will walk
from the door
and we can leave

and I do up
the buttons
before others see
she stared at you

her pale blue eyes
on you
her lips parted
just so

you could see
her small white teeth
where do you want to go?
you asked

cinema is good
she said
in the dark
we can kiss yes?

the buttons
were undone
to reveal
her compacted tits

ok ok
you said
the cinema
it is promise?

she said coolly
you make promise
and keep?
yes I make promise

and keep
you repeated
she began to do up
the buttons

her eyes
looking at you
and she smiled
and said

good boy
we have fun no?
you breathed out
the held in breath

sweat dampened
the back
of your shirt
and trouser legs

but if
you do not
show up
she said

brushing her uniform
I'll say you make love
to me on this
Mr Dubbin's bed

and I make bed
look all untidy
and they believe
me yes?

I'll be there
trust me
you said
just let me go

I need to get
the other beds
made before lunch
she moved aside

and opened the door
her perfume
filtering your nose
off you go

she said
and be good
you went off
to make the beds

and show up
that night
as she knew
you would.

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