If the story's interesting and it's a compelling script, I'd be thrilled to be a part of it.

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Robert Carlyle

The script will point you in certain directions and I go the opposite if I can. I try do do one thing and tell a different story with my eyes. I believe what's more interesting is always what's not being said.

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Robert Carlyle

The script will point you in certain directions and I go the opposite if I can. I try do do one thing and tell a different story with my eyes. I believe what's more interesting is always what's not being said.

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Daniel Radcliffe

I would consider doing any part as long as the script is good and the film has an interesting director.

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A compelling story, even if factually inaccurate, can be more emotionally compelling than a dry recitation of the truth.

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Your Story

Don’t become attached to your story for it changes all the time,
it could be a fantasy novel or a poem that rhymes.
You write your movie script every day,
make it worth writing about for people to say,
say that you had an interesting life
that was of your own way.

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Hugh Grant

Most actors really love it, that's what they want to do. They burn to do it. And so they'll read a script and think, that's an interesting part. And because they love acting, that blinds them to the fact that the rest of it is pretentious nonsense, which it very often is.

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Your Story

Don’t become attached to your story for it changes all the time,
it could be a fantasy novel or a poem that rhymes.
You write your movie script every day,
make it worth writing about for people to say,
say that you had an interesting life
that was of your own way.
Written By Christina Sunrise on January 24,2012

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Albert Finney

When I read the script, I liked the script very much and I thought it was a marvelous part for her, because I think it is a change of pace. I mean, we know how wonderful she is in romantic comedy.

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Paul Riser tells it in an interesting way; he dissects it and tells the structure, you know, 'you don't mention that part here.' But that's what's interesting about it and the people who are absent are interesting too.

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The story drove the book. That had a very seminal effect on the way I saw writing and storytelling. If you can set a character in a story that is compelling and has a backbone, you draw people in.

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John Hurt

I mark a script like an exam, and I try not to do anything under 50 per cent. Similarly with the part. And also film is a peculiar thing, parts don't necessarily read in script form anything like as well as they can do when it comes to materialising.

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Never Ending Story (live Acoustic Version)

Armies have conquered
And fallen in the end
Kingdoms have risen
Then buried by sand
The Earth is our mother
She gives and she takes
She puts us to sleep and
In her light we'll awake
We'll all be forgotten
There's no endless fame
But everything we do
Is never in vain
We're part of a story, part of a tale
We're all on this journey
No one is to stay
Where ever it's going
What is the way?
Forests and deserts
Rivers, blue seas
Mountains and valleys
Nothing here stays
While we think we witness
We are part of the scene
This never-ending story
Where will it lead to?
The earth is our mother
She gives and she takes
But she is also a part
A part of the tale
We're part of a story, part of a tale
We're all on this journey
No one is to stay
Where ever it's going
What is the way?
We're part of a story, part of a tale
Sometimes beautiful and sometimes insane
No one remembers how it began

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I think that whenever there's a good script we try to make that happen, but it's all based off of a good story, a good script, but I don't believe you should do it just because it's African-American.

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Robert Redford

Lastly get emotionally connected to your story so you can deliver it, you know, if you can't deliver the emotions to your script there's no point to your story. Story is the key.

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David McCullough

My shorthand answer is that I try to write the kind of book that I would like to read. If I can make it clear and interesting and compelling to me, then I hope maybe it will be for the reader.

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I'm always looking for a low-budget script with an interesting character to play.

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I always choose my projects for the script or what the director want to tell with that story. And if I like the story.

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Maggie Gyllenhaal

There was something to me that was really compelling about that woman, already knowing she couldn't get pregnant. When I made that movie I was maybe 24, and to be 24 and already know you can't get pregnant, that was really interesting to me.

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Ellen Burstyn

I sketched out a rough story for them and the director said, well it's a good story but we have the go-ahead from Universal to make this script and did I want to do it. I said no, and they left.

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Lena Olin

What's most interesting and most real to me in my work is to never make the role a complete character, because then you lose a part of the truth. I can't say that this person is just like this or like that. Because you can never do that with real people in real life, so if you try that on stage you lose the truth. Since I myself strive to be able to be a great many things, I also want my character to have that very same liberty. Eventually in that way it will add to a sort of completeness. But it is the story that is told that is the interesting thing and the situations the character is in. And as we humans always are shaped by a special situation or given circumstances, I can never ever say: Thus is my character.

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