When I do an album I try to find a producer that's excited about something that they want me to sing, and I check with the record company to find out what they think they can sell - which is their No. 1 priority.
quote by Johnny Mathis
Submitted by Lucian Velea
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Related quotes
If you had a record company believing in you enough to cut an album then you had better have the ability to work the album on the road.
In those days it was pretty cut and dry. If you had a record company believing in you enough to cut an album then you had better have the ability to work the album on the road.
I Get Excited
(tennant/lowe)
--------------
(excited)
(excited)
(excited excited excited excited)
(excited excited excited excited)
(i get excited)
(i get excited)
We're both in the gutter, that's no surprise
What does it matter, when i look in your eyes?
We've lost all our money, we're thrown out of bars
We're lying in the gutter, but we're looking at the stars
I get excited, you get excited too (excited) (i get excited)
I get excited, you get excited too (excited) (i get excited)
I hear the sound of the subway, the sigh of the heat
The click of the visitors' heels on the street
The rattle of the taxi, the scream of the cars
The clatter of the dustbin and the beat of my heart
I get excited, you get excited too (excited) (i get excited)
I get excited, you get excited too (excited) (i get excited)
I don't know why, i don't know why (i get excited)
I don't know why, i don't know why
(excited excited excited excited)
(excited excited excited excited)
You're in my soul
My body moves to your control
Baby, i've been thinking about you
All night long, and the neighbours are talking
I don't know why, i don't know why (excited) (i get excited)
I don't know why, i don't know why
(excited) (i get excited)
We're both in the gutter, that's no surprise
What does it matter, when i look in your eyes?
We've lost all our money, we're thrown out of bars
We're lying in the gutter, but we're looking at the stars
I get excited, you get excited too (excited) (i get excited)
I get excited, you get excited too (excited) (i get excited)
I don't know why, i don't know why (i get excited)
I don't know why, i don't know why
(excited excited excited excited)
(excited excited excited excited)
(ooooooooh)
I get excited, you get excited too (excited) (i get excited)
I get excited, you get excited too (excited) (i get excited)
I don't know why, i don't know why (i get excited)
I don't know why, i don't know why (i get excited)
I get excited, you get excited too
song performed by by Pet Shop Boys
Submitted by Lucian Velea
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But I really am very active in the choice of the line producer with the producer of record and the distributing company, because I've had some terrible, terrible experiences with some line producers, particularly in cable.
quote by John Frankenheimer
Submitted by Lucian Velea
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That's my favorite subject because it really levels the playing field for artists these days. You don't have to sell out to the record company. You don't have to get a five hundred thousand dollars, or whatever, and pay them back for the rest of your life to record a record.
quote by Roger Mcguinn
Submitted by Lucian Velea
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What turns me on about the digital age, what excited me personally, is that you have closed the gap between dreaming and doing. You see, it used to be that if you wanted to make a record of a song, you needed a studio and a producer. Now, you need a laptop.
I've never had a relationship with a record executive. I always went to the record company by someone that liked my playing. Then they would get fired, and I'd be left with the record company. And then - because they got fired - the record company wouldn't do anything for me.
quote by Ornette Coleman
Submitted by Lucian Velea
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Only a certain number of people go to a store over the period of a year. When a person sees my record on the shelf, it eliminates someone else's record from being sold. It's about continuing to try to find new ways to sell records.
Total Control
(m. davis, j. jourard)
Producer: carter
Album: we are the world (usa for africa)(85), the collected recordings (94)
Looking counter clockwise
Knowing what could happen
Any moment maybe you
Maybe even you
Steadfast collapse
Always certain any moment
Maybe you maybe you
Maybe even you
Recline complete dreams too sweet
I cant do it not with you
Not even with you
Maybe never with you
And Id sell my soul for total control
Yeah Id sell my soul for total control
Street wet tonight, lovers touch
Its pure delight
Always certain any moment
Maybe even you
Stay in bed stained sheets
My head hurts I repeat
Maybe you maybe you
Maybe even you
And Id sell my soul for total control
Yeah Id sell my soul for total control
Id sell my soul for total control
Over you, over you
Total control over you
song performed by by Tina Turner
Submitted by Lucian Velea
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I just always want a new producer. I'm going to have a new producer on the next one. Because I'm the same person, and I feel like, I know I'm going to bring to it a certain sensibility that's me, and I want to have something different coming out on each album.
quote by Catie Curtis
Submitted by Lucian Velea
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Every time I release an album my old record company releases another one.
quote by Bonnie Tyler
Submitted by Lucian Velea
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Most bands have a sound that they're already identified with, so for the producer it becomes a process of helping them find their muse in the studio to make a record that will not only satisfy them artistically, but will also do something in the marketplace.
quote by Jerry Harrison
Submitted by Lucian Velea
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We're probably doing better business than we thought we would do especially considering the disappointing way the record company has handled the album.
quote by Rick Allen
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Check My Machine
(Spoken) Sticks And Stones May Break My Bones
But Names Will Never Hurt Me
Check My Machine
Check Check Check Check Check My Machine
Check My Machine
Check Check Check Check Check My Machine
(Repeat) -
I Got A Woman A Long Time Ago
I Had Trouble
I Want You To See What You Can See
Check My Machine
Check Check Check Check Check My Machine
Check My Machine
Check Check Check Check Check My Machine
(Ad Lib)
I Want You To Check Check Check Check Check My Machine Check Check Check Check Check My
Machine
(Ad Lib)
Check Check Check Check Check My Machine
(Repeat)
song performed by by Paul McCartney
Submitted by Lucian Velea
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Company Car
Mike was right
When he said I'd put up a fight to be someone
A fight to be me, but see now
I'm down under the pavement of
Capitol Hills, with lower case people
As time rolls by my dreams have become
That which is attainable, but not what I'm looking for
I've got the company car
I'm the one swinging at two below par
See I've become one with the ones that I never believed in
Cuz I've got the company car, yeah
Hey, I'm the king of things I've always despised
I'm the gingerbread man who got eaten alive
I'm half baked, I'm fake
But see I've got hotels on Park Place and Boardwalk
And 200 bucks I pass go
But oh, life's taken its toll
Have I won Monopoly to forfeit my soul?
I've got the company car
I'm the one swinging at two below par
See I've become one with the ones that I never believed in
Cuz I've got the company car, yeah
All the king's horses at the foot of the wall
They're taking pictures of the man who's lost all
Of his masks of pretention, he's got two fisted luck
His is the one they find someone else behind that smile
Guarding tears and fears, he burns like an engine
Driving away all the ones that he loves
Mike was right, hey Mike!
We're one and the same
We're the faceless combatants of the loneliest game
And to say I'll wave as I'm driving by
With that smirk in my eye, yelling
Hey! I'm something, man! Check me out!
I've got the company car
I'm the one swinging at two below par
See I've become one with the ones that I never believed in
Cuz I've got the company car, yeah check me out...
song performed by by Switchfoot
Submitted by Lucian Velea
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The Centre Of The Heart
What am I gonna do when I get a little excited a little in vain? Tell me,
What am I gonna say when I find the center of the heart is the suburb to the brain?
You wear them so well, those innocent eyes
You're putting on a wonderful disguise.
I want you so bad, I'm pushing my luck
It feels like beeing hit by a truck.
This is no place special, don't know why I came
If someone has a minute, won't you explain?
What am I gonna do when I get a little excited a little in vain? Tell me,
What am I gonna say when I find the center of my heart is the suburb to the brain?
Singing: "Na na na na na na, Na na na na na na"
Beeing with you, dealing with fire
Oh, won't you come around (come out) come out (today) and play
I want you so bad, answer my calls
Let's spend the night within these walls
This is no place special, nothing for the same (nothing for the same)
If someone's got a minute, do please explain!
What am I gonna do when I get a little excited a little in vain? Tell me,
What am I gonna say when I find the center of my heart is the suburb to the brain?
Singing: "Na na na na na na, Na na na na na na"
What am I gonna do when I get a little excited a little in vain? Tell me...
(tell me, tell me, tell me, tell me)
What am I gonna do when I get a little excited a little in vain? Tell me,
What am I gonna say when I find the center of my heart is the suburb to the brain?
Singing: "Na na na na na na, Na na na na na na"
What am I gonna do now?
What am I gonna do when I get a little excited a little in vain?
The center of my heart... yeah, yeah, yeah!
What am I gonna say when I find the center of my heart is the suburb to the brain?
C'mon, c'mon, c'mon, c'mon, c'mon hoooooooo!
Na na na na na na
What am I gonna do now?
What am I gonna say when I find the center of my heart is the suburb to the brain?
song performed by by Roxette
Submitted by Lucian Velea
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Most artists have contracts directly with the record company, and when they do music, all of their music is owned by the record company. But I did mine through a production company.
Sing It
SING IT
This is actually strictly dialogue between Barry and his grandfather, Joe, made circa 1951 or right around that time. They were at a "Record Your Own Voice" booth, and this is approximately how the conversation went.
JOE: All right! "A Happy Birthday", come on, go ahead, sing.
BARRY: What? What?
JOE: Sing. I have the words for you, sing it. Sing it. Sing to me! "A happy birthday to you"
BARRY: N-no, I can't! I have to go to the bathroom.
JOE: All right, go ahead, Barry, sing it, sing it! Sing it! Go ahead.
BARRY: When?
JOE: I said now. Go ahead, sing it. "Happy" Go ahead, come on. Come on, sing it! Come on, go ahead.
BARRY: How?
JOE: Like this, "Happy" Come on, go ahead. All right, my dear grandson, "A Happy Birthday". Barry's gonna sing to you a nice song. Go ahead, Barry, sing it! Go ahead, sing it! Come oncome on, Barry, sing it! Sing "A Happy Birthday". Barry, don't you want to sing it? Come on, Barry, sing itWell, I'm sorry, my dear grandson, Barry, don't want to sing for you. OK, what do you want to sing? Do you want to sing a rhumba? All right, sing the rhumba. Go ahead, Barry, sing it! Go ahead, Barry, sing it! Go ahead, Barry. Come on, sing it. Come on, Barry! You gotta talk to make a record. Don't you want to make a record? Don't you want to make a record? You want to make a record, Barry? Huh? Go ahead!
song performed by by Barry Manilow
Submitted by Lucian Velea
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Originally a record producer more or less hired a bunch of professionals to participate in a recording session, the performers and the technicians, and a music director was put in charge. That directly related to a film producer's job.
quote by Tony Visconti
Submitted by Lucian Velea
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Singles choose themselves. You can tell when you are playing the record to the company from the oohs and aahs whether a track works or not. I used to know what a single would do 10 years ago but now I don't have any idea and tend to leave it to the record company.