I don't rehearse films as much as opera or theatre. When I began directing films I thought a long rehearsal was a good idea. Experience showed me that the best performance was often left in a rehearsal room.

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I have directed good actors and have gone through the process which is more detailed in theater in a way. You have to get people to stay for two or three hours in a performance. They need more talk and rehearsal than in films.

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Danny Glover

Some of these things I saw in foreign films - African films, Cuban films - long before I decided to really go on this course as an actor. I started to think about what values I saw in those films that I wanted to bring to my projects.

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Guy Ritchie

It's not easy to strap yourself down to a desk and bash on a keyboard when you know you can direct lots of films, because directing films is fun and interactive and gregarious. Writing isn't.

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There were a lot of people dreaming about making films, and they would finance maybe 6 films a year. Because they were funded by the government, the films sort-of had to deal with serious social issues - and, as a result, nobody went to see those films.

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Eriq La Salle

The films that have influenced me and the films that have motivated me and inspired me were films that resonated, films that made me think after I saw them.

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For a London play, rehearsal time would be four weeks for the entire show. In films, I'd spend six weeks on the big dance numbers to get them perfect before the actual shooting.

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Neither Rainer Werner, nor any of us could have succeeded, or produced the number of films that we did, just on our own. We showed our films to each other, discussed them vigorously and rarely agreed.

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I learn so much from watching films like that with commentary and then when you get to hear another filmmaker talk about their films it's a really great experience.

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Great Conductors

Hans Richter Parsifal did not conduct,
and to the National Gallery he never paid
a visit, but he showed Franz Strauss who never sucked
just how the horn in Meistersinger should be played.

Franz Strauss refused to play a second time
for Hans von Bülow Meistersinger’s second act;
Hans begged his pardon when Franz told him: “I’m
retiring, since you for the hornist show no tact.”

There is an incident reported about the premiere of Die Meistersinger von Nuremberg. The first version: during a rehearsal Strauss complained about the terrible demanding horn part, but Hans Richter, Wagner's secretary & former first horn at the Viennese Kaerntnerthor Theatre (Beethoven's Sonata op.17 had been premiered there; forerunner theatre of the Imperial Opera House) , was present & asked Strauss to lend him his horn & played the passage from the endings of the second act flawless, but giving the horn back with the comment With your B-flat-horn you will have difficulties always; the F-horn sounds much better.
I do not believe this anecdote to be true. Even an already warmed up horn player of excellent qualities might have difficulties with the Pruegelszene How can a conducter to be (Richter became the first world famous conductor; he led the first Ring in Bayreuth 1876) , who had not played his horn for a while, play this passage flawless without any warm-up. A myth only! Richter used this complain about B-flat horn also, when he conducted in Bayreuth. He recommended the use of the single F horn always. No wonder. He came from Vienna.
The second incident happened after the end of the dress rehearsal of Mastersingers. Hans von Bülow wanted to repeat the ending of the 2nd Act again, but Strauss refused to do so, telling von Bülow that he could not do it again, as being exhausted already. If you cant do it again, so you must better ask for retirement! , replied von Buelow to Strauss. But Strauss left the pit and asked the opera's administration for immediate retirement. So Hans von Bülow had to come to Strauss house at the Pschorr Estate, ask for pardon, which was granted, - so the premiere of Mastersingers was saved.
There is an incident reported about the premiere of Die Meistersinger von Nuremberg. The first version: during a rehearsal Strauss complained about the terrible demanding horn part, but Hans Richter, Wagner's secretary & former first horn at the Viennese Kaerntnerthor Theatre (Beethoven's Sonata op.17 had been premiered there; forerunner theatre of the Imperial Opera House) , was present & asked Strauss to lend him his horn & played the passage from the endings of the second act flawless, but giving the horn back with the comment With your B-flat-horn you will have difficulties always; the F-horn sounds much better.
I do not believe this anecdote to be true. Even an already warmed up horn player of excellent qualities might have difficulties with the Pruegelszene. How can a conductor to be (Richter became the first world famous conductor; he led the first Ring in Bayreuth 1876) , who had not played his horn for a while, play this passage flawless without any warm-up. A myth only! Richter used this complain about B-flat horn also, when he conducted in Bayreuth. He recommended the use of the single F horn always. No wonder. He came from Vienna.
The second incident happened after the end of the dress rehearsal of Mastersinger. Hans von Bülow wanted to repeat the ending of the 2nd Act again, but Strauss refused to do so, telling von Bülow that he could not do it again, as being exhausted already. If you can’t do it again you had better ask for retiremen! replied von Bülow to Strauss. But Strauss left the pit and asked the opera's administration for immediate retirement. So Hans von Bülow had to come to Strauss house at the Pschorr Estate, ask for pardon, which was granted, - so the premiere of Mastersingers was saved.


8/25/08

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I've been onstage once for one performance with four days' rehearsal.

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You have to nail the right tone because sometimes when you just see his films cold, you're not quite sure. It's the same in - I'm trying to think of other directors with a similar sense - David Lynch's films, Tim's films, some of Cronenberg's stuff.

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No Rehearsal

Did you learn your lines today?
Well, there is no rehearsal.
The tickets have all been sold
For tomorrows matinee.
Theres a telegram from the writer,
But there is no rehearsal.
The electrician has been told
To make the spotlights brighter.
There is one seat in the circle--
Five hundred million in the stalls.
Simply everyone will be there,
But the safety curtain falls
When the bomb thats in the dressing room
Blows the windows from their frames.
And the prompter in his corner is sorry that he came.
There is one seat in the circle--
Five hundred million in the stalls.
Simply everyone will be there
But the safety curtain falls
When the bomb thats in the dressing room
Blows the windows from their frames.
And the prompter in his corner is sorry that he came.
When the bomb thats in the dressing room
Blows the windows from their frames.
And the prompter in his corner is sorry that he came.
Did you learn your lines today?
Well there is no rehearsal.
The interval will last until
The ice-cream lady melts away.
The twelve piece orchestra are here,
But there is no rehearsal.
The first violinists hands are chilled--
Hes gone deaf in both ears.
Well, the scenery is colorful,
But the paint is so damn thin.
You see the wall behind is crumbling,
And the stage door is bricked in.
But the audience keep arriving
til theyre standing in the wings.
And we take the final curtain call,
And the ceiling crashes in.

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As far as film goes, I enjoy all Hollywood films and all Horror films like The Bride of Frankenstein, which also might be my favorite. I like 60's and 70's Italian and Spanish Horror films.

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Haley Joel Osment

It's important in selecting films that have that feeling behind them, there's a place for films that are just light and entertaining, but for me it's most important to find the films that will last.

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But I think the thing I'm proud of about the film is that there aren't many films - either independent films or mainstream Hollywood films - that are like this; it's of its own times, and it's the film Mike Nichols wanted to make.

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Judd Nelson

I love the rehearsal process in the theatre, and the visceral sense of contact and communication with a live audience.

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Milos Forman

So, thanks God, our films, our first films were suddenly being appreciated by the Western media; especially France was very good, and Switzerland was very good.

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No Dress Rehearsals (part II)

Their only rehearsal for parenting was
The mimicry of their parent’s actions
And unfortunately
There is no dress rehearsal for life
A vicious circle, and
Ignorance was to blame

I was shown how
I should eat food and
The food I should eat
Whether I liked it or not

The fear of God and the God of fear
Temporarily made me afraid of
How I should think about religion and
How religion will punish me if
I chose not to think about religion

We were to speak when spoken to and
We were to be seen but not heard, so
I chose to become unheard and unseen
I left home at an early age

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We've seen so many films now, that you have to be on par with the best films that have preceded you. You just can't make any movie and it will be good.

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There are always at least five good films at the end of the year to get nominated, but generally speaking nowadays, it's more of the independent films that are recognized.

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