Kyra Sedgwick

Sometimes when you do a part, the wall between you and the characters can be very porous. You can sort of move in and out of your character's persona and being. And that just couldn't happen on this one because of working with him.

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Impressions lie

Confidence, a shell,
the pigment you see.
Confidence, the lie,
all, but me.

Doubts and fears,
churning inside.
Hurt and anger,
things I hide.

Persona a facade,
a game of pretense.
Persona the wall,
a wall immense.

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Other kinds of movie stars, it's a different thing, they bring their persona to the part and that's what people like to see, and they are not really transforming in terms of their character.

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Persona Non Grata

Now the cry of the toucan for your man is history
Welcome to heaven the land of the rich and the free
The waters so clean you can fill your canteen with it cold
Please hand me your locket and I promise you pockets of gold
No soldiers to knock on your door
Now what can a man ask for more
Persona non grata!
Just lay your money down
Persona non grata!
On your knees and kiss the ground
I know all the right people we will make you legal in a flash
I wont take no for an answer no credit no checks just cash
Well it may seem like a lot but Im really not in it for greed
As God as my witness I have a family and mistress to feed
What price can you put on a dream
Your fortune lies across the stream
Persona non grata!
Just lay your money down
Persona non grata!
On your knees and kiss the ground
Persona non grata!
Persona non grata!
No soldiers to knock on your door
Now what can a man ask for man
Persona non grata!
Just lay your money down
Persona non grata!
On your knees and kiss the ground
Persona non grata!
Persona non grata!
Lay your money down
Lay your money down
Persona non grata!
Persona non grata!

song performed by by Gino VanelliReport problemRelated quotes
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I think I enjoy working obviously as a lead, but also you know I feel I'm also a character actor as well, so I enjoy approaching various projects in all sort of capacities. Any film I have been able to do I feel very fortunate to have been a part of.

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Salma Hayek

There's a lot about the character. It doesn't always happen, but there are some characters you really create a relationship with, almost as if they were your friend. And you never get into their heads again or think like them.

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I go through a whole process with the actors first, building and creating characters, then I encourage them to sort of live in that character when they're in the screen.

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Wheel

People have the right to fly
And will when it gets compromised
Their hearts say 'move along"
Their minds say 'gotcha heart'
'Let's move it along'
And airports see it all the time
Where someone's last goodbye
Blends in with someone's sigh
Cause someones coming home
In hand a single rose
And that's the way this wheel keeps working now
That's the way this wheel keeps working now
And I won't be the last
No I won't be the last
To love her
You can't build a house of leaves
And live like it's an evergreen
It's just a season thing
It's just this thing the seasons do
And that's the way this wheel keeps working now
That's the way this wheel keeps working now
And you won't be the first
No you won't be the first
To love me
You can find me
If you ever want again
I'll be around the bend
I'll be around the bend
I'll be around
And if you never stop when you wave goodbye
You just might find if you give it time you will wave hello again
You just might wave hello again
And that's the way this wheel keeps working now
That's the way this wheel keeps working now
You can't love too much one part of it
You can't love too much one part of it
I believe that my life's gonna see
The love I give returned to me

song performed by by John MayerReport problemRelated quotes
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Sean Bean

I think everybody's got different methods of working which suit the particular individual. Mine is to sort of play the part, and give 100%, to concentrate and focus on it while I'm actually working, but then leave it behind until the next day.

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Lena Olin

What's most interesting and most real to me in my work is to never make the role a complete character, because then you lose a part of the truth. I can't say that this person is just like this or like that. Because you can never do that with real people in real life, so if you try that on stage you lose the truth. Since I myself strive to be able to be a great many things, I also want my character to have that very same liberty. Eventually in that way it will add to a sort of completeness. But it is the story that is told that is the interesting thing and the situations the character is in. And as we humans always are shaped by a special situation or given circumstances, I can never ever say: Thus is my character.

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I've done it with Broadcast News-where there was no finish line, there was no agenda that I had to move all the characters to this point, that I was sort of open to what happens.

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Matt Groening

It's a funny show. The characters are surprisingly likable, given how ugly they are. We've got this huge cast of characters that we can move around. And over the last few seasons, we've explored some of the secondary characters' personal lives a bit more.

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Part of the success of the show is that the audience sees themselves in the characters, becomes the characters. The more they inhabit the characters, the more they see.

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I think it's definitely beneficial for these characters to have good acting voices behind them and it affects the characters in a way that people can feel like they're part of the game and that they know these characters.

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Typically in horror films the character just services the plot, and you really are just going from 'point a' to 'point b,' just so that you can end up at 'point c.' They are just sort of stick characters. That's just not interesting to me.

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Character is something you forge for yourself; temperament is something you are born with and can only slightly modify. Some people have easy temperaments and weak characters; others have difficult temperaments and strong characters. We are all prone to confuse the two in assessing people we associate with. Those with easy temperaments and weak characters are more likable than admirable; those with difficult temperaments and strong characters are more admirable than likable. Of course, the optimum for a person is to possess both an easy temperament and a strong character, but this is a rare combination, and few of us are that lucky.

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Part Of The Wall

I know you just don't fit in,
I know no one likes you,
I know what you are going through.

Mirror, mirror on the wall,
Do I fit into the human race?
Or will I be part of the wall?

You were born with superpowers,
The ones that make you invisible girl,
You look at your self and say ugly,
But when I do I see beauty.

Mirror, mirror on the wall,
Do I fit into the human race?
Or will I be part of the wall?

You just love your self,
Cause you don't fit in,
Yeah, I know what that fells like.

Mirror, mirror on the wall,
Do I fit into the human race?
Or will I be part of the wall?

Close your eyes,
And think of the friends you have,
Laughing with you,
You are popular in my eyes.

Mirror, mirror on the wall,
Do I fit into the human race?
Or will I be part of the wall?

You are the wall paper,
Reds, green, and blue,
You might never fit in,
But don't worry,
I'll be friends with you.

Mirror, mirror on the wall,
Do I fit into the human race?
Or will I be part of the wall?

Ohhhhhhh
La, la, la, la, la

Ohhhhhhh

La, la, la, la, la

Mirror, mirror on the wall,
Do I fit into the human race?
Or will I be part of the wall?

poem by Brianna KingReport problemRelated quotes
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Forest Whitaker

I think that there's an awakening inside of me really honestly, and I honestly believe that the best work of my life is about to happen. I'm finding a balance in myself as an artist from the external and the internal, and so as a result the characters I play are going to be quite different. So what's going to happen is that it's going to lift up the characters I play, we're going to start to see it and I think it's going to change the face of my career.

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I've sort of dealt with the characters' lives more; particularly the women characters.

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With all of the qualities of the scene-setting, the dialogue, the place and time and the time and place in which your characters move. And I want to move with the characters, move with them and describe the world in which they are living.

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Whereas Schaeffer and Henry were working like samplers, their idea was to capture those sounds which couldn't be serially calibrated because they were too complex in character.

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