Sometimes I can't get out of the character because the story is very intense.

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Maria Bello

I never get to do light summer films. I tend to do things that are intense and anxiety-provoking. By the time I finish those films, I need to take a nap. I do actually gravitate toward the intense pieces, though. I like characters that are on the edge and also incredibly strong at the same time. I like when a character really teaches you something about yourself, and I find that I am learning something just about every single time.

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The narrative constructs the identity of the character, what can be called his or her narrative identity, in constructing that of the story told. It is the identity of the story that makes the identity of the character.

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Lena Olin

What's most interesting and most real to me in my work is to never make the role a complete character, because then you lose a part of the truth. I can't say that this person is just like this or like that. Because you can never do that with real people in real life, so if you try that on stage you lose the truth. Since I myself strive to be able to be a great many things, I also want my character to have that very same liberty. Eventually in that way it will add to a sort of completeness. But it is the story that is told that is the interesting thing and the situations the character is in. And as we humans always are shaped by a special situation or given circumstances, I can never ever say: Thus is my character.

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Beau Bridges

My favorite roles usually have to do with the story, if it's a good story I usually enjoy doing the character.

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Tilda Swinton

In order for the story to move forward, the character has to do certain things. You don't have to be anything but interested in telling the story.

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Mel Gibson

Well, if you look at the whole story, I mean there's only Jews and Romans in the story. I mean I just wanted to flesh that character out and make that a drama about the people around Christ when he was going through this passion.

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Maria Bello

There is always one person on the set who has a lot of anxiety, an actor who is really intense and has to stay in character and holds himself away from the rest of us.

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I describe my plots as follows; A character is walking down the street when all of a sudden a piano falls on them. They spend the rest of the story digging out from under that piano. How they dig, how long and how well, this all depends entirely on the character.

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It's all about creating a back story for the character and developing emotional responses that are true to life in relation to the character. It isn't necessary to live a tragic life to create from that place.

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The story drove the book. That had a very seminal effect on the way I saw writing and storytelling. If you can set a character in a story that is compelling and has a backbone, you draw people in.

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I guess you can stay sort of true to the story; you don't have to artificially bring the character back from whatever doom you've designed for them, you can tell the story, I suppose, honestly.

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Sylvia Is Dead

all the stages are for her,
she burned her head whole
inside an oven and she keeps the
riddles of the nine syllables
crisp, and firm, and creepy
that is sylvia's best
and look
here comes the rest,
they follow.

intense, so so intense.
painful death and deadly poetry.

my soul rises to the 7th heaven.
i, am, too,
intense, like, you, too, two, the
two of you,
intensity lost
recovered
in a minute or so, so so intense.

i feign death.
i still love to solve the tenth riddle.
the three monkeys are still with me.

they are so cute.

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Intense

I remember meeting you last summer and you told me
I am intense; you stared at me, and felt my hand
And frisked my body,
Whatever was it that you meant,

I know what intense is,
Like intense loss
Loss of someone you love so much and who loves you like
You are everything
Like you are the whole world and when you are gone
The whole universe will be empty,
The great void,
Irreplaceable, intense feeling of gratitude for the love unequalled
Immeasurable, like taking grip of her hands when you are falling from
A cliff, you hang there for while, looking at the ants below
Without her timely hold you could have fallen, smashed yourself
Dead like a watermelon crashing to the pavement from
The 10th floor,
Tragic
but I see that you are intense too
Painting your life in the canvass using your weak hand
Testing how the face of God and your face beside will look
Like when the left hand is used, when you are right handed since birth,
Intense weakness
Tested
Something new, tonight I will try it with her; I have to know if she will
Love me through, these intense weaknesses within me
I will not use anything
Let us see what my uselessness can do for her.

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I've always been a fan of the 19th century novel, of the novel that is plotted, character-driven, and where the passage of time is almost as central to the novel as a major minor character, the passage of time and its effect on the characters in the story.

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In Answer To Pirandello's Question

if the character steps inside my room
i will perhaps choose the
character

honestly, i still don't have it
i mean,
character, not that character of
your play

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To have one's own story told by a third party who doesn't know that the character in question is himself the hero of the story being told, that's a technical refinement.

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Wong Kar Wai is a very intense character, very personable, and I believe in general he does not like and he would not want his actors to show their true looks and their true personality on screen.

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The man stands next to main character

I always love the man stands next to main character
because his dark hair or his sharp glare
or his cold attitude hiding his kindness
or his devilish smile when he is in trouble
or maybe I hope he doesn't have many fans

I always like the man stands next to main character
because he is not perfect and sometimes lose time to talk
or he never leaves his friend though he says other
or his help in crucial time
or maybe he doesn't show up in many frames

I always fell to the man stands next to main character
because I want he gets good lover too
or he is still himself under the shadow
or he has the story not everybody knows
or simply because he just caught my heart

poem by Maria SudibyoReport problemRelated quotes
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Fundamental of Liar Chapter LXXX: Story

Story about future is called imagination
Story about past is called memories
Story about present is called reality
Story that becomes true is called prophecy
Story that becomes unfulfilled is called regret
Story that becomes no end is called boasting
Small story is called experience
Epic story is called history
Forgotten story is called lesson
Story that becomes obsession is called ambition
Story that becomes untold is called secret
Story that becomes go its own way is called life

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There's no love more intense than the love we have for our kids - and where there is intense love, there is also intense fear lurking beneath the surface.

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