Harvey Keitel

To create characters, one must build background. And one of the tools we use is improvisation.

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An apprentice carpenter may want only a hammer and saw, but a master craftsman employs many precision tools. Computer programming likewise requires sophisticated tools to cope with the complexity of real applications, and only practice with these tools will build skill in their use.

Robert L. Kruse in Data Structures and Program DesignReport problemRelated quotes
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To write a book about improvisation is partly a contradiction in terms. Improvisation is spontaneous. It's in the moment.

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Improvisation is almost like the retarded cousin in the comedy world. We've been trying forever to get improvisation on TV. It's just like stand-up. It's best when it's just left alone. It doesn't translate always on TV. It's best live.

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A molecular manufacturing technology will let us build molecular surgical tools, and those tools will, for the first time, let us directly address the problems at the very root level.

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When I think back now to the recording sessions, there is more improvisation than one hears. It's an ideal combination of arrangements and improvisation. Only a few people are able to listen and say what is composed and what is improvised. It's a unit.

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I can create countries just as I can create the actions of my characters. That is why a lot of travel seems to me a waste of time.

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I can move my characters through it easily, because I understand the background; I've really studied it.

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A Tool To Scream

Goodbye, They breathe but cannot scream
They have no tools to build voices
They wait in fetal position
Martyrs on altars of mistakes
The martyr
They have not the tools to scream
They are just the ones upon the altars of mistakes
There is no safe place
The marytr

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No novel is a clone of any preceding one, though with a background cast of characters and things that has grown to thousands, there are many familiar aspects.

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Michelangelo Antonioni

You know what I would like to do: make a film with actors standing in empty space so that the spectator would have to imagine the background of the characters.

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If we're going to create the best business climate to create higher paying jobs and retain our young people, we're going to have to build a workforce prepared for the opportunities of the future.

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I'm trying to build a strong business. I want to create new stars, new shows and new products for my audience and create a legacy that outlives me. There are so many other ways I want to reach women besides doing a talk show.

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Michelangelo Antonioni

I mean simply to say that I want my characters to suggest the background in themselves, even when it is not visible. I want them to be so powerfully realized that we cannot imagine them apart from their physical and social context even when we see them in empty space.

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Working within the limitations of the shared world generally made the writing easier, because I didn't have to invent any of the characters or background, which is usually the hardest part.

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It's why you create characters: so you can argue with yourself.

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A creative person has to create. It doesn't really matter what you create. If such a dancer wanted to go out and build the cactus gardens where he could, in Mexico, let him do that, but something that is creative has to go on.

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The Often Overlooked

Bypassed with little thought
Barely given a mention
Those people in daily life
Overlooked by one and all
They may be as kind and loving
As any other in matter of fact
But that remains an unknown
They are acknowledged at times
But all too often left unconsidered
A name, a face and little else
On the fringe of the social circle
Used a filler when the need arises
Still they remain background characters
Overlooked by the leading cast
There only to make up the numbers
Never considered as anything more
To have played both roles in life
Being guilty with the bypassed thought
And left in the background scene
Is to know the honest plight
Of the often overlooked

poem by Matthew HollowayReport problemRelated quotes
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Part of the success of the show is that the audience sees themselves in the characters, becomes the characters. The more they inhabit the characters, the more they see.

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What that book does for me is give me the tools in the same way that I had the tools when I learned the regular scales or the alphabet. If you give me the tools, the syntax, and the grammar, it still doesn't tell me how to write Ulysses.

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I think it's definitely beneficial for these characters to have good acting voices behind them and it affects the characters in a way that people can feel like they're part of the game and that they know these characters.

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