Oh Tell Me Not, I Shall Forget
Oh! tell me not I shall forget,
Amid the scenes of nature's reign,
The cheeks with bitter tear-drops wet,
The hearts whose every throb is pain.
The wood-bird's merry notes may ring,
Exulting ‘neath the clear blue sky:
But louder still the breezes bring
The echo of a sister's cry.
The forest brook may sparkle fair,
And win my heart to love its sheen;
But still it shows me, mirror'd there,
The image of a distant scene.
The verdant sod around my feet,
The treasure of its flowers may spread,
And close embowering branches meet,
In fresh'ning coolness, o'er my head.
Yet not for these, oh! not for these,
Can I forget the Afric's woe,—
The sighs that float on every breeze,
The streaming tears that ceaseless flow.
No! though the loveliness of earth
Hath touch'd my spirit like a spell,
And sooth'd me back to joy and mirth,
When darkness else had round it fell.
Though not the simplest bud, that droops
Beneath its weight of morning dew,
When light the orient zephyr stoops
To trifle with its petals blue;
Though not a breeze that stirs the grove,
Or wing that cleaves the summer air,
But hath a link upon my love,
Or strikes some chord of feeling there;
Yet think not they can lull my heart,
To carelessness of human woe;
Or bid the bitter tears that start
For Afric's wrongs, no longer flow.
poem by Elizabeth Margaret Chandler from Poetical Works

Submitted by Veronica Serbanoiu
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Related quotes
Mothers Day2007
She hath my heart, she is my mum.
She hath my heart, she is my only, she is my one.
She hath my heart, though rough winds may blow.
She hath my heart, still her love will flow, her love will always show.
She hath my heart, I thank my lucky stars.
She hath my heart and i have hers.
She hath my heart, i long for her presence.
She hath my heart, her name is essence.
She hath my heart and forever she will.
Lifetimes will come and go, i will love her still
She hath my heart, this fact i cant conceal
Our bond is like sentiment you just cant kill
She hath my heart in times of sorrow.
She hath my heart, yesterday, today and tomorrow.
She hath my heart, my voice will sing.
She hath my heart, she makes the bell in my heart ring.
She hath my heart, in times of trouble.
She wont stumble no i will not let her crumble.
She hath my heart in each and every way
And my love for her grows with each day
She hath my heart for we were once one.
She hath my heart, the heart of the boy inside the man
I hath her heart, the heart we once shared.
Though separated in body the hearts still paired.
She hath my heart i need her near.
She hath my heart my mama dear
She hath my heart and she already knows
In a world of thorny bushes she stands out like rose
She hath my heart for she is always by my side
When the sun sets she is my light, she is my guide.
poem by Soul Child

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To a Particular Friend
“We took sweet counsel together, we went to the
house of the Lord in company.”——Psalms.
We've sat beside the forest stream,
And watch'd the bright wave rippling by,
Now flashing back the summer beam,
Then dark'ning like a half-shut eye,
As whispering to the joyous breeze,
Down closer bent the shadowing trees.
Thy hand was clasp'd in mine, my friend,
And heart to heart was answering then;
Although, perchance, our tones might send
No echo down the rocky glen—
Or if we spoke, 't was language fraught
With all the others’ voiceless thought.
Oh! it was sweet to linger there,
Beneath a sky so purely blue,
And breathe the gather'd sweets, the air
Had stolen from flowers it wander'd through—
How could there come a thought of ill
Amidst a scene so calm and still!
But yet, a holier chord than this,
Around our breasts its power hath twined;
And though, perchance, those hours of bliss
May fade, like moonlight, from the mind,
Can love aside be careless cast,
O'er which the breath of prayer hath past?
Oh, no! and though not oft we meet,
Within the house of worship now,—
The hours may come, less calm and sweet
Than those beneath the greenwood bough;
Those hearts may ne'er be wholly riven,
Which side by side have bow'd to Heaven
poem by Elizabeth Margaret Chandler from Poetical Works (1836)

Submitted by Veronica Serbanoiu
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My Cottage Home
My cottage home! my cottage home!
How beautiful it lies,
Amid its quiet loveliness,
Beneath our bright blue skies.
A stranger's eye might mark it not,
Nor deem that it was fair;—
To me it is a lovely spot,
For those I love are there.
In summer there are wild flowers round,
And the tall forest weaves
A drapery of light and shade,
With its green and pleasant leaves;
And thousand birds are pouring out,
To the gay and singing breeze,
From the wild joys of their leaping hearts,
A thousand melodies.
The shadowing of an oak's green boughs
Is flung the low roof o'er;
And clambering vines their blossoms hang
About the open door.
And round the harvest's ripening wealth
Waves in its yellow light;
And the feathery tassels of the maize
Bend gracefully and slight.
But were it thousand times more fair—
If o'er the fertile soil
Oppression shook her manacles,
And scourged the slave to toil—
To me the rudest desert wild
Were better for my home,
So never on its arid breeze
The voice of wrong might come.
But round my home, my cottage home,
The tyrant never treads,
And o'er the field's luxuriant wealth
No slave his sad tear sheds.
And were it not that I have learn'd
In other scenes to know
Of deeds of cruelty and wrong,
And of the oppress'd ones’ woe—
And were it not that still a tale
Is wafted on the air,
Telling of fearful injuries,
And anguish and despair;
I might, perchance, almost forget
The guilt and wrongs of earth,
And deem that brightness gleam'd, alone,
Around the household hearth.
But woe for man's dark cruelty!
His selfishness and pride!
For him the earth is drench'd with tears,
With human life-blood dyed.
In his own freedom glorying,
He lifts his voice on high,
While on his brother's shrinking form
His crushing fetters lie.
poem by Elizabeth Margaret Chandler from Poetical Works (1836)

Submitted by Veronica Serbanoiu
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I Feel That I am Free
To me the sky looks bluer,
And the green grass greener still,
And earth's flowers seem more lovely
As they bloom on heath and hill.
There's a beauty breathing round me
Like a newborn Eden now,
And forgotten are the furrows
Grief has graven on my brow.
There is gladness in the sunshine,
As its gold light gilds the trees,
And I hear a voice of music
Singing to me in the breeze.
There is in my heart a lightness
That seemeth not of me,
For today I've burst from bondage,
And I feel that I am free.
Free in the golden sunshine,
Free in the fresh pure air,
Where the flowers of the forest
In their wild homes flourish fair.
Free to thought to give expression,
To sing, to dance, and show
That the stern world has not crushed me
With its weary weight of woe.
Are the years of care and sorrow
But a dark dream of the past,
Or this new life but a vision
That is all too bright to last?
How exaltingly my spirit
Flashes forth its newborn glee,
As amid rejoicing nature
I can feel that I am free.
I have neither friend nor loved one
To welcome me, nor home;
And lonely through the wide world
As a stranger I must roam;
I know not where tomorrow
To procure my daily bread,
And tonight the waving branches
Must canopy my head.
But if I had a palace,
If of friends a gladsome throng,
If some darling one were near me
To cheer with love and song,
If I'd riches which were boundless,
No more joyous could I be
Than what I am, exulting
In the thought that I am free.
Free in the bright glad sunshine,
Free in the fresh pure air,
My heart with gladness throbbing,
And on my brow no care.
There's the blue sky all above me -
Not a prison roof between -
And at my feet the flowers
Nestle in the verdure green.
Hark! I hear the breezes singing -
'Lift thy heart to God on high,
Who hath brought theee back from sorrow
To this world of hope and joy.'
And the little nodding flowers
In a chorus sing to me -
'If God from sin shall free thee,
Then thou shalt indeed be free!'
poem by Owen Suffolk

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Lily-Bell and Thistledown Song I
Awake! Awake! for the earliest gleam
Of golden sunlight shines
On the rippling waves, that brightly flow
Beneath the flowering vines.
Awake! Awake! for the low, sweet chant
Of the wild-birds' morning hymn
Comes floating by on the fragrant air,
Through the forest cool and dim;
Then spread each wing,
And work, and sing,
Through the long, bright sunny hours;
O'er the pleasant earth
We journey forth,
For a day among the flowers.
Awake! Awake! for the summer wind
Hath bidden the blossoms unclose,
Hath opened the violet's soft blue eye,
And awakened the sleeping rose.
And lightly they wave on their slender stems
Fragrant, and fresh, and fair,
Waiting for us, as we singing come
To gather our honey-dew there.
Then spread each wing,
And work, and sing,
Through the long, bright sunny hours;
O'er the pleasant earth
We journey forth,
For a day among the flowers.
poem by Louisa May Alcott

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On Some Rose Leaves Brought From The Vale Of Cashmere
Faded and pale their beauty, vanished their early bloom,
Their folded leaves emit alone a sweet though faint perfume,
But, oh! than brightest bud or flower to me are they more dear,
They come from that rose-haunted land, the bright Vale of Cashmere.
Cashmere! a spell is in that name! what dreams its sound awakes
Of roses sweet as Eden’s flowers, of minarets and lakes,
Of scenes as vaguely, strangely bright as those of fairy land,
Springing to life and loveliness ’neath some enchanter’s wand!
Cashmere! poetic in its name, its clear and brilliant skies
That seem to clothe earth, flower and wave in their own lovely dyes;
Poetic in its legend lore, and spell more dear than all,
Enshrined in poet’s inmost heart, the home of “Nourmahal.”
Yes, there oft fell her fairy feet, there shone the glances bright,
That won for her the glorious name of harem’s queen and light;
There, as she wandered ’mid its bowers, her royal love beside,
She taught him to forget all else save her, his beauteous, bride.
Cashmere! what would this heart not give to see thy favored earth,
So rich in nature’s peerless gifts, in beauty’s dazzling worth,
Rich in a name that in mine ear from childhood’s hour hath rung,
The land of which impassioned Moore with such sweet power hath sung.
Yet, were I there, oh! well I know the time would surely come
When my yearning heart would turn again to my far Canadian home,
Longing to look once more upon its wintry wastes of snow,
And the friends whose hearts throb like mine own, with friendship’s changeless glow.
poem by Rosanna Eleanor Leprohon

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Blue Skies Bring Tears
Unleash the armageddon
So all the children go to heaven
I sit by quiet still
With their pictures on my eyes
You'll draw the guns your given
Write down the words as written
And never disturb the presense
Of resurrection touch
And it's about time
It's about drawing near
Blue skies bring tears
Blue skies bring tears
Blue skies bring tears
Descend the darkened stairway
Make hate with plastic playmates
And fire out remaining traces
Of your self esteem
Mainline the deepest secrets
Lick clean the dirty fingers
I am a stranger to you
As you are to yourself
And it's about time
It's about fear
Blue skies bring tears
Don't you want me (don't want you)
Cause I await cityside
We'll watch the seas start to die
Blue skies bring tears
Take me inside your body
Blue skies bring tears
Cover me with your soul
Blue skies bring tears
To the darkest reasons
Blue skies bring tears
Is where I wish to go
Blue skies bring tears
You are the sweetest flower
Blue skies bring tears
That I have ever devoured
Blue skies bring tears
I ask for nothing given
Blue skies bring tears
For nothing in return
Blue skies bring tears
Blue skies bring tears
Blue skies bring tears
Blue skies bring tears
Blue skies bring tears
Blue skies bring tears
Blue skies bring tears
Blue skies bring tears
Blue skies bring tears
Blue skies bring tears
Blue skies bring tears
Blue skies bring tears
Blue skies bring tears
Blue skies bring tears
Blue skies bring tears
Blue skies bring tears
song performed by by Smashing Pumpkins from Machina: The Machines Of God

Submitted by Lucian Velea
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The German Student’s Love-Song
I.
BY the rush of the Rhine's broad stream,
Down whose rapid tide
We sailed as in some sweet dream
Sitting side by side;
By the depth of its clear blue wave
And the vine-clad hills,
Which gazed on its heart and gave
Their tribute rills;
By the mountains, in purple shade,
And those valleys green
Where our bower of rest was made,
By the world unseen;
By the notes of the wild free bird,
Singing over-head
When nought else in the sunshine stirr'd
Round our flowery bed;
By these, and by Love's power divine,
I have no thought but what is thine!
II.
By the glance of thy radiant eyes,
Where a glory shone
That was half of the summer skies
And half their own;
By the light and yet fervent hold
Of thy gentle hand,--
(As the woodbines the flowers enfold
With their tender band
By thy voice when it breathes in song,
And the echo given
By lips that to Earth belong,
Float up to Heaven;
By the gleams on thy silken hair
At the sunset hour,
And the breadth of they forehead fair
With its thoughtful power;
By these, and by Love's soul divine,
I have no hope but what is thine!
III.
By the beauty and stilness round
When the lake's lone shore
Scarce echoed the pleasant sound
Of the distant oar;
By the moonlight which softly fell
On all objects near,
And thy whisper seemed like a spell
In thy Lover's ear;
By the dreams of the restless past,
And the hope that came
Like sunshine in shadow cast
With thy gentle name;
By the beat of thy good true heart
Where pure thoughts have birth;
By thy tears, when Fate bade us part,
And thy smiles of mirth;
By these, and by Love's power divine,
I have no hope but what is thine!
IV.
By the gloom of those holy fanes
Where the light stream'd through
Dim orange and purple panes
On the aisles below;
By the ruin'd and roofless wall
Of that castle high,
With its turrets so grey and tall
In the clear blue sky;
By beauty, because its light
Should thy portion be,
And whatever is fair and bright
Seems a part of thee;
And by darkness and blank decay,
Because they tell
What the world would be, THOU away,
Whom I love so well;
By these, and by Love's power divine,
My heart, my soul, my life, are thine!
poem by Caroline Elizabeth Sarah Norton

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The Spells Of Home
There blend the ties that strengthen
Our hearts in hours of grief,
The silver links that lengthen
Joy's visits when most brief.
BERNARD BARTON.
BY the soft green light in the woody glade,
On the banks of moss where thy childhood play'd;
By the household tree thro' which thine eye
First look'd in love to the summer-sky,
By the dewy gleam, by the very breath
Of the primrose tufts in the grass beneath,
Upon thy heart there is laid a spell,
Holy and precious oh! guard it well!
By the sleepy ripple of the stream,
Which hath lull'd thee into many a dream;
By the shiver of the ivy-leaves
To the wind of morn at thy casement-eaves,
By the bee's deep murmur in the limes,
By the music of the Sabbath-chimes,
By every sound of thy native shade,
Stronger and dearer the spell is made.
By the gathering round the winter hearth,
When twilight call'd unto household mirth;
By the fairy tale or the legend old
In that ring of happy faces told;
By the quiet hour when hearts unite
In the parting prayer and the kind 'Good-night;'
By the smiling eye and the loving tone,
Over thy life has the spell been thrown.
And bless that gift! it hath gentle might,
A guardian power and a guiding light.
It hath led the freeman forth to stand
In the mountain-battles of his land;
It hath brought the wanderer o'er the seas
To die on the hills of his own fresh breeze;
And back to the gates of his father's hall,
It hath led the weeping prodigal.
Yes! when thy heart in its pride would stray
From the pure first loves of its youth away;
When the sullying breath of the world would come
O'er the flowers it brought from its childhood's home;
Think thou again of the woody glade,
And the sound by the rustling ivy made,
Think of the tree at thy father's door,
And the kindly spell shall have power once more!
poem by Felicia Dorothea Hemans

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Ode to Melancholy
Come, let us set our careful breasts,
Like Philomel, against the thorn,
To aggravate the inward grief,
That makes her accents so forlorn;
The world has many cruel points,
Whereby our bosoms have been torn,
And there are dainty themes of grief,
In sadness to outlast the morn,—
True honor's dearth, affection's death,
Neglectful pride, and cankering scorn,
With all the piteous tales that tears
Have water'd since the world was born.
The world!—it is a wilderness,
Where tears are hung on every tree;
For thus my gloomy phantasy
Makes all things weep with me!
Come let us sit and watch the sky,
And fancy clouds, where no clouds be;
Grief is enough to blot the eye,
And make heaven black with misery.
Why should birds sing such merry notes,
Unless they were more blest than we?
No sorrow ever chokes their throats,
Except sweet nightingale; for she
Was born to pain our hearts the more
With her sad melody.
Why shines the Sun, except that he
Makes gloomy nooks for Grief to hide,
And pensive shades for Melancholy,
When all the earth is bright beside?
Let clay wear smiles, and green grass wave,
Mirth shall not win us back again,
Whilst man is made of his own grave,
And fairest clouds but gilded rain!
I saw my mother in her shroud,
Her cheek was cold and very pale;
And ever since I've look'd on all
As creatures doom'd to fail!
Why do buds ope except to die?
Ay, let us watch the roses wither,
And think of our loves' cheeks;
And oh! how quickly time doth fly
To bring death's winter hither!
Minutes, hours, days, and weeks,
Months, years, and ages, shrink to nought;
An age past is but a thought!
Ay, let us think of Him awhile
That, with a coffin for a boat,
Rows daily o'er the Stygian moat,
And for our table choose a tomb:
There's dark enough in any skull
To charge with black a raven plume;
And for the saddest funeral thoughts
A winding-sheet hath ample room,
Where Death, with his keen-pointed style,
Hath writ the common doom.
How wide the yew-tree spreads its gloom,
And o'er the dead lets fall its dew,
As if in tears it wept for them,
The many human families
That sleep around its stem!
How cold the dead have made these stones,
With natural drops kept ever wet!
Lo! here the best—the worst—the world
Doth now remember or forget,
Are in one common ruin hurl'd,
And love and hate are calmly met;
The loveliest eyes that ever shone,
The fairest hands, and locks of jet.
Is't not enough to vex our souls,
And fill our eyes, that we have set
Our love upon a rose's leaf,
Our hearts upon a violet?
Blue eyes, red cheeks, are frailer yet;
And sometimes at their swift decay
Beforehand we must fret.
The roses bud and bloom, again;
But Love may haunt the grave of Love,
And watch the mould in vain.
O clasp me, sweet, whilst thou art mine,
And do not take my tears amiss;
For tears must flow to wash away
A thought that shows so stern as this:
Forgive, if somewhile I forget,
In woe to come, the present bliss;
As frighted Proserpine let fall
Her flowers at the sight of Dis,
Ev'n so the dark and bright will kiss.
The sunniest things throw sternest shade,
And there is ev'n a happiness
That makes the heart afraid!
Now let us with a spell invoke
The full-orb'd moon to grieve our eyes;
Not bright, not bright, but, with a cloud
Lapp'd all about her, let her rise
All pale and dim, as if from rest
The ghost of the late-buried sun
Had crept into the skies.
The Moon! she is the source of sighs,
The very face to make us sad;
If but to think in other times
The same calm quiet look she had,
As if the world held nothing base,
Of vile and mean, of fierce and bad;
The same fair light that shone in streams,
The fairy lamp that charmed the lad;
For so it is, with spent delights
She taunts men's brains, and makes them mad.
All things are touch'd with Melancholy,
Born of the secret soul's mistrust,
To feel her fair ethereal wings
Weigh'd down with vile degraded dust;
Even the bright extremes of joy
Bring on conclusions of disgust,
Like the sweet blossoms of the May,
Whose fragrance ends in must.
O give her, then, her tribute just,
Her sighs and tears, and musings holy;
There is no music in the life
That sounds with idiot laughter solely;
There's not a string attuned to mirth,
But has its chord in Melancholy.
poem by Thomas Hood

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Imitation Of Spenser
Now Morning from her orient chamber came,
And her first footsteps touch'd a verdant hill;
Crowning its lawny crest with amber flame,
Silv'ring the untainted gushes of its rill;
Which, pure from mossy beds, did down distill,
And after parting beds of simple flowers,
By many streams a little lake did fill,
Which round its marge reflected woven bowers,
And, in its middle space, a sky that never lowers.
There the king-fisher saw his plumage bright
Vieing with fish of brilliant dye below;
Whose silken fins, and golden scales' light
Cast upward, through the waves, a ruby glow:
There saw the swan his neck of arched snow,
And oar'd himself along with majesty;
Sparkled his jetty eyes; his feet did show
Beneath the waves like Afric's ebony,
And on his back a fay reclined voluptuously.
Ah! could I tell the wonders of an isle
That in that fairest lake had placed been,
I could e'en Dido of her grief beguile;
Or rob from aged Lear his bitter teen:
For sure so fair a place was never seen,
Of all that ever charm'd romantic eye:
It seem'd an emerald in the silver sheen
Of the bright waters; or as when on high,
Through clouds of fleecy white, laughs the cœrulean sky.
And all around it dipp'd luxuriously
Slopings of verdure through the glossy tide,
Which, as it were in gentle amity,
Rippled delighted up the flowery side;
As if to glean the ruddy tears, it tried,
Which fell profusely from the rose-tree stem!
Haply it was the workings of its pride,
In strife to throw upon the shore a gem
Outviewing all the buds in Flora's diadem.
poem by John Keats

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The Spanish Chapel
I made a mountain-brook my guide
Thro' a wild Spanish glen,
And wandered, on its grassy side,
Far from the homes of men.
It lured me with a singing tone,
And many a sunny glance,
To a green spot of beauty lone,
A haunt for old romance.
A dim and deeply-bosom'd grove
Of many an aged tree,
Such as the shadowy violets love,
The fawn and forest-bee.
The darkness of the chestnut bough
There on the waters lay,
The bright stream reverently below,
Check'd its exulting play;
And bore a music all subdued,
And led a silvery sheen,
On thro' the breathing solitude
Of that rich leafy scene.
For something viewlessly around
Of solemn influence dwelt,
In the soft gloom and whispery sound,
Not to be told, but felt;
While sending forth a quiet gleam
Across the wood's repose,
And o'er the twilight of the stream,
A lowly chapel rose.
A pathway to that still retreat
Thro' many a myrtle wound,
And there a sight–how strangely sweet!
My steps in wonder bound.
For on a brilliant bed of flowers,
Even at the threshold made,
As if to sleep thro' sultry hours,
A young fair child was laid.
To sleep?–oh! ne'er on childhood's eye,
And silken lashes press'd,
Did the warm living slumber lie,
With such a weight of rest!
Yet still a tender crimson glow
Its cheek's pure marble dyed–
'Twas but the light's faint streaming flow
Thro' roses heap'd beside.
I stoop'd–the smooth round arm was chill,
The soft lip's breath was fled,
And the bright ringlets hung so still–
The lovely child was dead!
'Alas!' I cried, 'fair faded thing!
Thou hast wrung bitter tears,
And thou hast left a wo, to cling
Round yearning hearts for years!'
But then a voice came sweet and low–
I turn'd, and near me sate
A woman with a mourner's brow,
Pale, yet not desolate.
And in her still, clear, matron face,
All solemnly serene,
A shadow'd image I could trace
Of that young slumberer's mien.
'Stranger! thou pitiest me,' she said,
With lips that faintly smil'd,
'As here I watch beside my dead,
My fair and precious child.
'But know, the time-worn heart may be
By pangs in this world riven,
Keener than theirs who yield, like me,
An angel thus to Heaven!'
poem by Felicia Dorothea Hemans

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To Chloe Weeping
See, whilst Thou weep'st, fair Cloe, see
The World in Sympathy with Thee.
The chearful Birds no longer sing,
Each drops his Head, and hangs his Wing.
The Clouds have bent their Bosom lower,
And shed their Sorrows in a Show'r.
The Brooks beyond their Limits flow;
And louder Murmurs speak their Woe.
The Nymphs and Swains adopt Thy Cares:
They heave Thy Sighs, and weep Thy Tears.
Fantastic Nymph! that Grief should move
Thy Heart, obdurate against Love.
Strange Tears! whose Pow'r can soften All,
But That dear Breast on which they fall.
poem by Matthew Prior

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The Prince's Day
Though dark are our sorrows, today we'll forget them,
And smile through our tears, like a sunbeam in showers:
There never were hearts, if our rulers would let them,
More form'd to be grateful and blest than ours.
But just when the chain,
Has ceased to pain,
And hope has enwreathed it round with flowers,
There comes a new link,
Our spirits to sink --
Oh! the joy that we taste, like the light of the poles,
Is a flash amid darkness, too brilliant to stay;
But, though 'twere the last little spark in our souls,
We must light it up now, on our Prince's Day.
Contempt on the minion who calls you disloyal!
Though fierce to your foe, to your friends you are true;
And the tribute most high to a head that is royal,
Is love from a heart that loves liberty too.
While cowards, who blight
Your fame, your right,
Would shrink from the blaze of the battle array,
The Standard of Green
In front would be seen --
Oh, my life on your faith! were you summon'd this minute,
You'd cast every bitter remembrance away,
And show what the arm of old Erin has in it,
When roused by the foe, on her Prince's Day.
He loves the Green Isle, and his love is recorded
In hearts which have suffer'd too much to forget;
And hope shall be crown'd, and attachment rewarded,
And Erin's gay jubileee shine out yet.
The gem may be broke
By many a stroke,
But nothing can cloud its native ray;
Each fragment will cast
A light to the last --
And thus, Erin, my country, though broken thou art,
There's lustre wiithin thee, that ne'er will decay;
A spirit which beams through each suffering part,
And now smiles at all pain on the Prince's Day.
poem by Thomas Moore

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On The Purple And White Carnation
'TWAS a bright May morn, and each opening flower
Lay sunning itself in Flora's bower;
Young Love, who was fluttering round, espied
The blossoms so gay in their painted pride;
And he gazed on the point of a feathered dart,
For mischief had filled the boy-god's heart;
And laughed as his bowstring of silk he drew,
And away that arrow at random flew:
Onward it sped like a ray of light,
And fell on a flower of virgin white,
Which glanced all snowy and pure at the sun,
And wept when his glorious course was run:
Two little drops on its pale leaves lay
Pure as pearls, but with diamond ray,
(Like the tear on Beauty's lid of snow,
Which waits but Compassion to bid it flow
It rested, that dart; and its pointed tip
Sank deep where the bees were wont to sip;
And the sickening flower gazed with grief
On the purple stains which dimmed each leaf,
And the crystal drops on its leaves that stood
Blushed with sorrow and shame till they turned to blood.
It chanced that Flora, wandering by,
Beheld her flow'ret droop and die;
And Love laughed in scorn at the flower-queen's woe,
As she vainly shook its leaves of snow.
Fled from her lip was the smile of light :--
'Oh! who hath worked thee this fell despite!
Thou who did'st harm, alas! to none,
But joyed'st all day in the beams of the sun!'
''Twas Love!' said the flower, and a scented sigh
Loaded the gale that murmured by.
'Twas Love! and the dew-drops that blushed on the wound
Sank slow and sad to the pitying ground.
''Twas Love!' said Flora: 'accursed be the power
That could blight the bloom of so fair a flower.
With whispers and smiles he wins Beauty's ears,
But he leaves her nothing save grief and tears.
Ye gods! shall he bend with such tyranny still
The weak and the strong to his wanton will?
No! the hearts that he joins may rude discord sever;
Accursed be his power for ever and ever.'
She spoke, and wept; and the echo again
Repeated the curse, but all in vain--
The tyrant laughed as he fluttered away,
Spreading his rainbow wings to the day,
And settling at random his feathered darts
To spoil sweet flowers, or break fond hearts.
He fled--and the queen o'er her flower in vain
Poured the evening dew and the April rain,
The purple spots on her heart still were.
And she said, as she wept her fruitless care,
'The blight and the stain may be washed away,
But what Love hath ruined must sink in decay.'
And she sent it on earth, to dwell below
In the autumn fog and the winter snow.
And even, 'tis said, on summer eves
O'er that sad lost flower she wails and grieves;
And the drops that by mortals as dew are seen
Are the tears of the mourning flower-queen.
And when men are gazing with fond delight
On its varied leaves, and call them bright,
And praise the velvet tints, and say
There never was flower more pure and gay:
That flow'ret says, as it droops its head,
'Alas! for the day when by love I bled;
When my feathery flowers were pure and white,
And my leaves had no earthly stain or blight,
When no chilling blasts around me blew,
And in Flora's garden of light I grew.
Oh! the blight and the stain may be washed away,
But what Love hath ruined must sink in decay.'
poem by Caroline Elizabeth Sarah Norton

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Kindred Hearts
OH! ask not, hope thou not too much
Of sympathy below;
Few are the hearts whence one same touch
Bids the sweet fountains flow:
Few-and by still conflicting powers
Forbidden here to meet-
Such ties would make this life of ours
Too fair for aught so fleet.
It may be that thy brother's eye
Sees not as thine, which turns
In such deep reverence to the sky,
Where the rich sunset burns:
It may be, that the breath of spring,
Born amidst violets lone,
A rapture o'er thy soul can bring
A dream, to his unknown.
The tune that speaks of other times-
A sorrowful delight!
The melody of distant chimes,
The sound of waves by night,
The wind that, with so many a tone,
Some chord within can thrill,-
These may have language all thine own,
To him a mystery still.
Yet scorn thou not, for this, the true
And steadfast love of years;
The kindly, that from childhood grew,
The faithful to thy tears!
If there be one that o'er the dead
Hath in thy grief borne part,
And watch'd through sickness by thy bed,-
Call his a kindred heart!
But for those bonds all perfect made,
Wherein bright spirits blend,
Like sister flowers of one sweet shade,
With the same breeze that bend,
For that full bliss of thought allied,
Never to mortals given,-
Oh! lay thy lovely dreams aside,
Or lift them unto Heaven.
poem by Felicia Dorothea Hemans

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To My Cousin
Come out with me into the moonlight, coz!
Fling by that page of romance—the hot breath
Of the dim taper, ill befits an eve
So beautiful as this—I know there is
A deep bewildering interest in that tale;
For the low drooping head, the parted lip,
The feverish glow that brightens cheek and eye,
And the light finger press'd upon the page,
As if that volume were the magic link
That bound thee to illusion—all proclaim
The spell that hath enchain'd thee. Yet come out,
And I will show thee full as bright a page,
And one where thou may'st read as wild a tale
Of love and chivalry, as that from which
My voice hath won thee.—Is it not, sweet coz,
A most delicious night? and how could I
Gaze upward on that moon, and thou not here—
Our arms entwining thus—and the light touch
Of those soft fingers resting upon mine,
That I may feel their gentle pressure tell
Thy voiceless feelings—when I turn to say
“How very beautiful!”—It is a night
For Poetry—and the low breeze comes by
As 't were a holy whisper, sent to quell
The spirit's fever.—We will fling aside
Like a dull robe the thought of present things,
And wrap ourselves in dreams.
And yet 't is not
A scene like that we gazed on when yon moon
Last moved, so empress-like, across the sky—
Nay, thou rememberest—I know it well
By the curl'd lip turn'd towards me with a smile
Of recollected pleasure: yet again
Look towards yon concave: other eyes than ours
Are gazing on that orb, and kindly lips
Perchance are naming us.
Did we not say
Yon planet should be written, like a book,
With cherish'd memories?—and when the hour
Of her arising came, that we would think
On those from whom we parted?—Look, Annette!
Couldst thou not fancy that a friendly eye
Was smiling on thee from the distant sphere?
Nay, laugh not, cousin,—'t was a silly thought!—
But who would fetter fancy's wildest wing
Upon a night like this? The very light
That falls around us hath a dreamy spell,
And gives the scene a dim unreal shade,
Like a forgotten thought come back again.
It is most beautiful! yet on the heart
The sense of pleasure presses, with a weight
That half hath started tears—'t is strange that even
Our happiness should be so link'd with pain!
And beauty—perfect beauty—only wake
The knowledge that our spirits are too weak,
To feel it in its full deep blessedness!
Didst never wish to be an angel, coz?
That thou might understand the pencilling
Writ on the sunset sky—and send abroad
A soul unfetter'd on a night like this!
Well, let us wander on—did I not say
I knew a history of the olden time,
That I would tell to thee?—we should have been
Beneath our grape-vine bower—thou know'st it, love,
And I thine own true knight to sing thee,
While thou didst touch the lute—
But 't is not so—
And while I tell the tale of which I spake,
If I can win from thee one gentle sigh,
I will not ask for music!—
'T was a night
Moon-lit, and calm, and beautiful,—like this;
Music was swelling out, upon the breeze,
From a gay festive hall—and starry lamps
Flung out their perfumed splendour upon brows
Of alabaster whiteness, and dark hair
Enwreathed with dazzling gems: light forms went by
Graceful and fairy-like, amid the dance,
Beside a nation's chivalry—and songs
Melted away in liquid melody
From rosy lips, and the gay laugh broke forth;
Or, when the ancient minstrel breathed some tale
Of love and sadness, gentle tears fell forth
From eyes that shone more lovely through their mist
But there was one, had stolen from that scene
Of smiles and joyousness, to where the moon
Look'd downward, silently, through jasmine leaves,
And the low night-breeze kiss'd the drooping bells
Of the sweet clematis.
And there she stood—
Her head bent slightly back, and the long fringe
Of her dark melancholy eye raised up
And laid against her brow, as if her soul
Were lifted in that long deep glance to Heaven!
Her cheek was pale—so pale, that its faint tinge
Of lingering carmine scarce sufficed to tell
That the slight form, round which the white robes fell
So gracefully, was not in very deed
A sculptor's form of beauty—her dark hair
Was carelessly thrown backward, and her hand
Twisted among its tresses, look'd as 't were
A wandering moon-beam—'t was so delicate!
A deeper sadness gather'd on the brow,
The queenly brow, of that young worshipper,
Until it droop'd upon her breast, and tears
Came crowding to her eyelids. Could it be
That grief had paled a cheek so beautiful?
That gush of tears went by—and she raised up
Her forehead to the breeze, and touch'd the lute,
That lay beside her, to a mournful strain,
The while she sung to it:—
“This faded cheek, this faded cheek,
Pale lip and alter'd brow,
Are all the outward signs that speak
The love I bear thee now.
I name thee not amid the halls,
Where mirthful glances shine;
But not one tear in secret falls,
That is not truly thine.
“They told me, that the vows we spake
Were soon forgot by thee;
But though my heart, perchance, may break,
'T will ne'er be false to thee.
Nor would'st thou, dearest, all so soon
That one deep vow forget,
The first, the last, the only one,
That told our hearts had met.
”They told me thou wast false, that pride
Might dry my burning tears,
When I should learn that thou hadst died
Amid thine early years.
They did not know how deeply dear
Was every thought of thee,
More fondly, truly, cherish'd here,
Than living love could be.”
The strain was hush'd—A rustle midst the leaves
Hath caught the maiden's ear, and a low voice
Whisper'd the name of “Eva!” Could it be
That the dark grave had given up its dead?
Or was that breath a summons from the land
Of parted spirits? But a moment more,
And her own knight was kneeling at her feet—
Her head fell on his bosom—hours past on,
And when the gray dawn made a pause amid
The mirth of their gay revelling, they came
To seek that absent one,—and both were there,
Silent and motionless as they had sunk,
When the first shock was over—one in death,
And one in cold despair!
poem by Elizabeth Margaret Chandler from Poetical Works (1836)

Submitted by Veronica Serbanoiu
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The Bird's Release
Go forth, for she is gone!
With the golden light of her wavy hair,
She is gone to the fields of the viewless air;
She hath left her dwelling lone!
Her voice hath pass'd away!
It hath pass'd away like a summer breeze,
When it leaves the hills for the far blue seas,
Where we may not trace its way.
Go forth, and like her be free!
With thy radiant wing, and thy glancing eye,
Thou hast all the range of the sunny sky,
And what is our grief to thee?
Is it aught ev'n to her we mourn?
Doth she look on the tears by her kindred shed?
Doth she rest with the flowers o'er her gentle head,
Or float on the light wind borne?
We know not-but she is gone!
Her step from the dance, her voice from the song,
And the smile of her eye from the festal throng;-
-She hath left her dwelling lone!
When the waves at sunset shine,
We may hear thy voice, amidst thousands more,
In the scented woods of our glowing shore,
But we shall not know 'tis thine!
Ev'n so with the lov'd one flown!
Her smile in the starlight may wander by,
Her breath may be near in the wind's low sigh,
Around us-but all unknown.
Go forth, we have loos'd thy chain!
We may deck thy cage with the richest flowers,
Which the bright day rears in our eastern bowers,
But thou wilt not be lur'd again.
Ev'n thus may the summer pour
All fragrant things on the land's green breast,
And the glorious earth like a bride be dress'd,
But it wins her back no more!
poem by Felicia Dorothea Hemans

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The Sylvan Grave
Lay me not, when I die, in the place of the dead,
With the dwellings of men round my resting place spread,
But amidst the still forest, unseen and alone,
Where the waters go by with a murmuring tone;
Where the wild bird above me may wave its dark wing,
And the flowers I have loved from my ashes may spring;
Where affection's own blossom may lift its blue eye,
With an eloquent glance from the place where I lie.
Let the rose and the woodbine be there, to enwreath
A bright chaplet of bloom for the pale brow of death;
And the clover's red blossom be seen, that the hum
Of the honey-bee's wing, may for requiem come:
And when those I have loved, ‘midst the changes of earth,
The clouds of its sorrow, its sunshine of mirth,
Shall visit the spot where my cold relics lie,
And gaze on its flowers with a tear-moisten'd eye—
Let them think that my spirit still sometimes is there,
My breath the light zephyr that twines in their hair,
And these flowers, in their fragrance, a memory be,
To tell them thus sweet was their friendship to me.
poem by Elizabeth Margaret Chandler from Poetical Works (1836)

Submitted by Veronica Serbanoiu
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The Slave
It was a glorious sunset hour:—a scent
Of rich perfume, from many a twisted wreath
Of summer blossoms, clustering in their wild
And free profusion, ‘neath a southern sky,
Came on the evening breeze, and streams went by
With a glad tone, and the hush'd birds came forth
From the thick woods, and lifted up the voice
Of their hearts’ mirthful music. Painted wings
Were fluttering on the breeze, and the bees’ hum
Made a glad melody.—
At a hill's foot,
Beside a gushing stream, and ‘neath a clump
Of close embowering trees, there stood a cot,
At whose low door a mother sung to rest,
With a sad lullaby, her infant boy.
I.
These southern climes are bright, are bright,
With their gorgeous summer flowers!
But I would my head might rest to-night
In my own loved native bowers:
They say this land is proudly blest
All other lands above,
But afar from here is the spot, that best
In the wide, wide world I love.
II.
It may want the perfumed airs of this,
It may want the glorious clime—
But there is the thought of all the bliss
Of my happy childhood's time.
Better to roam ‘neath burning skies,
Upon wastes of desert sand,
Than to load the air with slavery's sighs,
And to wear on your heart its brand.
III.
Rest, love, and sleep—for thine infant years
Are a dream that knows no sorrow;
Too soon wilt thou waken to bitter tears,
When manhood shall come like the morrow.
Rest, love, rest!—for thou know'st not yet,
What a fearful doom is o'er thee!
That the name of slave on thy brow is set,
And a life of woe before thee.
poem by Elizabeth Margaret Chandler from Poetical Works (1836)

Submitted by Veronica Serbanoiu
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