Mary and Gabriel
Young Mary, loitering once her garden way,
Felt a warm splendour grow in the April day,
As wine that blushes water through. And soon,
Out of the gold air of the afternoon,
One knelt before her: hair he had, or fire,
Bound back above his ears with golden wire,
Baring the eager marble of his face.
Not man's nor woman's was the immortal grace
Rounding the limbs beneath that robe of white,
And lighting the proud eyes with changeless light,
Incurious. Calm as his wings, and fair,
That presence filled the garden.
She stood there,
Saying, 'What would you, Sir?'
He told his word,
'Blessed art thou of women!' Half she heard,
Hands folded and face bowed, half long had known,
The message of that clear and holy tone,
That fluttered hot sweet sobs about her heart;
Such serene tidings moved such human smart.
Her breath came quick as little flakes of snow.
Her hands crept up her breast. She did but know
It was not hers. She felt a trembling stir
Within her body, a will too strong for her
That held and filled and mastered all. With eyes
Closed, and a thousand soft short broken sighs,
She gave submission; fearful, meek, and glad. . . .
She wished to speak. Under her breasts she had
Such multitudinous burnings, to and fro,
And throbs not understood; she did not know
If they were hurt or joy for her; but only
That she was grown strange to herself, half lonely,
All wonderful, filled full of pains to come
And thoughts she dare not think, swift thoughts and dumb,
Human, and quaint, her own, yet very far,
Divine, dear, terrible, familiar . . .
Her heart was faint for telling; to relate
Her limbs' sweet treachery, her strange high estate,
Over and over, whispering, half revealing,
Weeping; and so find kindness to her healing.
'Twixt tears and laughter, panic hurrying her,
She raised her eyes to that fair messenger.
He knelt unmoved, immortal; with his eyes
Gazing beyond her, calm to the calm skies;
Radiant, untroubled in his wisdom, kind.
His sheaf of lilies stirred not in the wind.
How should she, pitiful with mortality,
Try the wide peace of that felicity
With ripples of her perplexed shaken heart,
And hints of human ecstasy, human smart,
And whispers of the lonely weight she bore,
And how her womb within was hers no more
And at length hers?
Being tired, she bowed her head;
And said, "So be it!"
The great wings were spread
Showering glory on the fields, and fire.
The whole air, singing, bore him up, and higher,
Unswerving, unreluctant. Soon he shone
A gold speck in the gold skies; then was gone.
The air was colder, and grey. She stood alone.
poem by Rupert Brooke (1912)
Submitted by Veronica Serbanoiu
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Related quotes
Life's Hebe
IN the early morning-shine
Of a certain day divine,
I beheld a Maiden stand
With a pitcher in her hand;
Whence she poured into a cup
Until it was half filled up
Nectar that was golden light
In the cup of crystal bright.
And the first who took the cup
With pure water filled it up;
As he drank then, it was more
Ruddy golden than before:
And he leapt and danced and sang
As to Bacchic cymbals’ clang.
But the next who took the cup
With the red wine filled it up;
What he drank then was in hue
Of a heavy sombre blue:
First he reeled and then he crept,
Then lay faint but never slept.
And the next who took the cup
With the white milk filled it up;
What he drank at first seemed blood,
Then turned thick and brown as mud:
And he moved away as slow
As a weary ox may go.
But the next who took the cup
With sweet honey filled it up;
Nathless that which he did drink
Was thin fluid black as ink:
As he went he stumbled, soon,
And lay still in deathlike swoon.
She the while without a word
Unto all the cup preferred;
Blandly smiled and sweetly laughed
As each mingled his own draught.
And the next who took the cup
To the sunshine held it up,
Gave it back and did not taste;
It was empty when replaced:
First he bowed a reverent bow,
Then he kissed her on the brow.
But the next who took the cup
Without mixture drank it up;
When she took it back from him
It was full unto the brim:
He with a right bold embrace
Kissed her sweet lips face to face.
Then she sang with blithest cheer:
Who has thirst, come here, come here!
Nectar that is golden light
In the cup of crystal bright,
Nectar that is sunny fire
Warm as warmest heart’s desire:
Pitcher never lacketh more,
Arm is never tired to pour:
Honey, water, milk, or wine
Mingle with the draught divine,
Drink it pure, or drink it not;
Each is free to choose his lot:
Am I old? or am I cold?
Only two have kissed me bold!
She was young and fair and gay
As that young and glorious day.
poem by James Thomson
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A Brown Study
LET them sing of their primrose and cowslip,
Their daffodil-gold-coloured hair,
Their bluebells, blue eyes, and white violets,
All the pale dreamy things they find fair;
Give me stir of brown leaves in the sunshine,
The whir of brown wings through the wheat,
The rush of brown hares through the clover,
And the light in brown eyes of my sweet!
Gold hair? Well, I never could love it,
Yet gold, I suppose, has its worth;
The head that I love is as dusky
As the breast of our mother, the earth;
With a gleam like the shine of wet seaweed,
Round pools that the tide has left clear,
And warm like the breast of a linnet,
And as brown, is the hair of my dear.
From the edge of the cliff we look downwards
On the shore, and the bay, and the town,
And brown is the short turf we lean on,
The fishing-boats' sails are all brown:
The sky may be blue--that's the background,--
But the picture itself, to be fair,
However it's shaded and varied,
Should be brown as the dress that you wear.
A lark bursts to sudden sweet singing--
That tuft of brown grass is his home--
And now, a brown speck, he is rising
Against the clear windy sky-dome;
And he sings--how I know? Love instructs me
To know all his notes, what they mean--
That it isn't the colour I care for,
But yourself, oh, my gipsy, my queen!
Ah! the lark knows my heart--I his language;
It's my heart he sings out to the skies;
It is you that I love, and what matter
The colour of hair or of eyes?
No doubt I should love you as dearly
Were your hair like an apricot's down,
And your eyes like the grey of the morning;
But I'm glad, all the same, that they're brown.
poem by Edith Nesbit
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An Evening Walk in Spring
IT was but some few nights ago
I wandered down this quiet lane;
I pray that I may never know
The feelings then I felt, again.
The leaves were shining all about,
You might almost have seen them springing;
I heard the cuckoo’s simple shout,
And all the little birds were singing.
It was not dull, the air was clear,
All lovely sights and sounds to deal,
My eyes could see, my ears could hear,
Only my heart, it would not feel;
And yet that it should not be so,
My mind kept telling me within;
Though nought was wrong that I did know,
I thought I must have done some sin.
For I am sure as I can be,
That they who have been wont to look
On all in Nature’s face they see,
Even as in the Holy Book;
They who with pure and humble eyes
Have gazed and read her lessons high,
And taught their spirits to be wise
In love and human sympathy,—
That they can soon and surely tell
When aught has gone amiss within,
When the mind is not sound and well,
Nor the soul free from taint of sin.
For as God’s Spirit from above,
So Beauty is to them below,
And when they slight that holy love,
Their hearts that presence may not know.
So I turned home the way I came,
With downcast looks and heavy heart,
A guilty thing and full of shame,
With a dull grief that had no smart.
It chanced when I was nearly there
That all at once I raised my eyes—
Was it a dream, or vision rare,
That then they saw before them rise?
I see it now, before me here,
As often, often I have done,
As bright as it could then appear,
All shining in the setting sun.
Elms, with their mantling foliage spread,
And tall dark poplars rising out,
And blossomed orchards, white and red,
Cast, like a long low fence, about;
And in the midst the grey church-tower,
With one slight turret at its side,
Bringing to mind with silent power
Those thousand homes the elm-trees hide.
And then there came the thought of one
Who on his bed of sickness lay,
Whilst I beneath the setting sun
Was dreaming this sweet hour away.
I thought of hearts for him that beat,
Of aching eyes their watch that kept;
The sister’s and the mother’s seat—
And oh! I thought I should have wept.
And oh, my spirit melted then,
The weight fell off me that I bore,
And now I felt in truth again
The lovely things that stood before.
O blessed, blessed scene, to thee,
For that thy sweet and softening power,
I could have fallen upon my knee,
Thy stately elms, thy grey church-tower.
So then I took my homeward way,
My heart in sweet and holy frame,
With spirit, I may dare to say,
More good and soft than when I came.
poem by Arthur Hugh Clough
Submitted by Veronica Serbanoiu
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Hermaphroditus
I.
LIFT UP thy lips, turn round, look back for love,
Blind love that comes by night and casts out rest;
Of all things tired thy lips look weariest,
Save the long smile that they are wearied of.
Ah sweet, albeit no love be sweet enough,
Choose of two loves and cleave unto the best;
Two loves at either blossom of thy breast
Strive until one be under and one above.
Their breath is fire upon the amorous air,
Fire in thine eyes and where thy lips suspire:
And whosoever hath seen thee, being so fair,
Two things turn all his life and blood to fire;
A strong desire begot on great despair,
A great despair cast out by strong desire.
II.
Where between sleep and life some brief space is,
With love like gold bound round about the head,
Sex to sweet sex with lips and limbs is wed,
Turning the fruitful feud of hers and his
To the waste wedlock of a sterile kiss;
Yet from them something like as fire is shed
That shall not be assuaged till death be dead,
Though neither life nor sleep can find out this.
Love made himself of flesh that perisheth
A pleasure-house for all the loves his kin;
But on the one side sat a man like death,
And on the other a woman sat like sin.
So with veiled eyes and sobs between his breath
Love turned himself and would not enter in.
III.
Love, is it love or sleep or shadow or light
That lies between thine eyelids and thine eyes?
Like a flower laid upon a flower it lies,
Or like the night’s dew laid upon the night.
Love stands upon thy left hand and thy right,
Yet by no sunset and by no moonrise
Shall make thee man and ease a woman’s sighs,
Or make thee woman for a man’s delight.
To what strange end hath some strange god made fair
The double blossom of two fruitless flowers?
Hid love in all the folds of all thy hair,
Fed thee on summers, watered thee with showers,
Given all the gold that all the seasons wear
To thee that art a thing of barren hours?
IV.
Yea, love, I see; it is not love but fear.
Nay, sweet, it is not fear but love, I know;
Or wherefore should thy body’s blossom blow
So sweetly, or thine eyelids leave so clear
Thy gracious eyes that never made a tear—
Though for their love our tears like blood should flow,
Though love and life and death should come and go,
So dreadful, so desirable, so dear?
Yea, sweet, I know; I saw in what swift wise
Beneath the woman’s and the water’s kiss
Thy moist limbs melted into Salmacis,
And the large light turned tender in thine eyes,
And all thy boy’s breath softened into sighs;
But Love being blind, how should he know of this?
Au Musée du Louvre, Mars 1863.
poem by Algernon Charles Swinburne
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The Golden Wedding Of Sterling And Sarah Lanier, September 27, 1868.
By the Eldest Grandson.
A rainbow span of fifty years,
Painted upon a cloud of tears,
In blue for hopes and red for fears,
Finds end in a golden hour to-day.
Ah, YOU to our childhood the legend told,
'At the end of the rainbow lies the gold,'
And now in our thrilling hearts we hold
The gold that never will pass away.
Gold crushed from the quartz of a crystal life,
Gold hammered with blows of human strife,
Gold burnt in the love of man and wife,
Till it is pure as the very flame:
Gold that the miser will not have,
Gold that is good beyond the grave,
Gold that the patient and the brave
Amass, neglecting praise and blame.
O golden hour that caps the time
Since, heart to heart like rhyme to rhyme,
You stood and listened to the chime
Of inner bells by spirits rung,
That tinkled many a secret sweet
Concerning how two souls should meet,
And whispered of Time's flying feet
With a most piquant silver tongue.
O golden day, -- a golden crown
For the kingly heads that bowed not down
To win a smile or 'scape a frown,
Except the smile and frown of Heaven!
Dear heads, still dark with raven hair;
Dear hearts, still white in spite of care;
Dear eyes, still black and bright and fair
As any eyes to mortals given!
Old parents of a restless race,
You miss full many a bonny face
That would have smiled a filial grace
Around your Golden Wedding wine.
But God is good and God is great.
His will be done, if soon or late.
Your dead stand happy in yon Gate
And call you blessed while they shine.
So, drop the tear and dry the eyes.
Your rainbow glitters in the skies.
Here's golden wine: young, old, arise:
With cups as full as our souls, we say:
'Two Hearts, that wrought with smiles through tears
This rainbow span of fifty years,
Behold how true, true love appears
True gold for your Golden Wedding day!'
poem by Sidney Lanier
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My Irish Love
Beside the saffron of a curtain, lit
With broidered flowers, below a golden fringe
That on her silver shoulder made a glow,
Like the sun kissing lilies in the dawn;
She sat--my Irish love--slim, light and tall.
Between his mighty paws her stag-hound held,
(Love-jealous he) the foam of her pale robes,
Rare laces of her land, and his red eyes,
Half lov'd me, grown familiar at her side,
Half pierc'd me, doubting my soul's right to stand
His lady's wooer in the courts of Love.
Above her, knitted silver, fell a web
Of light from waxen tapers slipping down,
First to the wide-winged star of em'ralds set
On the black crown with its blue burnish'd points
Of raven light; thence, fonder, to the cheek
O'er which flew drifts of rose-leaves wild and rich,
With lilied pauses in the wine-red flight;
For when I whispered, like a wind in June,
My whisper toss'd the roses to and fro
In her dear face, and when I paus'd they lay
Still in her heart. Then lower fell the light.
A silver chisel cutting the round arm
Clear from the gloom; and dropped like dew
On the crisp lily, di'mond clasp'd, that lay
In happy kinship on her pure, proud breast,
And thence it sprang like Cupid, nimble-wing'd,
To the quaint love-ring on her finger bound
And set it blazing like a watch-fire, lit
To guard a treasure. Then up sprang the flame
Mad for her eyes, but those grey worlds were deep
In seas of native light: and when I spoke
They wander'd shining to the shining moon
That gaz'd at us between the parted folds
Of yellow, rich with gold and daffodils,
Dropping her silver cloak on Innisfail.
O worlds, those eyes! there Laughter lightly toss'd
His gleaming cymbals; Large and most divine
Pity stood in their crystal doors with hands
All generous outspread; in their pure depths
Mov'd Modesty, chaste goddess, snow-white of brow,
And shining, vestal limbs; rose-fronted stood
Blushing, yet strong; young Courage, knightly in
His virgin arms, and simple, russet Truth
Play'd like a child amongst her tender thoughts--
Thoughts white as daisies snow'd upon the lawn.
Unheeded, Dante on the cushion lay,
His golden clasps yet lock'd--no poet tells
The tale of Love with such a wizard tongue
That lovers slight dear Love himself to list.
Our wedding eve, and I had brought to her
The jewels of my house new set for her
(As I did set the immemorial pearl
Of our old honour in the virgin gold
Of her high soul) with grave and well pleased eyes,
And critic lips, and kissing finger tips,
She prais'd the bright tiara and its train
Of lesser splendours--nor blush'd nor smil'd:
They were but fitting pages to her state,
And had no tongues to speak between our souls.
But I would have her smile ripe for me then,
Swift treasure of a moment--so I laid
Between her palms a little simple thing,
A golden heart, grav'd with my name alone,
And round it, twining close, small shamrocks link'd
Of gold, mere gold: no jewels made it rich,
Until twin di'monds shatter'd from her eyes
And made the red gold rare. 'True Knight,' she said,
'Your English heart with Irish shamrocks bound!'
'A golden prophet of eternal truth,'
I said, and kissed the roses of her palms,
And then the shy, bright roses of her lips,
And all the jealous jewels shone forgot
In necklace and tiara, as I clasp'd
The gold heart and its shamrocks round her neck.
My fair, pure soul! My noble Irish love!
poem by Isabella Valancy Crawford
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Margaret
I KNOW a garden where white lilies grow,
Under the grey sweet-laden apple boughs;
It is a garden where the roses blow,
And honeysuckle covers half the house.
O happy garden, do you keep the vows
Breathed in your quiet ear beneath the rose,
Or do you tell the tale to each soft wind that blows?
Across your grassy paths she used to stray,
She moved among you like a living flower,
Her beauty drank your beauty every day,
Your beauty decked her beauty every hour.
You gave her rose and lily for a dower,
With all sweet flowers and fruits your bosom bore--
She took them all--and now she comes not any more.
O garden, if you breathe such secret things
To the south wind who loves you, tell him this:
To spread the scented softness of his wings,
And seek that other garden where she is,
And bid him bear no blossom and no kiss;
Only, dear garden, tell the wind to say
How grey the world is grown since Margaret went away!
poem by Edith Nesbit
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Marianne's Dream
1.
A pale Dream came to a Lady fair,
And said, A boon, a boon, I pray!
I know the secrets of the air,
And things are lost in the glare of day,
Which I can make the sleeping see,
If they will put their trust in me.
2.
And thou shalt know of things unknown,
If thou wilt let me rest between
The veiny lids, whose fringe is thrown
Over thine eyes so dark and sheen:
And half in hope, and half in fright,
The Lady closed her eyes so bright.
3.
At first all deadly shapes were driven
Tumultuously across her sleep,
And o’er the vast cope of bending heaven
All ghastly-visaged clouds did sweep;
And the Lady ever looked to spy
If the golden sun shone forth on high.
4.
And as towards the east she turned,
She saw aloft in the morning air,
Which now with hues of sunrise burned,
A great black Anchor rising there;
And wherever the Lady turned her eyes,
It hung before her in the skies.
5.
The sky was blue as the summer sea,
The depths were cloudless overhead,
The air was calm as it could be,
There was no sight or sound of dread,
But that black Anchor floating still
Over the piny eastern hill.
6.
The Lady grew sick with a weight of fear
To see that Anchor ever hanging,
And veiled her eyes; she then did hear
The sound as of a dim low clanging,
And looked abroad if she might know
Was it aught else, or but the flow
Of the blood in her own veins, to and fro.
7.
There was a mist in the sunless air,
Which shook as it were with an earthquake’s shock,
But the very weeds that blossomed there
Were moveless, and each mighty rock
Stood on its basis steadfastly;
The Anchor was seen no more on high.
8.
But piled around, with summits hid
In lines of cloud at intervals,
Stood many a mountain pyramid
Among whose everlasting walls
Two mighty cities shone, and ever
Through the red mist their domes did quiver.
9.
On two dread mountains, from whose crest,
Might seem, the eagle, for her brood,
Would ne’er have hung her dizzy nest,
Those tower-encircled cities stood.
A vision strange such towers to see,
Sculptured and wrought so gorgeously,
Where human art could never be.
10.
And columns framed of marble white,
And giant fanes, dome over dome
Piled, and triumphant gates, all bright
With workmanship, which could not come
From touch of mortal instrument,
Shot o’er the vales, or lustre lent
From its own shapes magnificent.
11.
But still the Lady heard that clang
Filling the wide air far away;
And still the mist whose light did hang
Among the mountains shook alway,
So that the Lady’s heart beat fast,
As half in joy, and half aghast,
On those high domes her look she cast.
12.
Sudden, from out that city sprung
A light that made the earth grow red;
Two flames that each with quivering tongue
Licked its high domes, and overhead
Among those mighty towers and fanes
Dropped fire, as a volcano rains
Its sulphurous ruin on the plains.
13.
And hark! a rush as if the deep
Had burst its bonds; she looked behind
And saw over the western steep
A raging flood descend, and wind
Through that wide vale; she felt no fear,
But said within herself, ’Tis clear
These towers are Nature’s own, and she
To save them has sent forth the sea.
14.
And now those raging billows came
Where that fair Lady sate, and she
Was borne towards the showering flame
By the wild waves heaped tumultuously.
And, on a little plank, the flow
Of the whirlpool bore her to and fro.
15.
The flames were fiercely vomited
From every tower and every dome,
And dreary light did widely shed
O’er that vast flood’s suspended foam,
Beneath the smoke which hung its night
On the stained cope of heaven’s light.
16.
The plank whereon that Lady sate
Was driven through the chasms, about and about,
Between the peaks so desolate
Of the drowning mountains, in and out,
As the thistle-beard on a whirlwind sails—
While the flood was filling those hollow vales.
17.
At last her plank an eddy crossed,
And bore her to the city’s wall,
Which now the flood had reached almost;
It might the stoutest heart appal
To hear the fire roar and hiss
Through the domes of those mighty palaces.
18.
The eddy whirled her round and round
Before a gorgeous gate, which stood
Piercing the clouds of smoke which bound
Its aery arch with light like blood;
She looked on that gate of marble clear,
With wonder that extinguished fear.
19.
For it was filled with sculptures rarest,
Of forms most beautiful and strange,
Like nothing human, but the fairest
Of winged shapes, whose legions range
Throughout the sleep of those that are,
Like this same Lady, good and fair.
20.
And as she looked, still lovelier grew
Those marble forms;—the sculptor sure
Was a strong spirit, and the hue
Of his own mind did there endure
After the touch, whose power had braided
Such grace, was in some sad change faded.
21.
She looked, the flames were dim, the flood
Grew tranquil as a woodland river
Winding through hills in solitude;
Those marble shapes then seemed to quiver,
And their fair limbs to float in motion,
Like weeds unfolding in the ocean.
22.
And their lips moved; one seemed to speak,
When suddenly the mountains cracked,
And through the chasm the flood did break
With an earth-uplifting cataract:
The statues gave a joyous scream,
And on its wings the pale thin Dream
Lifted the Lady from the stream.
23.
The dizzy flight of that phantom pale
Waked the fair Lady from her sleep,
And she arose, while from the veil
Of her dark eyes the Dream did creep,
And she walked about as one who knew
That sleep has sights as clear and true
As any waking eyes can view.
poem by Percy Bysshe Shelley
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Paris Day By Day: A Family Epistle
(TO MRS. HENRY HARLAND)
Paris, half Angel, half Grisette,
I would that I were with thee yet,
Where the long boulevard at even
Stretches its starry lamps to heaven,
And whispers from a thousand trees
Vague hints of the Hesperides.
Once more, once more, my heart, to sit
With Aline's smile and Harry's wit,
To sit and sip the cloudy green,
With dreamy hints of speech between;
Or, may be, flashing all intent
At call of some stern argument,
When the New Woman fain would be,
Like the Old Male, her husband, free.
The prose-man takes his mighty lyre
And talks like music set on fire!
The while the merry crowd slips by
Glittering and glancing to the eye,
All happy lovers on their way
To make a golden end of day--
Ah! Cafe truly called _La Paix_!
Or at the _pension_ I would be
With Transatlantic maidens three,
The same, I vow, who once of old
Guarded with song the trees of gold.
O Lady, lady, _Vis-a-Vis_,
When shall I cease to think of thee,
On whose fair head the Golden Fleece
Too soon, too soon, returns to Greece--
Oh, why to Athens e'er depart?
Come back, come back, and bring my heart!
And she whose gentle silver grace,
So wise of speech and kind of face,
Whose every wise and witty word
Fell shy, half blushing to be heard.
Last, but ah! surely not least dear,
That blithe and buxom buccaneer,
Th' avenging goddess of her sex,
Born the base soul of man to vex,
And wring from him those tears and sighs
Tortured from woman's heart and eyes.
Ah! fury, fascinating, fair--
When shall I cease to think of _her_!
Paris, half Angel, half Grisette,
I would that I were with thee yet,
But London waits me, like a wife,--
London, the love of my whole life.
Tell her not, Paris, mercy me!
How I have flirted, dear, with thee.
poem by Richard Le Gallienne
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Madona Mia
UNDER green apple-boughs
That never a storm will rouse,
My lady hath her house
Between two bowers;
In either of the twain
Red roses full of rain;
She hath for bondwomen
All kind of flowers.
She hath no handmaid fair
To draw her curled gold hair
Through rings of gold that bear
Her whole hair’s weight;
She hath no maids to stand
Gold-clothed on either hand;
In all the great green land
None is so great.
She hath no more to wear
But one white hood of vair
Drawn over eyes and hair,
Wrought with strange gold,
Made for some great queen’s head,
Some fair great queen since dead;
And one strait gown of red
Against the cold.
Beneath her eyelids deep
Love lying seems asleep,
Love, swift to wake, to weep,
To laugh, to gaze;
Her breasts are like white birds,
And all her gracious words
As water-grass to herds
In the June-days.
To her all dews that fall
And rains are musical;
Her flowers are fed from all,
Her joy from these;
In the deep-feathered firs
Their gift of joy is hers,
In the least breath that stirs
Across the trees.
She grows with greenest leaves,
Ripens with reddest sheaves,
Forgets, remembers, grieves,
And is not sad;
The quiet lands and skies
Leave light upon her eyes;
None knows her, weak or wise,
Or tired or glad.
None knows, none understands,
What flowers are like her hands;
Though you should search all lands
Wherein time grows,
What snows are like her feet,
Though his eyes burn with heat
Through gazing on my sweet,
Yet no man knows.
Only this thing is said;
That white and gold and red,
God’s three chief words, man’s bread
And oil and wine,
Were given her for dowers,
And kingdom of all hours,
And grace of goodly flowers
And various vine.
This is my lady’s praise:
God after many days
Wrought her in unknown ways,
In sunset lands;
This was my lady’s birth;
God gave her might and mirth
And laid his whole sweet earth
Between her hands.
Under deep apple-boughs
My lady hath her house;
She wears upon her brows
The flower thereof;
All saying but what God saith
To her is as vain breath;
She is more strong than death,
Being strong as love.
poem by Algernon Charles Swinburne
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Ella with the Shining Hair
Through many a fragrant cedar grove
A darkened water moans;
And there pale Memory stood with Love
Amongst the moss-green stones.
The shimmering sunlight fell and kissed
The grasstree’s golden sheaves;
But we were troubled with a mist
Of music in the leaves.
One passed us, like a sudden gleam;
Her face was deadly fair.
“Oh, go,” we said, “you homeless Dream
Of Ella’s shining hair!
“We halt, like one with tired wings,
And we would fain forget
That there are tempting, maddening things
Too high to clutch at yet!
“Though seven Springs have filled the Wood
With pleasant hints and signs,
Since faltering feet went forth and stood
With Death amongst the pines.”
From point to point unwittingly
We wish to clamber still,
Till we have light enough to see
The summits of the hill.
“O do not cry, my sister dear,”
Said beaming Hope to Love,
“Though we have been so troubled here
The Land is calm above;
“Beyond the regions of the storm
We’ll find the golden gates,
Where, all the day, a radiant Form,
Our Ella, sits and waits.”
And Memory murmured: “She was one
Of God’s own darlings lent;
And Angels wept that she had gone,
And wondered why she went.
“I know they came, and talked to her,
Through every garden breeze,
About eternal Hills of Myrrh,
And quiet Jasper Seas.
“For her the Earth contained no charms;
All things were strange and wild;
And I believe a Seraph’s arms
Caught up the sainted Child.”
And Love looked round, and said: “Oh, you
That sit by Beulah’s streams,
Shake on this thirsty life the dew
Which brings immortal dreams!
“Ah! turn to us, and greet us oft
With looks of pitying balm,
And hints of heaven, in whispers soft,
To make our troubles calm.
“My Ella with the shining hair,
Behold, these many years,
We’ve held up wearied hands in prayer;
And groped about in tears.”
But Hope sings on: “Beyond the storm
We’ll find the golden gates
Where, all the day, a radiant Form,
Our Ella, sits and waits.”
poem by Henry Kendall
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Annunciation
'The lord appeared in a flame of fire out of the midst of a bush and behold, the bush burned with fire and the bush was not consumed.'-EXODOUS iii.2.
When to your virgin heart, unstirred, ungiven,
Upon the quiet mountainside untrod,
The sudden naked fire came down from heaven,
Burning you with the very breath of God,
Was the sun lost? Were all the sweet stars dim
While God raised round your head those walls of light?
Were you locked dumbly, terribly with Him,
Within that burning temple day and night?
What was it to have God there like a bird-
God like a great, gold flower upon your breast-
While He spake things that only one man heard,
Face down before that glory manifest?
When that strange flame went up the mountain side,
Were your forsaken lips so burned with gold
That the creatures of the wild stood off and cried,
And in your breast no blossom dared unfold?
Did you call back the startled birds to build,
And put forth all your simple buds again,
Forgetting how your branches once were filled,
In sweet embrace of passing sun and rain?
Or were all other birds forbidden sing
After those great, gold plumes had made their nest?
Was, in its strange and awful blossoming,
That great, gold flower the last upon your breast?
poem by Muriel Stuart
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The Organist
In his dim chapel day by day
The organist was wont to play,
And please himself with fluted reveries;
And all the spirit's joy and strife,
The longing of a tender life,
Took sound and form upon the ivory keys;
And though he seldom spoke a word,
The simple hearts that loved him heard
His glowing soul in these.
One day as he wrapped, a sound
Of feet stole near; he turned and found
A little maid that stood beside him there.
She started, and in shrinking-wise
Besought him with her liquid eyes
And little features, very sweet and spare.
'You love the music, child,' he said,
And laid his hand upon her head,
And smoothed her matted hair.
She answered, 'At the door one day
I sat and heard the organ play;
I did not dare to come inside for fear;
But yesterday, a little while,
I crept half up the empty aisle
And heard the music sounding sweet and clear;
To-day I thought you would not mind,
For, master dear, your face was kind,
And so I came up here.'
'You love the music then,' he said,
And still he stroked her golden head,
And followed out some winding reverie;
'And you are poor?' said he at last;
The maiden nodded, and he passed
His hand across his forehead dreamingly;
'And will you be my friend?' he spake,
'And on the organ learn to make
Grand music here with me?'
And all the little maiden's face
Was kindled with a grateful grace;
'Oh, master, teach me; I will slave for thee!'
She cried; and so the child grew dear
To him, and slowly year by year
He taught her all the organ's majesty;
And gave her from his slender store
Bread and warm clothing, that no more
Her cheeks were pinched to see.
And year by year the maiden grew
Taller and lovelier, and the hue
Deepened upon her tender cheeks untried.
Rounder, and queenlier, and more fair
Her form grew, and her golden hair
Fell yearly richer at the master's side.
In speech and bearing, form and face,
Sweeter and graver, grace by grace,
Her beauties multiplied.
And sometimes at his work a glow
Would touch him, and he murmured low
'How beautiful she is?' and bent his head;
And sometimes when the day went by
And brought no maiden he would sigh,
And lean and listen to her velvet tread;
And he would drop his hands and say,
'My music cometh not to-day;
Pray God she be not dead!'
So the sweet maiden filled his heart,
And with her growing grew his art,
For day by day more wondrously he played.
Such heavenly things the master wrought,
That in his happy dreams he thought,
The organ's self did love the gold-haired maid:
But she, the maiden, never guessed-
What prayers for her in hours of rest
The sombre organ prayed.
At last, one summer morning fair,
The maiden came with braided hair,
And took his hands, and held them eagerly.
'To-morrow is my wedding day;
Dear master, bless me that the way
Of life be smooth, not bitter unto me.'
He stirred not; but the light did go
Out of his shrunken cheeks, and oh!
His head hung heavily.
'You love him, then?' 'I love him well,'
She answered, and a numbness fell
Upon his eyes and all his heart that bled.
A glory, half a smile, abode
Within the maiden's eyes and glowed
Upon her parted lips. The master said,
'God bless and bless thee, little maid,
With peace and long delight,' and laid
His hands upon her head.
And she was gone; and all that day
The hours crept up and slipped away,
And he sat still, as moveless as a stone.
The night came down, with quiet stars,
And darkened him: in coloured bars
Along the shadowy aisle the moonlight shone.
And then the master woke and passed
His hands across the keys at last,
And made the organ moan.
The organ shook, the music wept;
For sometimes like a wail it crept
In broken moanings down the shadows drear;
And otherwhiles the sound did swell,
And like a sudden tempest fell
Through all the windows wonderful and clear.
The people gathered from the street,
And filled the chapel seat by seat-
They could not choose but hear.
And there they sat till dawning light,
Nor ever stirred to awe. 'To-night,
The master hath a noble mood,' they said.
But on a sudden ceased the sound:
Like ghosts the people gathered round,
And on the keys they found his fallen head.
The silent organ had received
The master's broken heart relieved,
And he was white and dead.
poem by Archibald Lampman
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The Shadows Fell
April was a lovely girl, her warmth was in her eyes
And she and I would walk within the calm of clear blue skies
Too short our time together, and what time consisted of
I knew her well, the shadows fell
See, April was my love...
A young man then, I knew the things a young man knows
But somehow lost it all with age, I guess that's how it goes
But April understood, and in time revealed to me
Reflection, my direction
And what April was to be...
She became to me the way to love's soothing caress
The answers to all questions, life and love, were met with yes
All that April showed to me, my heart still now believes
To take her place, her smiling face
April love, my heart still grieves...
Our time together had the look, forever on it's face
The hands of time stood still for us, in arm, and sweet embrace
It wasn't meant to be for us, nor I to have the sound
But she was singing, bells were ringing
As she felt the darkened ground...
Too soon my April left me, to some higher plane I'm sure
To wait for me to come someday, and reminisce with her
To tell me why each tear was lost, each April that I cried
As love turned to loss, inside the cross
When my April died...
Winter's breath blows hard upon her memory now
But I remember April, springtime love and lifetime vow
Sometimes I can feel her touch, and feel the gentle breeze
The days and nights, the wrongs the rights
There are many thoughts of these...
Many years ago now, April's love had held my heart
Too many days, and nights spent now without, but not apart
And I would trade my todays, for yesterday to be...
With April once again, and back to when
April was my love, you see.......
poem by Dino Evans
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One of the Shepherds
We were out on the hills that night
To watch our sheep;
Drowsily by the fire we lay
Where the waning flame did flicker and leap,
And some were weary and half asleep,
And some talked low of their flocks and the fright
Of a lion that day.
But I had drawn from the others apart;
I was only a lad,
And the night's great silence so filled my heart
That I dared not talk and I dared not jest;
The moon had gone down behind the hill
And even the wind of the desert was still;
As the touch of death the air was cold,
And the world seemed all outworn and old;
Yet a poignant delight in my soul was guest,
And I could not be sad.
Still were my thoughts the thoughts of youth
Under the skies:
I dreamed of the holy and tender truth
That shone for me in my mother's eyes;
Of my little sister's innocent grace,
And the mirthful lure in the olive face
Of a maid I had seen at the well that day,
Singing low as I passed that way,
And so sweet and wild were the notes of her song,
That I listened long.
Was it the dawn that silvered and broke
Over the hill?
Each at the other looked in amaze,
And never a breathless word we spoke.
Fast into rose and daffodil
Deepened that splendor; athwart its blaze
That pierced like a sword the gulf of night
We saw a form that was shaped of the light,
And we veiled our faces in awe and dread
To hearken the tidings the Bright One told
Oh! wonderful were the words he said
Of a Child in Bethlehem's manger old.
The stars were drowned in that orient glow;
The sky was abloom like a meadow in spring;
But each blossom there was a radiant face
And each flash of glory a shining wing;
They harped of peace and great good will,
And such was their music that well I know
There can never again in my soul be space
For a sound of ill.
The light died out as the sunset dies
In the western skies;
Swift went we to the Bethlehem khan,
Many our questions laughed to scorn,
But one, a gray and wrinkled man,
With strange, deep eyes that searched the heart,
Led us down to the child new-born
In a dim-lighted cave apart.
There on the straw the mother lay
Wan and white,
But her look was so holy and rapt and mild
That it seemed to shed a marvellous light,
Faint as the first rare gleam of day,
Around the child.
It was as other children are
Saving for something in the eyes,
Starlike and clear and strangely wise
Then came a sudden thought to me
Of a lamb I had found on the waste afar;
Lost and sick with hunger and cold,
I had brought it back in my arms to the fold
For tender ministry.
Dawn had flooded the east as a wave
When we left the cave;
All the world suddenly seemed to be
Young and pure and joyous again;
The others lingered to talk with the men,
Full of wonder and rapture still;
But I hastened back to the fold on the hill
To tend the lamb that had need of me.
poem by Lucy Maud Montgomery
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The House Of Dust: Part 03: 02: The Screen Maiden
You read—what is it, then that you are reading?
What music moves so silently in your mind?
Your bright hand turns the page.
I watch you from my window, unsuspected:
You move in an alien land, a silent age . . .
. . . The poet—what was his name—? Tokkei—Tokkei—
The poet walked alone in a cold late rain,
And thought his grief was like the crying of sea-birds;
For his lover was dead, he never would love again.
Rain in the dreams of the mind—rain forever—
Rain in the sky of the heart—rain in the willows—
But then he saw this face, this face like flame,
This quiet lady, this portrait by Hiroshigi;
And took it home with him; and with it came
What unexpected changes, subtle as weather!
The dark room, cold as rain,
Grew faintly fragrant, stirred with a stir of April,
Warmed its corners with light again,
And smoke of incense whirled about this portrait,
And the quiet lady there,
So young, so quietly smiling, with calm hands,
Seemed ready to loose her hair,
And smile, and lean from the picture, or say one word,
The word already clear,
Which seemed to rise like light between her eyelids . .
He held his breath to hear,
And smiled for shame, and drank a cup of wine,
And held a candle, and searched her face
Through all the little shadows, to see what secret
Might give so warm a grace . . .
Was it the quiet mouth, restrained a little?
The eyes, half-turned aside?
The jade ring on her wrist, still almost swinging? . . .
The secret was denied,
He chose his favorite pen and drew these verses,
And slept; and as he slept
A dream came into his heart, his lover entered,
And chided him, and wept.
And in the morning, waking, he remembered,
And thought the dream was strange.
Why did his darkened lover rise from the garden?
He turned, and felt a change,
As if a someone hidden smiled and watched him . . .
Yet there was only sunlight there.
Until he saw those young eyes, quietly smiling,
And held his breath to stare,
And could have sworn her cheek had turned—a little . . .
Had slightly turned away . . .
Sunlight dozed on the floor . . . He sat and wondered,
Nor left his room that day.
And that day, and for many days thereafter,
He sat alone, and thought
No lady had ever lived so beautiful
As Hiroshigi wrought . . .
Or if she lived, no matter in what country,
By what far river or hill or lonely sea,
He would look in every face until he found her . . .
There was no other as fair as she.
And before her quiet face he burned soft incense,
And brought her every day
Boughs of the peach, or almond, or snow-white cherry,
And somehow, she seemed to say,
That silent lady, young, and quietly smiling,
That she was happy there;
And sometimes, seeing this, he started to tremble,
And desired to touch her hair,
To lay his palm along her hand, touch faintly
With delicate finger-tips
The ghostly smile that seemed to hover and vanish
Upon her lips . . .
Until he knew he loved this quiet lady;
And night by night a dread
Leered at his dreams, for he knew that Hiroshigi
Was many centuries dead,—
And the lady, too, was dead, and all who knew her . .
Dead, and long turned to dust . . .
The thin moon waxed and waned, and left him paler,
The peach leaves flew in a gust,
And he would surely have died; but there one day
A wise man, white with age,
Stared at the portrait, and said, 'This Hiroshigi
Knew more than archimage,—
Cunningly drew the body, and called the spirit,
Till partly it entered there . . .
Sometimes, at death, it entered the portrait wholly . .
Do all I say with care,
And she you love may come to you when you call her . . . '
So then this ghost, Tokkei,
Ran in the sun, bought wine of a hundred merchants,
And alone at the end of day
Entered the darkening room, and faced the portrait,
And saw the quiet eyes
Gleaming and young in the dusk, and held the wine-cup,
And knelt, and did not rise,
And said, aloud, 'Lo-san, will you drink this wine?'
Said it three times aloud.
And at the third the faint blue smoke of incense
Rose to the walls in a cloud,
And the lips moved faintly, and the eyes, and the calm hands stirred;
And suddenly, with a sigh,
The quiet lady came slowly down from the portrait,
And stood, while worlds went by,
And lifted her young white hands and took the wine cup;
And the poet trembled, and said,
'Lo-san, will you stay forever?'—'Yes, I will stay.'—
'But what when I am dead?'
'When you are dead your spirit will find my spirit,
And then we shall die no more.'
Music came down upon them, and spring returning,
They remembered worlds before,
And years went over the earth, and over the sea,
And lovers were born and spoke and died,
But forever in sunlight went these two immortal,
Tokkei and the quiet bride . . .
poem by Conrad Potter Aiken
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August
THERE WERE four apples on the bough,
Half gold half red, that one might know
The blood was ripe inside the core;
The colour of the leaves was more
Like stems of yellow corn that grow
Through all the gold June meadow’s floor.
The warm smell of the fruit was good
To feed on, and the split green wood,
With all its bearded lips and stains
Of mosses in the cloven veins,
Most pleasant, if one lay or stood
In sunshine or in happy rains.
There were four apples on the tree,
Red stained through gold, that all might see
The sun went warm from core to rind;
The green leaves made the summer blind
In that soft place they kept for me
With golden apples shut behind.
The leaves caught gold across the sun,
And where the bluest air begun,
Thirsted for song to help the heat;
As I to feel my lady’s feet
Draw close before the day were done;
Both lips grew dry with dreams of it.
In the mute August afternoon
They trembled to some undertune
Of music in the silver air;
Great pleasure was it to be there
Till green turned duskier and the moon
Coloured the corn-sheaves like gold hair.
That August time it was delight
To watch the red moons wane to white
’Twixt grey seamed stems of apple-trees;
A sense of heavy harmonies
Grew on the growth of patient night,
More sweet than shapen music is.
But some three hours before the moon
The air, still eager from the noon,
Flagged after heat, not wholly dead;
Against the stem I leant my head;
The colour soothed me like a tune,
Green leaves all round the gold and red.
I lay there till the warm smell grew
More sharp, when flecks of yellow dew
Between the round ripe leaves had blurred
The rind with stain and wet; I heard
A wind that blew and breathed and blew,
Too weak to alter its one word.
The wet leaves next the gentle fruit
Felt smoother, and the brown tree-root
Felt the mould warmer: I too felt
(As water feels the slow gold melt
Right through it when the day burns mute)
The peace of time wherein love dwelt.
There were four apples on the tree,
Gold stained on red that all might see
The sweet blood filled them to the core:
The colour of her hair is more
Like stems of fair faint gold, that be
Mown from the harvest’s middle floor.
poem by Algernon Charles Swinburne
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The Goddess in the Wood
In a flowered dell the Lady Venus stood,
Amazed with sorrow. Down the morning one
Far golden horn in the gold of trees and sun
Rang out; and held; and died. . . . She thought the wood
Grew quieter. Wing, and leaf, and pool of light
Forgot to dance. Dumb lay the unfalling stream;
Life one eternal instant rose in dream
Clear out of time, poised on a golden height. . . .
Till a swift terror broke the abrupt hour.
The gold waves purled amidst the green above her;
And a bird sang. With one sharp-taken breath,
By sunlit branches and unshaken flower,
The immortal limbs flashed to the human lover,
And the immortal eyes to look on death.
poem by Rupert Brooke (1910)
Submitted by Veronica Serbanoiu
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Goddess In The Wood, The
In a flowered dell the Lady Venus stood,
Amazed with sorrow. Down the morning one
Far golden horn in the gold of trees and sun
Rang out; and held; and died. . . . She thought the wood
Grew quieter. Wing, and leaf, and pool of light
Forgot to dance. Dumb lay the unfalling stream;
Life one eternal instant rose in dream
Clear out of time, poised on a golden height. . . .
Till a swift terror broke the abrupt hour.
The gold waves purled amidst the green above her;
And a bird sang. With one sharp-taken breath,
By sunlit branches and unshaken flower,
The immortal limbs flashed to the human lover,
And the immortal eyes to look on death.
poem by Rupert Brooke
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Thousand Human Eyes
Thousand human eyes
Cannot grasp nature’s beauty
In lifetime to praise
Thousand human eyes
Cannot see nature in full
As I always flies
Thousand human eyes
Falls short in their description
Of Sunset sunrise
Thousand human eyes
Cannot apprehend nature
Beneath the blue skies
Thousand human eyes
Fails to see nature’s beauty
To fully appraise
Thousand human eyes
Cannot fully understand
Nature to surmise
Thousand human eyes
Are blessed to see the nature
In its complete guise
Thousand human eyes
Sees the beauty of nature
With awe and oyez
Thousand human eyes
Is not capable to see
Nature’s burning eyes
poem by Mittur Ramprasad
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