To Chloe Jealous
Dear Chloe, how blubber'd is that pretty face;
Thy cheek all on fire, and thy hair all uncurl'd:
Prythee quit this caprice; and (as old Falstaff says)
Let us e'en talk a little like folks of this world.
How canst thou presume, thou hast leave to destroy
The beauties, which Venus but lent to thy keeping?
Those looks were design'd to inspire love and joy:
More ord'nary eyes may serve people for weeping.
To be vext at a trifle or two that I writ,
Your judgment at once, and my passion you wrong:
You take that for fact, which will scarce be found wit:
Odds life! must one swear to the truth of a song?
What I speak, my fair Chloe, and what I write, shows
The diff'rence there is betwixt nature and art:
I court others in verse; but I love thee in prose:
And they have my whimsies, but thou hast my heart.
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poem by Matthew Prior
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A Better Answer
Dear Cloe, how blubber'd is that pretty Face?
Thy cheek all on fire, and thy hair all uncurl'd:
Pr'ythee quit this caprice; and (as old Falstaf says)
Let us e'en talk a little like folks of this world.
How can'st thou presume, thou hast leave to destroy
The beauties, which Venus but lent to thy keeping?
Those looks were design'd to inspire love and joy:
More ord'nary eyes may serve people for weeping.
To be vexed at a trifle or two that I writ,
Your judgment at once, and my passion you wrong:
You take that for fact, which will scarce be found Wit:
Od's Life! must one swear to the truth of a song?
What I speak, my fair Cloe, and what I write, shews
The diff'rence there is betwixt Nature and Art:
I court others in verse; but I love thee in prose:
And they have my whimsies; but thou hast my heart.
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poem by Matthew Prior
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To The Honourable Charles Montague, Esq.
Howe'er, 'tis well that, while mankind
Through fate's perverse meander errs,
He can imagined pleasures find
To combat against real cares.
Fancies and notions he pursues,
Which ne'er had being but in thought;
Each, like the Grecian artist, wooes,
The image he himself has wrought.
Against experience he believes;
He argues against demonstration:
Pleased when his reason he deceives,
And sets his judgement by his passion.
The hoary fool, who many days
Has struggled with continued sorrow,
Renew's his hope, and blindly lays
The desperate bet upon to-morrow.
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poem by Matthew Prior
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To Mr. Harley - Wounded by Guiscard
In one great
now
, superior to an age,
The full extremes of nature's force we find:
How heavenly virtue can exalt, or rage
Infernal how degrade the human mind.
While the fierce monk does at his trial stand,
He chews revenge, abjuring his offence:
Guile in his tongue, and murder in his hand,
He stabs his judge, to prove his innocence.
The guilty stroke and torture of the steel
Infix'd, our dauntless Briton scarce perceives:
The wounds his country from his death must feel,
The patriot views; for those alone he grieves.
The barbarous rage that durst attempt thy life,
Harley, great counsellor, extends thy fame;
And the sharp point of cruel Guiscard's knife,
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poem by Matthew Prior
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An Ode To Mr. Howard
Dear Howard, from the soft assaults of love
Poets and painters never are secure;
Can I untouch'd the fair one's passions move,
Or thou draw beauty, and not feel its power?
To great Appelles when young Ammon brought
The darling idol of his captive heart;
And the pleased nymph with kind attention sat,
To have her charms recorded by his art:
The amorous master own'd her potent eyes:
Sigh'd when he look'd, and trembled as he drew:
Each flowing line confirm'd his first surprise,
And, as the piece advanced, the passion grew.
While Philip's son, while Venus' son, was near,
What different tortures does his bosom feel?
Great was the rival, and the god severe:
Nor could he hide his flame, nor durst reveal.
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poem by Matthew Prior
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The Garland
The pride of every grove I chose,
The violet sweet and lily fair,
The dappled pink and blushing rose,
To deck my charming Cloe's hair.
At morn the nymph vouchsafed to place
Upon her brow the various wreath;
The flowers less blooming than her face,
The scent less fragrant than her breath.
The flowers she wore along the day,
And every nymph and shepherd said,
That in her hair they look'd more gay
Than glowing in their native bed.
Undress'd at evening, when she found
Their odours lost, their colours past,
She changed her look, and on the ground
Her garland and her eyes she cast.
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poem by Matthew Prior
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An Epistle. Desiring The Queen's Picture, But Left Unfinished, By The Sudden News Of Her Majesty's Death
The train of equipage and pomp of state,
The shining sideboard and the burnish'd plate,
Let other ministers, great Anne, require,
And partial fall thy gift to their desire.
To the fair Portrait of my sovereign dame,
To that alone eternal be my claim.
My bright defender, and my dread delight,
If ever I found favour in thy sight;
If all the pains that for thy Britain's sake
My past has took, or future life may take,
Be grateful to my Queen, permit my prayer,
And with this gift reward my total care.
Will thy indulgent hand, fair Saint, allow
The boon? and will thy ear accept the vow?
That, in despite of age, of impious flame,
And eating Time, thy Picture, like thy fame,
Entire may last, that, as their eyes survey
The semblant shade, men yet unborn may say,
Thus great, thus gracious, look'd Britannia's Queen,
Her brow thus smooth, her look was thus serene;
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poem by Matthew Prior
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Cloe Jealous
Forbear to ask Me, why I weep;
Vext Cloe to her Shepherd said:
'Tis for my Two poor stragling Sheep
Perhaps, or for my Squirrel dead.
For mind I what You late have writ?
Your subtle Questions, and Replies;
Emblems, to teach a Female Wit
The Ways, where changing Cupid flies.
Your Riddle, purpos'd to rehearse
The general Pow'r that Beauty has:
But why did no peculiar Verse
Describe one Charm of Cloe's Face?
The Glass, which was at Venus' Shrine,
With such Mysterious Sorrow laid:
The Garland (and You call it Mine)
Which show'd how Youth and Beauty fade.
Ten thousand Trifles light as These
Nor can my Rage, nor Anger move:
She shou'd be humble, who wou'd please:
And She must suffer, who can love.
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poem by Matthew Prior
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The Chameleon
As the Chameleon, who is known
To have no colours of his own,
But borrows from his neighbour's hue
His white or black, his green or blue,
And struts as much in ready light,
Which credit gives him upon sight,
As if the rainbow were entail
Settled on him and his heirs-male;
So the young 'squire, when first he comes
From country school to Will's or Tom's,
And equally in truth is fit
To be a statesman or a wit,
Without one notion of his own,
He saunters wildly up and down,
Till some acquaintance good or bad,
Takes notice of a staring lad,
Admits him in among the gang;
They jest, reply, dispute, harangue;
He acts and talks as they befriend him,
Smear'd with the colours which they lend him.
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poem by Matthew Prior
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Merry Andrew
Sly Merry Andrew, the last Southwark fair;
(At Bartholomew he did not much appear,
So peevish was the dict of the Mayor)
At Southwark, therefore, as his tricks he show'd,
To please our masters, and his friends the crowd,
A huge neat's tongue he in his right hand held,
His left was with a good black pudding fill'd.
With a grave look, in this odd equipage,
The clownish mimic traverses the stage:
Why, how now, Andrew! cries his brother droll,
To-day's conceit methinks is something dull.
Come on, Sir, to our worthy friends explain
What does your emblematic Worship mean?
Quoth Andrew, honest English let us speak;
Your emble - (what d'ye call it?) is Heathen Greek.
To tongue or pudding thou hast no pretence;
Learning thy talent is, but mine is sense.
That busy fool I was which thou art now,
Desirous to correct, not knowing how,
Blaming or praising things as I thought fit:
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poem by Matthew Prior
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