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<div style="background:#fff;border:#bbb dashed 1px;padding:5px"><a href="http://en.citatepedia.ro/comments.php?id=584091" style="color:#000;text-decoration:none"><div style="margin:10px 0"><strong>Women Who Are Well-behaved</strong></div><div style="margin:10px 0">Women who are well-behaved<br>do not make history, and they<br>take second place to the depraved, <br>whom history gives right of way, <br>for though officially the word condemns<br>the women who’re considered lawless, <br>they’re given diamonds and gems<br>for being flexible, not flawless.</div><div style="margin:10px 0">Kathryn Harrison reviews “Well-Behaved Women Seldom Make History” by Laurel Thatcher Ulrich (“We’re No Angels, ” NYT, September 30,2007) : <br>Ulrich, a Harvard historian whose “Midwife’s Tale” won the 1991 Pulitzer Prize for history, uses “three classic works in Western feminism” as a springboard for examining the theme of “bad” behavior. Could the popularity of her slogan, she wondered, be explained by “feminism, postfeminism or something much older? ” The answer emerges in Ulrich’s choice of texts: Christine de Pizan’s “Book of the City of Ladies, ” written in 1405; Elizabeth Cady Stanton’s “Eighty Years and More, ” published in 1898; and “A Room of One’s Own, ” based on two lectures Virginia Woolf gave in 1928 — all works by women who “turned to history as a way of making sense of their own lives.” History, Ulrich reminds us, “isn’t just what happens in the past, ” but what we choose to remember. As much invention as discovery, history attempts to make the chaotic present into a coherent picture by comparing it to images, equally artificial, fashioned from events long past. Pizan, Stanton, Woolf: three women with “intellectual fathers” and “domestic mothers, ” who were “raised in settings that simultaneously encouraged and thwarted their love of learning” and “married men who supported their intellectual ambitions.” For each, her “moment of illumination came through an encounter with an odious book” expressing man’s “disdain” for women. Pizan responded to a 15th- century satire containing “diatribes” against her sex, Stanton to law tomes that set forth the rights of husbands and fathers over their wives and daughters, Woolf to “The Mental, Moral and Physical Inferiority of the Female Sex, ” an imagined history representing what she discovered in the reading room of the British Museum. </div><div style="margin:10px 0">9/30/07</div><div style="margin:10px 0"><br /></a><br />poem by <a href="http://en.citatepedia.ro/by.php?a=Gershon+Hepner">Gershon Hepner</a><div class=q>
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<script type="text/javascript" src="//s7.addthis.com/js/300/addthis_widget.js#pubid=citatepedia" async="async"></script><div style="display:inline-block" class="addthis_sharing_toolbox" data-url="http://en.citatepedia.ro/comments.php?id=584091" data-title="Women Who Are Well-behaved de Gershon Hepner" data-description="Women who are well-behaved
do not make history, and they
take second place to the depraved, 
whom history gives right of way, 
for though officially the word condemns
the women who’re considered lawless, 
they’re given diamonds and gems
for be..."></div>
</div>
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