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<div style="background:#fff;border:#bbb dashed 1px;padding:5px"><a href="http://en.citatepedia.ro/comments.php?id=476936" style="color:#000;text-decoration:none"><div style="margin:10px 0"><strong>The Practical Uses Of Poetry</strong></div><div style="margin:10px 0">Not to be practical, not <br> to mean, be, do, <br> no more than the wind <br>to insist upon itself, to <br> move like the wind, <br> like a disembodied intelligence <br>over the mindfields<br> practicing the twin disciplines <br> of light and rain, <br>scattering the mystic pollen <br> of intuitive seeds <br> that bloom like roseate fire <br>in the shadowless gardens of the abyss<br> arranging the cosmos like a wild bouquet <br> in the blood vase of the human heart. <br>To remind us <br> we're not fireflies or stars <br> stuck on a chromosome<br>of intellectual flypaper, <br> a buzzing that will stop, <br> but a passion of native iron <br>in the arms of alien oxygen, <br> urged into creative consummation <br> by carbon. <br>Free as water, free as God <br> the night she put the universe on <br> like make-up <br>to attend to the beginning of everything<br> with a cosmic efflorescence of fireworks, <br> to speak for the stones, the stars, the trees, <br>to say them into being, <br> to say us, to whisper us <br> into the enormity of her solitude, <br>the inconceivability of her darkness, <br>a secret she couldn't keep anymore.<br> Experience is a child playing, <br>not function, not a job, not a career.<br> What's practical about singing alone <br> because the mysterious nightbird<br>has come like a blossom of joy <br> to the bough of the tree in winter? <br> Or must dancing have a use, <br>music be enchained to the stone ear of utility? <br> Bleeding isn't very practical either <br> but how would you ever know <br>you were a rose scarred by your own thorns <br> if you didn't? <br> Sooner renounce the sweetness <br>of the star-flavoured summer night air<br> or teach the wind a compass and a map, <br> the sky to consult a control tower<br>than try to grind the stars of poetry<br> with a stone and an ox <br> into a function and a fee. <br>The wages of poetry are always a gift<br> that takes the recipient by surprise <br> with the beauty of its subtlety<br>and a coin as true as the moon.<br> Who asks to be paid <br> to dance alone with God? <br>And even the abyss <br> has provided you with a world <br> like a passport to anywhere you want to go.<br>Among the birds and the leaves <br> flowing along with this pilgrimage of stars <br> to shrines that are older than knowing, <br>if the sun or the moon <br> should open your voice like a flower <br> in the deep woods<br>to hear you singing in the light, <br> and you are urged into poetry <br> through a gate as open as the cosmos, <br>and you discover colours have echoes <br> and the notes of your song <br> are a palette of gardens, <br>and everything you paint with your picture-music <br> is the portrait of someone you're becoming<br> until you look like everyone <br>from the inside out, <br> every passion <br> the longing of a planet <br>to burn with life, <br> and the deepest watershed of your humanity <br> is itself<br>the fountain <br>where the goddess drinks from her own reflection, <br> and you understand<br>that the word in the morning<br> is the word at the end of the day, <br> and that the life that adorns your body within <br>is the wine of the worlds <br> in a cup of clay<br> encrusted with stars<br>and you are the delirium the dream seeks, <br> the lightning and lucidity of the dark sage <br> your roots consult like a storm, <br>would you then look upon the first crescent of the moon <br> and try to fix it to a plough, <br> would you look forever <br>into the wells of now <br> like the eyes of a lover<br> who combs out the tresses of the willow like the wind<br>as if he played the whole of the night <br> on the blue guitar of your heart, <br> would you renounce the music as impractical? <br>To walk through this world aware, <br> with a spear of moonlight through your heart <br> like a poet, to feel <br>everything a human can feel <br> and have the courage and the art <br> to sing<br>the joys and sorrows, <br> the gardens and intimate hells alike <br> with compassion and understanding, <br>even when you often don't understand<br> because the shadow of the world <br> eclipses your eyes, <br>or the windows are saturated with pain, <br> to be able to do that, to be that <br> is beyond assessing<br>because there is no intention to life <br> or the running of the river<br> or the unspooling of a poem <br>that conceives of its seeing as progress. <br> What the eye writes <br> on these pages of percipient sky <br>that bring the world to a focus in us<br> is not a reality in advance <br> of the dream that shadows it.</div><div style="margin:10px 0"><br /></a><br />poem by <a href="http://en.citatepedia.ro/by.php?a=Patrick+White">Patrick White</a><div class=q> <img src="https://www.citatepedia.ro/g/32share.png" style="float:left" alt="Share"> <script type="text/javascript" src="//s7.addthis.com/js/300/addthis_widget.js#pubid=citatepedia" async="async"></script><div style="display:inline-block" class="addthis_sharing_toolbox" data-url="http://en.citatepedia.ro/comments.php?id=476936" data-title="The Practical Uses Of Poetry de Patrick White" data-description="Not to be practical, not to mean, be, do, no more than the wind to insist upon itself, to move like the wind, like a disembodied intelligence over the mindfields practicing the twin disciplines of light and rain, scattering the my..."></div> </div> </div>
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