<div style="background:#fff;border:#bbb dashed 1px;padding:5px"><a href="http://en.citatepedia.ro/comments.php?id=424959" style="color:#000;text-decoration:none"><div style="margin:10px 0"><strong>Double Helix Abecedarian - Xylophonic Resonance He Licks Enigmatic</strong></div><div style="margin:10px 0">XYLOPHONIC RESONANCE HE LICKS ENIGMATIC <br>Kindly refer to notes. and see Temptations and Poetic Pizza Extravaganza below :) </div><div style="margin:10px 0">Xylophonic Resonance<br>double helix abecedarian</div><div style="margin:10px 0">The first line begins with A and ends with Z<br>the next line begins with Z and ends with A<br>The next line begins with B and ends with Y<br>The next line begins with Y and ends with B<br>The next line begins with C and ends with X<br>The next line begins with X and ends with C<br> <br>A to Z top down A to Z bottom up </div><div style="margin:10px 0"> <br> </div><div style="margin:10px 0"> <br>All fizzle, finish frazzled, launched with fizZ. <br>Zero dreams teem when spirit seems at seA <br>Because most adepts of philosophY <br>Yearn for zenith seldom dwell on ebB, <br>Carpe diem value, seeking sea, sun, seX. <br>Xylem tree of life’s cannibalistiC <br>Desires corrupt deeds most men seW, <br>With survival’s urge soon lost indeeD. <br>Events churn causal patterns, AsimoV <br>Viewed clearly, took as starship journey cuE <br>Finding worlds which may appeal to yoU, <br>Unknown reader from beyond Time’s gulF - <br>Great divide between those past, those lefT -<br>Time travellers peruse these lines to sinG <br>High praise of poets who’ll know no more springS. <br>Spontaneousl prose poem picks pensive patH <br>In patter pattern, feet dance to empoweR. <br>Rhythm harmonious, need no alibI, <br>Joins sense, style versatile, from mind's H.Q., <br>Questions seeks, finds answers. Soujourn’s hadJ <br>Knowledge acquires to share more than to keeP, <br>Pipes clear to others drifting through the darK. <br>Lark sings dawn’s welcome song, and each man’s taO <br>Opens connections, on life’s sea a-saiL <br>Ma d, sad, glad, bad, for threescore years and teN <br>Never certain of his mortal aiM, <br>Nor sure to gain posthumous fame, acclaiM, <br>Making ends meet in hope to rise agaiN <br>On judgement day should trust and faith prevaiL. <br>Life-spans increase but trite hullabaloO <br>Prepares too few for winding sheet, corpse starK, <br>Kings, Presidents and crowd condemned to sleeP, <br>Quest over, in no Shah Jehan’s fair TaJ, <br>Judge! Wonders of the world in tome or FAQ <br>Remain till flood or earthquake SvengalI <br>Identitydestroys when come their houR. <br>Stands Rhodes’ Colossus stony eyed and higH? <br>Hanging Gardens, Babylon’s green GrasS? <br>Thus earth all swallows, as the changes rinG <br>Glut or famine, leaves the rich berefT, <br>Upsets regimes, and redefines itselF. <br>Fresh or stale, hale, halt, Huns, Goths, AinU, <br>Vandals, Franks, forgotten, vain their strifE, - <br>Eternity mocks Boris KasparoV <br>When chess game lasts millenia whose speeD <br>Defies time travel’s role-reversal floW. <br>Xanthic parchments, works iconographiC <br>Crumble! What Tyrannosaurus reX <br>Yet rules blue planet? Will ant, spider weB, <br>Be as extinct as world wide web one daY? <br>Zigzag chance ignores each mortal pleA <br>All idols break despite their razzmatazZ. <br> <br> <br>An essay such as this deserves no buzZ. <br>Zany experiment as stylistic fleA <br>Bounces from A to Z in interplaY, <br>Yin Yang spiral bouncing like a squiB <br>Constantly as an alphabet refleX <br>Xerophytic context’s cul-de-saC <br>Delineates descriptions poets draW. <br>Wherewhithal consistently restricteD, <br>Each line leaves breathless welcome, neurones reV, <br>Vibrate despite form artificial, prosE <br>Fulfilling prompt as words make points. GurU <br>Unchained yet chained advances off the cufF <br>Grafts true poetic spear to karmic hafT <br>Translating into right write some style wronG <br>Halfway house conundrum. Author’s trackS <br>Scultpt lasting trace responding to the wisH <br>Idiosyncratic to transcend life’s doweR <br>Respecting Death. Is poet prophet or mahdI <br>Justly revered from Rome unto IraQ? <br>Quarellsome envy explains why British raJ <br>Knew not two hundred years? Can counting sheeP <br>Perplexity remove from brains which parK <br>Loaded dice stress away as night seeks tO <br>Overcome day’s tedious trouble, toiL, <br>Makes preparation for tomorrow’s booN - <br>New space bestowing where choice meets no daM, <br>Ne’er stumble into superficial shaM. <br>Measure opportunities, draw plaN <br>Offering success none fault or foiL. <br>Little by little words through verbal voodoO <br>Phrase phase explore. Screed, starting as a larK, <br>Knits here tight vowels that consonantly reaP <br>Quality let the poet play DJ <br>Juxtaposing helix soundtrack seQ <br>Responsively, grey matter churns from I <br>Inwards then out to you my reader deaR. <br>Subtly within word-bank we, skillful, fisH <br>Here, there, refining able argumentS, <br>Task relatively simple once the swinG <br>Gets going, self-sustained, insanely swifT, <br>Uncanny erudition spins no gafF. <br>Faced with linguistic hurdles impromptU <br>Verve tames phonetic wild rose to disposeE <br>Each syllable with able scansion LISTSERV <br>Willingly transmits every lanD. <br>Doubting Thomas sceptic must kowtoW, <br>Xeroxing copies of masterpiece. No cyniC <br>Can deny neuronal synapses fleX <br>Youthful connections never dull or draB <br>Belying utter incredulitY. <br>Zeno might admit disciple. YeA! <br>Are change and motion illusory fuzZ? <br> <br> <br>Approaching final strophe words quick whizZ <br>Zestfully, translate to panaceA <br>Between the lines no critic may gainsaY. <br>Yes, here is talent, though Time’s taxi-caB <br>Culls everything: Death ‘dura lex, sed leX.’ <br>X marks the spot intelligence ad hoC <br>Delights combining letters meant to groW <br>Wittily together, tail to heaD, <br>Examines life’s progress as minstrel’s improV <br>Ventures beyond all duty’s call through lovE <br>For story told as object of virtU <br>Unexpectedly providing in a jifF <br>Graceful example of true talent’s gifT. <br>Theme is retained throughout this triple sonG. <br>Here good intentions, no lines misfitS <br>Some humour show. Alliteration’s sasH <br>Incorporates spiral sent to steeR <br>Reel really free from demon incubI <br>Juice sucking from the senses one to cinQ. <br>Quadrant space herein sees object, subJ <br>Key together, seldom seem to stoP, - <br>Perhaps because light waves mix quark and quirK <br>Link to and through mind’s magic kangaroO <br>Overleap barriers where most others falL. <br>Merry essay of one afternooN. <br>Naught ventured, nothing gained, you’ll meet no spaM, <br>No filler words, intelligence seeks beaM <br>Masterful, diverse, didactic, to gleaN, <br>Outside time, life’s essence on the boiL. <br>Lively vision, spurning constraints’ taboO, <br>Panders to none, no sentences sound weaK. <br>Kudos is gained through sharing though most weeP, <br>Quite out of depth with this endeavour’s obJ. <br>Jump queue cue line to line. Artist EsQ <br>Rapidly records ideas illuminatI <br>Instinctively admire, crowns his careeR, <br>Sparkling with wit for pleasure not for casH, <br>Humorous polysyllabic worthinesS <br>That scans throughout, and, more than anythinG, <br>Gives insight into ways art shows the lighT <br>Unseen before, as Moses’ rod and stafF <br>Forged a path to Holy Land’s bijoU. <br>Vivacious stanzas' single theme dream herE <br>Explain how poets play RachmaninoV <br>With practiced fingers, keyboard echoes feD, <br>Divinely taught, taut tempo seldom sloW. <br>Xylophonic resonance he licks enigmatiC <br>Creates mix musical most cares may fiX. <br>Yeast fermenting in neuronal huB <br>Blends moral sense and sensitivitY, <br>Zaps alphabet to perfect cup of teA, <br>And, teasing waits, points taken … all that jazZ! </div><div style="margin:10px 0"><br>Attempting a fourth verse in St. TropeZ, <br>Zen scribe feared vocabulary amnesiA.<br>Baited breath, awaiting fresh foraY<br>Yapping, tapping letters like a craB.<br>Could J Q V X Z key in? RelaX! <br>Xenophile rants avoided, muse most plastiC.<br>Devil-may-take attitude knew somehoW <br>Words’ worth mixed mirth with birth, gave stanzas punneD.<br>Expectantly he twined his strophe IV -<br>Visibly aware that Latin numeratE.<br>Fellows may draw on extra bordereaU<br>Unworried deadpan critics pan his ‘stufF’.<br>God’s granted me a very special gifT <br>Thought he as concentration let him brinG<br>Humour and skill in context. Little fusS<br>Seemed necessary though the scope and girtH<br>Impressive of the project caused a stiR.<br>Rising early, bold as GaribaldI, <br>Justifying MENSA test I.Q. -<br>Quotient suspect - onward Robin J<br>Knocked up an extra stanza scarce less deeP, <br>Pleasantly looking forwards, never bacK.<br>Lightheartedly his fingers to and frO<br>Oustanding essay penned and in a whirL<br>Majestically completed task amaiN.<br>Numbing might seem creative task to chuM<br>Nosily wondering what made mind huM <br>Musically as theme imaginative self-spuN.<br>One stanza in itself would seem a pearL, <br>Links four surpass all expectations. “ToO<br>Pretentious to deserve a double clicK, <br>Knack facile, with enjambements, food for foP, ”<br>Quipped envious Father Barnaby S.J.<br>Jesting the devil threatened PDQ<br>Refusing challenge from laic litteratI<br>Impervious to papal bull as beaR<br>Sniffing lavender honey, syrup lusH <br>Hibernation done, who’d hunger addresS. <br>Though stanza unrehearsed proceeds, song streaminG, <br>Gaily flows towards its final parT, <br>Uniting laughter, skill, it seems as iF<br>Fifth verse is not impossible as thrU<br>Vocabulary vast, creative tunE, <br>Extra effort in rare dialect slaV<br>Would, in time, be very well receiveD.<br>Due diligence may readers care to folloW, <br>Xenogamy induced by alphabetiC<br>Chain double helix thinking out of boX, -<br>Your author is no sacrificial lamB.<br>Best things come in small parcels, this, too lengthY, <br>Zones of comfort may disturb, agendA <br>Alarm, so let calm rule, we’ll turn to other biZ.</div><div style="margin:10px 0"> <br>23 February 2009 revised 26 February 2009<br>robi03_1859_robi03_0000 AQV_IJZ<br> <br>Amain – with all speed and or strength<br>Babylon Hanging Gardens, Rhodes’ Colossus – Wonders of the ancient world no longer extant <br>Bijou - jewel <br>Bordereau detailed note or memorandum of account; especially: one containing an enumeration of documents <br>Cinq – five – the five senses in this context <br>Cul-de-sac – dead end <br>Cull – weeded out, the person or thing rejected set aside as inferior in quality <br>Due Diligence - care that a reasonable person exercises to avoid harm to others. Corporate analysis in preparation for a business transaction <br>Esq. – esquire … in the U.K. equivalent of Mr. <br>Iconographic - Representing by means of pictures or diagrams; as, an icongraphic encyclopaedia. <br>Hadj – Islamic pilgrimage <br>IlluminatI - Persons professing especial spiritual or intellectual enlightenment. <br>Jehan and Taj - Shah Jehan built the Taj Mahal <br> jiff - jiffy, rapidly <br>LISTSERV http: //en.wikipedia.org/wiki/LISTSERV LISTSERV is the first electronic mailing list software application <br>obj - object objective <br>PDQ Pretty Damn Quick<br>quark hypothetical truly fundamental particle in mesons and baryons; there are supposed to be six flavors of quarks (and their antiquarks) , <br>Quadrant - the area enclosed by two perpendicular radii of a circle. Any of the four areas into which a plane is divided by two orthogonal coordinate axes <br>quirk a strange attitude or habit, verb: to twist or curve abruptly <br>Raj 1757_1847 British Empire over and in India <br>Razmataz – currently translatable as bling-bling <br>Seq – sequent, sequence <br>subj - subject subjective <br>Swengali - someone (usually maleficent) who tries to persuade or force another person to do his bidding <br>Virtu: objet d'art collectively, artistic quality, love of or taste for fine objects of art <br>Xanthic yellow <br>Xerophytic - adapted to a xeric (or dry) environment <br>Xylem - Wood <br>Xylophonic – as a Xylophone <br>Xenogamy - Cross fertilization. <br>Xerox - photocopy <br>Zany a buffoon in one of the old comedies; imitates others for ludicrous effect<br>a man who is a stupid incompetent fool <br> </div><div style="margin:10px 0"></div><div style="margin:10px 0"></div><div style="margin:10px 0">23 February 2009 robi3_18_robi3_0000 AQV_IJZ</div><div style="margin:10px 0"></div><div style="margin:10px 0">written tongue in cheek in respect of forms as in double helix abecedarian<br>variation on a theme Poetic Pizza Extravaganza - Temptations - Xylophonic Resonance He Licks Enigmatic <br> <br>Temptations<br>double helix abecedarian written tongue in cheek</div><div style="margin:10px 0"><br>A maiden fair met Mr. Z, <br>Zealous bigot not her cup of teA, <br>Before accepting Mr. Y<br>Years eight and eighty, not a deB, <br>Could nor with him nor Mr. X, <br>Xanax share, they weren't pneumatiC.<br>Decided that Mr. W <br>Was far too fat, had a big heaD, <br>Ended that and turned to Mr. V -<br>Viagra prized more than virtuE.<br>Found naught in common with Mr. U<br>Unkempt, distraught and very stifF<br>Gladly told him so and lefT <br>To an appointment with Mr.G -<br>His voice was raucous, spectacleS<br>Shady, of uncertain healtH, <br>Insensitive, an arrant cuR, <br>Ready to furnish alibI. <br>Judged him too seedy. Mr. Q<br>Questions refused to answer. Mr. J<br>Knew little, so she lost no sleeP, <br>Perplexedly, lost, in the darK.<br>Little Miss French called Mr. O<br>Of Bury St. Edmonds, and, bad girL<br>Made eyes, flirting with other meN<br>Now here now there as Cupid's aiM, <br>Netted another victim, SaM: <br>Most unfortunately Sam loved BeN, <br>Or was it Harry PercevaL, <br>'Life's full of surprises', she said, 'whO<br>Prepares for doomsday earthquake cracK? '<br>Kind lady then turned to Mr P<br>Queried his clothes, while Mr. J.<br>Just turned her down for some Miss Q -<br>Rebuttal neither you nor I<br>Is sure to understand because her floweR<br>Scent seductive low and higH? <br>Had perfumed all about who pasS <br>Their days around her, praises sinG, <br>Giff thanks for such a musky wafT, <br>Unusual neighborhoods does whifF.<br>Fair lady recovered, Mr. U, <br>Vain she found him, then fell her eyE<br>Eagle like on Mr. V<br>Who seemed as favorite most aheaD -<br>Dream dashed too soon when she did knoW.<br>Xavier his name was, saturnine sceptiC, <br>Crude of speech and rude of seX<br>Yet self-important spendthrift criB.<br>Befuddled by love she turned to Lady SlY, <br>Zara by name, who pleased sublime papA -<br>And thats tale gate date end from A to Z.</div><div style="margin:10px 0"><br>24 February 2009</div><div style="margin:10px 0">The first line begins with A and ends with Z<br>the next line begins with Z and ends with A<br>The next line begins with B and ends with Y<br>The next line begins with Y and ends with B<br>The next line begins with C and ends with X<br>The next line begins with X and ends with C etc etc etc</div><div style="margin:10px 0"> <br>written tongue in cheek in respect of forms as in double helix abecedarian<br>variation on a theme Poetic Pizza Extravaganza - Temptations - Xylophonic Resonance He Licks Enigmatic </div><div style="margin:10px 0"> <br>Poetical Pizza Extravaganza<br>double helix abecedarian</div><div style="margin:10px 0">Above average poetry must whizZ <br>Zestfully forwards as imagination's fleA, <br>Bites the author's itchy fingers. Cells greY<br>Yearn to express opinions, play, or graB<br>Conspicuous attention with honeyed words which waX<br>Xanadu with Coleridge nectar or express themes romantiC, <br>Devise riddles whose floW <br>Will offer encouragement to those who reaD<br>Enthusiastically or with excitement, able to reV <br>Vers libres, prose or traditional versE, <br>Formally structured or free before life says adieU.<br>Unlimited possibilities, both flexible and stifF<br>Glow, grow and encourage lighT <br>Themes, weighty arguments, or emotional sonG, <br>Heavy here, light there, avoiding pretentiousnesS, <br>Shaky grammar, bolstering inner growtH<br>Insight and altogether acting as an intellectual spuR<br>Rewarding to both reader and writer where not restricted to the I, <br>Judgemental values shed from Zimbabwe to IraQ.<br>Quest for recognition is perceived as holy hadJ, <br>Karmic grail accorded toP<br>Priority for life's boat that sooner or later springs a leaK, <br>Leaving little to survive Lethe's oblivion shampoO<br>Or inspire others to saiL<br>Manfully upon seas uncharted by other men or womeN.<br>New forms in themselves add no gleaM<br>Natural to the poetic book of life, and often lose steaM, <br>Mostly because of inaccessibility. Experiments abecedariaN<br>Or atonal contemporary 'e-zines' under whatever vanity labeL<br>Leave much to be desired, their quality is freequently toO<br>Poor to last, too topical, too obscure, or too darK.<br>Keeping in mind that the poet's creative leaP, <br>Quest, or self-centred search for memorial TaJ<br>Jehan might have longed to build in verse or prose colloQ <br>Remains forever elusive to most who use writing as an alibI<br>Inconclusive to compensate for the fact they are not up to paR<br>Sufficient for the course, and double bogey their entH<br>Half-hearted drive towards the proverbial Elysian green pastureS. <br>Thus, to quote Keats, the 'eternal longinG<br>Goes phut, stutters, stumbles, failed or forgotten, inspiration cuT, <br>Undone ambitions, prose or rhyme ugly and or stifF.<br>Final verdict is too often left to self-styled critics acting in lieU, <br>Vanity frequently fails to catch Fame's eyE, <br>Efforts dissipated, or meeting the same fate as BrezhneV<br>Whose invasion of Afganistan leaD<br>Directly to the Soviet collapse. Poetry should represent harmony and floW<br>Xcluding tongue-in-cheek prolifiC<br>Coarse unworked sentences such as those in this particular heliX.<br>Years later this thesis may, although written adliB, <br>Become a classic example of erudite poetic wordplaY <br>Zebra stripes critically stripped for sense - a pizza extravaganzA <br>Acrostic masking kabbalistic meanings beneath literary pizzazZ.</div><div style="margin:10px 0">26 February 2009</div><div style="margin:10px 0"></div><div style="margin:10px 0">written tongue in cheek in respect of forms as in double helix abecedarian<br>variation on a theme Poetic Pizza Extravaganza - Temptations - Xylophonic Resonance He Licks Enigmatic </div><div style="margin:10px 0">The first line begins with A and ends with Z<br>the next line begins with Z and ends with A<br>The next line begins with B and ends with Y<br>The next line begins with Y and ends with B<br>The next line begins with C and ends with X<br>The next line begins with X and ends with C etc etc etc</div><div style="margin:10px 0"><br /></a><br />poem by <a href="http://en.citatepedia.ro/by.php?a=Jonathan+Robin">Jonathan Robin</a><div class=q> <img src="https://www.citatepedia.ro/g/32share.png" style="float:left" alt="Share"> <script type="text/javascript" src="//s7.addthis.com/js/300/addthis_widget.js#pubid=citatepedia" async="async"></script><div style="display:inline-block" class="addthis_sharing_toolbox" data-url="http://en.citatepedia.ro/comments.php?id=424959" data-title="Double Helix Abecedarian - Xylophonic Resonance He Licks Enigmatic de Jonathan Robin" data-description="XYLOPHONIC RESONANCE HE LICKS ENIGMATIC Kindly refer to notes. and see Temptations and Poetic Pizza Extravaganza below :) Xylophonic Resonance double helix abecedarian The first line begins with A and ends with Z the next line begins with Z an..."></div> </div> </div>

solid border dashed border dotted border double border groove border ridge border inset border outset border no border blue green red purple cyan gold silver black