I'm playing dark history. It's beyond black. I'm dealing with the dark things of the cosmos.
What I'm dealing with is so vast and great that it can't be called the truth. It's above the truth.
All these other nations seem to appreciate what I'm doing and they want me to play the furthest out things.
And then when I went to Chicago, that's when I had these outer space experiences and went to the other planets.
Bach and Beethoven, all of them, they had to write something to please the upper structure, those with money and power.
The world is in such a bad condition that if they don't find what you call a redeemer, every man, woman and child on this planet will be eliminated.
It's such a tragedy that man endures in killing his brother and his own kind, putting him in jail and insane asylums, letting him lay out in the street.
But recently I began to feel that maybe I wouldn't be able to do what I want to do and need to do with American musicians, who are imprisoned behind these bars; music's got these bars and measures you know.